Chihei Hatakeyama - The River

Chihei Hatakeyama - The River
Genre : Ambient, Electronica
Listen
Buy It!

01 - Jade Green Water
02 - Under The Sun
03 - Light Drizzle
04 - Mud
05 - Gray Hued Sky
06 - Twilight Gloom
07 - A House In The Fog
08 - Lance And Arrow
09 - A Temple In The Past
10 - Phantasm

Download

Limited edition 500 CD in a digipack. Artwork by Alexander Archer-Todde. Release date: 19th September 2009.

Chihei Hatakeyama is a Japanese artist living on the outskirts of Tokyo who produces some of the most beautifully refined and emotive ambient music around. With releases on Kranky, Room 40, Under the Spire, Magic Book Records, Spekk (as Opitope) and now Hibernate Records, he has quickly established a solid and unique footing in the genre. I have followed Chihei’s work since his first full-length release on Kranky in 2006, Minima Moralia, which remains one of my favorite albums to this day. This album is full of dense drones and texture with suggestive melodic phrases intervening at just the right moments.

The River is a step in a different direction, with a strong theme and trajectory from start to finish that becomes all the more apparent when listened to in appreciation of one of Chihei’s influences – the film Apocalypse Now directed by Francis Ford Coppola. “You know why you can never step into the same river twice? …’cause the river is always moving.” A curious quote from this film where the Nung river is the lifeblood for the local population as well as the occupying soldiers, but is also symbolic of the the progression and struggle of humanity against herself and nature.

In his words, Chihei’s productions can be described as “memory-evoking soundscapes” composed “with various recorded materials of acoustic instruments such as guitars, vibraphone, and piano…played by hand and processed time and time again via laptop.” The River opens with Jade Green River, a track that builds with swaying tones in the higher frequencies, but with relief provided by a reassuring, resolving drone in the lower frequencies. This sets the fluxuating mood for the album. The music ebbs and flows, interspersed with soft, warm moments like light drizzle, to darker, mysterious pieces like a temple in the past. This is an engaging piece of work that satisfies greatly when listened to on headphones, but also provides an introspective atmosphere when listened to at low volume over loud speakers. This is a real gem of a release – a hopeful sign of what we might expect in the future from Chihei and from Hibernate recordings.