Implodes ::: Black Earth

Implodes ::: Black Earth
Genre : Drone, Ambient, Experimental

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1. Open the Door
2. Marker
3. White Window
4. Screech Owl
5. Oxblood
6. Meadowlands
7. Wendy
8. Experiential Report
9. Song for Fucking Damon II (Trap Door)
10. Down Time
11. Hands on the Rail

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Implodes are an experimental rock quartet based in Chicago who defy all attempts at pigeonholing… Centred around core members Matt Jencik and Ken Camden in 2009 and began practicing and writing in isolation until becoming the tight unit they are today. Having performed a number of live shows, they then went on to release a self-titled cassette that received positive reviews and it is with great anticipation that fans have awaited a full length album. Black Earth rises to the occasion and is a work which will entice listeners to delve into the band’s world of deep, dark and dare I say it, cinematic music. Though it is a word overused almost to the point of cliche, Implodes are indeed eclectic within the realm of guitar driven Rock and at times the band can sound like the logical successor to early Sonic Youth at their dissonant best. They also contain shades of influential Noise-Rock band Swans and perhaps something of the melancholic ambience of The Jesus And Mary Chain, but they are not reduced to the sum of their influences. No, they appear to learn the lessons of each precursor and move onwards, forging a new sound entirely their own. ‘Open The Door’ serves as introduction with a short atmospheric track of repeated chord progressions hidden beneath a surface of delay, and it is not until succeeding number ‘Marker’ that the band throw themselves into their performance. The guitars are naturally the focal point here and they sound powerful but just out of reach behind echo and reverb, while the bass and drum rhythm section have the difficult task of keeping time with such intangible audio. Despite the discord and frequently unintelligible vocals, usually delivered spoken or snarling, there is most often a catchy melody to encourage spontaneous involuntary head movement. With this mixture of challenging material wrapped in melodic verse, one imagines the band must be a real tour-de-force live. Alongside these heavier tracks and the occasional short piece, there are moments when Implodes veer into a more experimental direction. The band shun percussion and slow down for the ambient soundscape of ‘White Window’, while a Krautrock influence within ‘Wendy’ offers another element to the band’s repertoire. Penultimate track ‘Down Time’ is an ambient piece as beautiful as it is brief and Black Earth then closes with ‘Hands On The Rail’, a noisy dirge steeped in feedback and harmonic lead guitar. That which makes Implodes an exceptional listen also makes for difficult explanation. The band simply refuses to be easily categorised, so before they are arbitrarily tacked on to Shoegaze, Ambient or Rock, a new genre may be needed and Post-Post-Rock just will not do. Released April 20th on Kranky, Black Earth is available in CD and LP editions. - Review by Adam Williams for Fluid Radio

VA ::: Tasogare Live in Tokyo Folder

VA ::: Tasogare Live in Tokyo Folder
Genre : Electronic, Ambient, Drone

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01-minamo live in tokyo april 11 2010
02-sawako and hofli live in tokyo april 10 2010
03-moskitoo live in tokyo april 10 2010
04-solo andata live in tokyo april 10 2010
05-taylor deupree live in tokyo april 11 2010

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12k compilations are always a treat, and this bumper set of live recordings is no different. Collecting five sets from performances of Tokyo, we get long-form improvisations and compositions from Moskitoo, Sawako + Hofli, Solo Andata, Minamo and Taylor Deupree to boot. Already with names like this you should know you’re getting quality, and the tracks don’t disappoint. Minamo kicks off proceeding with an effortlessly warming ten minutes of guitar drenched electronic bliss. With rotating oscillators and swathes of ambient noise the acoustic guitar soars into the eventual cloud of delicate hum and sublime transcendence. My pick of the set comes from Aussie duo Solo Andata, who continue their streak of top-form business with a twenty minute slice of dark, Thomas Koner-influenced sub-sonic ambience. This is a much-needed yang to the near-twee of Sawako and Moskitoo, and as the disc comes to a close with Taylor Deupree’s gorgeous, dusty fifteen minute composition you’ll know all is right with the world.

Ossining ::: I Will Be Missed

Ossining ::: I Will Be Missed
Genre : Electronic, Ambient, Drone

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01 Mirror Warmer
02 Go For Pinks
03 Moons

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Super-limited pressing of just 150 copies for the world - if you're into Oneohtrix Point Never, don't miss this* Digitalis activist Brad Rose maps out three passages to synthetic galaxies with Kevin Danchisko of Sovetskaya Gone. For the keenest of observers, they dropped two tapes last year, but 'I Will Be Missed' is their first vinyl release, containing three new tracks of vast and mysterious drones punctuated with starbursting synth patterns and a wide-eyed effect harking back to early 90s ambient qualities with a nod to narcotically laced Americana that fand of Oneohtrix will adore. However, as it's a Digitalis release, there's something disturbed and just a little squinted lurking in the background, especially with the lengthy A-side composition 'Mirror Warmer'. The near psilocybic queerness of the melodies and spacious harmonics also recall Leyland Kirby's distorted memories but threaded with howling inhuman voices shrieking way back in the ether while the symphony continues to phosphoresce regardless, almost ignorant of the pain underneath. On the other side the choral voices (or are they just synths?) of 'Go For Pinks' recaptures the spirit of a chill-out room for a midwest American rave, but with a more sinister, brown speckled twist. 'Moons' completes the album with stray arpeggiations, godly vocal harmonics and bloopy sequences masking an underlying tension, perhaps saying that this form of dosed-up, lethargic escapism has something intrinsically wrong and unusually disturbing. Fans of feeling strange should book themselves on this trip without delay...

Black Swan - In 8 Movements

Black Swan - In 8 Movements
Genre : Electronic, Ambient, Drone

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01 Part I
02 Part II
03 Part III
04 Part IV
05 Part V
06 Part VI
07 Part VII
08 Part VIII

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Majestic and mysterious album of lucid dreamlike dronescapes from an unregistered entity - quite a must for fans of Stars Of The Lid, Leyland Kirby, Phillip Jeck or Indignant Senility. 'Drones For Bleeding Hearts. In 8 Movements' submerses us in a flickering, half-lit world of creaking, unidentified acousmatic sound and orchestrated drones with chillingly tangible atmospherics. When Black Swan drops the temperature, say with a sudden ghoulish howl from the peripheries or a disorientating blast of icy nothingness, you can practically feel your hair moving in kinaesthetic syncopation. To this degree he evokes the psychedelic, gaseous nature of Phillip Jeck's music and also the piloerect effect of Indignant Senility's Wagnerian overtones. But there's something detached, silhouetted and lurking between the lines that suggests something creepier, as though Black Swan is watching you listen to his music with a face caught somewhere between voyeuristic sneer and irreconcilable sorrow. It's too early in the day to be falling into this right now, but once night falls we'd imagine the effect to be massively intensified.

Federico Monti ::: Sorolls

Federico Monti ::: Sorolls
Genre : Ambient, Electronic, Drone

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1. Perfil 1
2. Perfil 2

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The field recordings for 'Sorolls' were taken on the sea and mountains between March and June of 2010. Sorolls' two pieces were processed with granular synthesis. This release was put together for a deep listening.

Tuluum Shimmering - Heart Of Sky Heart Of Earth

Tuluum Shimmering - Heart Of Sky Heart Of Earth
Genre : Ambient, Drone, Experimental,

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01 – Heart Of Sky Heart Of Earth A
02 – Heart Of Sky Heart Of Earth B

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VA - n5MD: The Reconstruction of Fives

VA - n5MD: The Reconstruction of Fives
Genre : Electronic, Experimental, Drone

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CD 1 - Cover Versions

01. Pale Sketcher - Secret Knots 5:18
02. Nadja - I Used To Be Sad 7:00
03. Architect - Blood Tracer 5:45
04. Worriedaboutsatan - 63 (She Was Trying To Sleep, I Was Trying To Breathe) 7:47
05. Bersarin Quartett - The Deep And Lovely Quiet 4:10
06. Ben Lukas Boysen - And By Sweet I Mean 6:06
07. Jasper TX – Colder 8:01
08. Rafael Anton Irisarri - A Storm Tore This House 5:19
09. Dalot – XX 7:28
10. Winterlight - National Geographic 5:45
11. Boy Is Fiction - Oh! Toronto 6:17
12. Miwon - Amidst 4:45

CD 2 - Original Versions

01. Proem - Secret Knots 3:06
02. Port-Royal - I Used To Be Sad 4:41
03. Tobias Lilja - Blood Tracer 8:55
04. Plastik Joy - 63 (she was trying to sleep, i was trying to breathe) 7:31
05. SubtractiveLAD - The Deep And Lovely Quiet 5:25
06. Proem - And By Sweet I Mean 13:44
07. Bitcrush - Colder 4:13
08. Last Days - A Storm Tore This House 5:45
09. Hologram - XX 6:04
10. Run_Return - National Geographic 2:41
11. Lights Out Asia - Oh! Toronto 3:53
12. Another Electronic Musician - Amidst 5:13

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To mark the imprint's 10th anniversary n5MD has assembled a very special budget priced compilation with a slightly different viewpoint. “The Reconstruction of Fives” features songs from the n5MD catalog covered by a hand picked group of like minded and personally admired artists. Pale Sketcher (Justin Broadrick/Jesu/Final), Nadja, Architect (Daniel Myer/Haujobb), worriedaboutsatan, Bersarin Quartett, Ben Lukas Boysen (Hecq), Jasper TX, Rafael Anton Irisarri (The Sight Below), Boy Is Fiction, and Miwon all re-envision their favorite n5MD tracks in their own signature styles. Two of n5MD latest signings Dalot and Winterlight also weigh in on covers from two of the label's alumni. A different perspective on n5MD's output which is a must have for fans of the label or any of the participating artist's bodies of work.

Concern ::: Caesarean

Concern ::: Caesarean
Genre : Ambient, Electronic, Drone,

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01.Discrete Memorial 09:50
02.Mending 07:32
03.From Warmth And From Violence 16:47
04.Immersed In Envy, Porous With 33:52
Forgetfulness
05.Leaving Gold 08:37

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Rather than stringing out drones from analogue synths, soft synths or field recordings, Concern’s Gordon Ashworth instead calls upon the services of various acoustic sound sources (clarinet, banjo, guitars, organs and more), all collaged together in an almost tangibly physical recording environment that seems a million miles away from the computer-dominated soundscapes this genre generally throws your way. It’s only the start of a very long journey (the album isn’t too far off maxing out the disc), but you might have trouble moving on from ‘Discrete Memorial’. It’s really quite wonderful; full of faults and dropouts, an introductory piano riff fires up in a stuttering loop, before languid woodwind tones join in. In theory this would all sound a bit derivative of William Basinski, but Ashworth ably asserts a very different voice on these pieces and certainly doesn’t adhere to any strictly repetitious loop-driven formula. Even on more conventionally drone-driven compositions like ‘Mending’ or ‘Leaving Gold’ there’s very evidently something special about those shimmering harmonics and endlessly sustaining strings; as much as the music itself, it’s to do with the production and the way the instruments dissolve into one another as Ashworth pieces the different elements together. Using both cassettes and quarter-inch tape, the album layers various crumbling stretches of acoustic sounds – perhaps never more adeptly than on the finely spliced ‘From Warmth And From Violence’ and its half-hour-plus follow-up ‘Immersed In Envy, Porous With Forgetfulness’, a formidable, slow-moving montage of ideas and sonic environments. Opening with ten minutes or so of dazzling metallic thrum, Ashworth goes on to pool sparse, untreated concrete sounds with overspilling harmonium chords to tremendous effect. Like Caesarian as a whole, it’s not easy to pinpoint precisely what it is about all this that distinguishes Concern as something special, but take a listen and it’ll soon become self-evident.

Dryft :: Ventricle

Dryft :: Ventricle
Genre : Ambient, Electronic

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01. Recalcify (4:52)
02. Marked Velotin (5:53)
03. Knives As Gifts (7:41)
04. No Bargains, No Pleas (feat. Xiescive) (7:05)
05. Vector Step (Regeneration) (6:35)
06. Vapours And Waste (6:42)
07. Transmission (5:55)
08. ...And Again (4:40)
09. (Re)prise (3:37)

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Ventricle is the latest album from Mike Cadoo's long dormant Dryft side-project. The album deviates from Cadoo's current main project Bitcrush just as previous Dryft efforts strayed from his previous group Gridlock. This time, however, it’s fair to describe Dryft as bearing more resemblance to Cadoo’s past than to any passing flirtation with fringe genres. Moreover, like a message in a bottle, it is as though all that Cadoo had failed to completely express through Gridlock had been stored away subconsciously and now, as Ventricle, that bottle has finally washed ashore. While Cadoo is the first to acknowledge the stylistic similarities between Ventricle and his contributions to Gridlock, he warns against making specific comparisons. This is new music. Caveats aside, the massive, enveloping drones and rusty clatter that anchored his former band are omnipresent. Powered by overdriven, symphonic walls of slowly evolving melodies matched with rhythms that recall the drum-n-bass of Cell (2000), the industrial battery of Gridlock and the jammed funk of his Mytotyc Exyt EP (2002), Ventricle is a true opus that offers revolution and retrospective in one. No matter the degree of hyperbole applied, the term “side-project” has never felt more out of place.

Aidan Baker :: Liminoid / Lifeforms

Aidan Baker :: Liminoid / Lifeforms
Genre : Electronic, Ambient, Drone

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1 Liminoid (Part I) 8:17
2 Liminoid (Part II) 6:35
3 Liminoid (Part III) 7:43
4 Liminoid (Part IV) 15:12
5 Lifeforms 29:21

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While Alien8 Recordings has had the pleasure of releasing three full-length albums by Aidan Baker’s ambient doom project Nadja, as well as his collaborative effort Fantasma Parastasie with Tim Hecker, this marks our first solo release with the artist.

Although we consider Liminoid/Lifeforms to be a solo effort, there are in fact no less than eight guest musicians helping out on the recording. These include Canadian noise legend Knurl (a.k.a. Alan Bloor) who has been released three times on Alien8 Recordings prior to this recording, as well as members of Arc, Picastro, Forest City Lovers and Whisper Room.

Liminoid is a composition for large ensemble exploring sonic immersion in drones and textures, rhythms and pulsations. Incorporating composed and improvised segments, the piece uses elongation of sound and layered polyphony in an attempt to create a liminal and/or numinous state. This recording of Liminoid is from its premier at The Music Gallery’s X-Avant Festival in Toronto, October 25, 2008. The piece features a powerful vocal performance with every member sharing the vocal duties. The lyrics have been adapted from 5th-8th century Coptic Christian texts and inspired by the book Ancient Christian Magic by by Marvin W. Meyer & Richard Smith.

The ensemble members for this performance were: Aidan Baker (guitar/voice), Clara Engel (guitar/voice), Nick Storring (cello/voice), Jakob Thiesen (drums/voice), Richard Baker (drums/voice), Tillman Lewis (cello/voice), Laura Bates (violin/voice) and Jonathan Demers (guitar/voice).

Lifeforms is a composition for strings, prepared/effected guitar, and amplified metal works. Likewise incorporating written and improvised material, the piece was originally commissioned and performed by The Penderecki Quartet in 2003. This recording was made in August 2008 at Commonwealth Studios in Toronto. The performers were: Aidan Baker (guitar), Nick Storring (cello), Mika Posen (violin) and Alan Bloor (metal works).

This recording has been both skillfully mixed from multiple recordings and mastered by James Plotkin.

Fаbiо Оrsi :: Wintеrrеisе

Fаbiо Оrsi :: Wintеrrеisе
Genre : Electronic, Ambient, Drone

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01-fabio_orsi-part_one
02-fabio_orsi-part_two
03-fabio_orsi-part_three
04-fabio_orsi-part_four
05-fabio_orsi-part_five
06-fabio_orsi-part_six

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Fabio Orsi has been steadily building his catalogue with releases on Students of Decay, Foxglove, Sentient Recognition Archive, A Silent Place, Students Of Decay, Low Point and Preservation. He makes his debut this week on Japan's Slow Flow Rec following excellent releases from Celer and Ian Hawgood. The audio comes in six parts and it's really doing the business for me. It's ultra soothing ambient/ drone of very high quality that just gets you in that zone. He composes using guitar, effects and old keyboards and creates a stirring and emotive sonic landscape. I think I've probably exhausted my vocabulary in terms of writing about this style so I'll spare the adjectives and give this a very high recommendation.

Cylon - Against A Backdrop Of Blue Hills, They Were As Beautiful As A Lullaby

Cylon - Against A Backdrop Of Blue Hills, They Were As Beautiful As A Lullaby
Genre : Ambient, Electronic, Drone

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01 Blue Hills
02 A Wave In My Backyard
03 As I Felt Asleep
04 21.20
05 Drifting Into Daydreams
06 Fjord
07 Untitled II (For Tape)
08 Departure
09 Untitled V (For Tape)
10 19.07
11 The Last Days Drove Off

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Another release?! Yes, my archive is filled to the brim with finished songs and projects: I might as well release some of them.

I've always had a thing for tapes, and during the last couple of years I've frequently recorded small ambient/drone pieces using tapes as the main recording media. By now I've gathered a pretty substantial amount of "tape-drone-tracks", so I thought I'd release some of them (for your possible pleasure). Eerie, noisey, melancholic and uplifting! Everything and nothing at the same time.

This "album" was not in any way meant to be a fully fleshed out project, but it turned out remarkably coherent. Initially, it lasted around 4 hours, so i've had to cut out some tracks. These 11 pieces are the ones I felt fitted well together. Take a listen. You might like it - in that case, great! If not, well, be glad you didn't waste any money on it. Should you like it, please spread the word.

Wereju - The Way Of The Cross

Wereju - The Way Of The Cross
Genre : Electronica, Ambient
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1) He Knows That Time Is Short (15:24)
2) Forsaken (4:45)
3) Halo Wrapped In Thorns (8:56)
4) The Nails Go In (7:55)

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This is the fifth release of Wereju's label "Idrone Park" like all Idrone park releases this comes in a black cardboard card with photographic artwork on it. the CDr itself is white. It has a photo of a cross on a mountain and in the inlay you see jesus crawling with a cross on his back. This music is all about suffering. carrying your own personal cross on your back.
A very heavy album like i am used from Wereju. Wereju itself means in Russian "I believe" which is an interesting addition to this album from this man from Ireland. The first track is called "He knows that time is short" which is a 15 minute slow evolving and mourning piece, soaked with sadness and pain. It is also the most melodic and melancholic piece of this album. The middle part is very dark but at the ending it gets more euphoric, like a man who knows he will die finally accepting his own fate. Track 2 "forsaken" is a short 5 minute track. This track is very cold and distant. "Halo wrapped in thorns" the third is a 9 minute track which gets more dark and violent then the others, the sound gets harsher and harsher and deeper and darker. Suffering and nothing else. The end piece is called "the nails go in"which is cold, dark and very empty. Like all the pain has gone, aswell as all emotions, a dead man hanging on his cross.

Spheruleus - The Disguised Familiar

Spheruleus - The Disguised Familiar
Genre : Ambient, Electronica, Drone,
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1 - As The Warmth Fades (17:02)
2 - A Significant Circle (13:10)
3 - How White The Cerulean Sky (10:32)
4 - Blue Moon (9:35)

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Spheruleus, aka Harry Towell, is a British artist who records music under a variety of project names, probably the best known being Audio Gourmet. With this release, he brings us a lovely and peaceful collection of still life portraits captured on a singular winter's day when much of England was blanketed with snow by a particularly heavy winter storm. Spheruleus combines field recordings captured on that day with beautifully conceived ambient drone pieces, creating a sublime collection of some of the most restful pure ambient music we've heard in a while.

On this release, Stuart Towell contributes some delicious ambient guitar that really helps cement the floating and placid feel of the tracks. Interestingly, we are told that ordinarily Stuart doesn't do ambient music but decided to give it a go on this exceptional day. We would encourage him to consider doing ambient more often, because his contributions to the pieces are simply excellent.

Overall this is a refreshing album, a perfect set of tracks to enjoy on a winter's morning with a steaming cup of tea and a nice warm blanket. We are very happy to be bringing our audience the music of Spheruleus, and hope this is the first of many releases to come on Earth Mantra.

Summons of shining ruins - ileun

Summons of shining ruins - ileun
Genre : Ambient, Electronica, Drone

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01 Oido - Winter
02 Jimbo & Euna
03 Absolute Crying
04 Ileun
05 Sits Alone
06 Do Not Know Where to Go...Late Night Panic
07 Eyes Closed, Feels Light, Quiet..Quiet...
08 Enoshima - Summer

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This album is different from a usual SUMMONS album a little. I tried to see through the unknown smell, sign and feeling and I made an effort in order to exclude a lie from there thoroughly. Did I bring it close to truth? Everything was always already shining. Should I make music? The feeling of the bit of hope was awesome than that of the imagination. That was found at everywhere. On the way where I begin and walk. In a limited time. Break a mirror! You should see on the other side.. Offered to your smile.

Grouper / Xela - Tsuki No Seika: Volume 1

Grouper / Xela - Tsuki No Seika: Volume 1
Genre : Ambient, Drone, IDM

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01 - Pale Through
02 - I Drowned Her In A Dreamless Sleep

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Strictly speaking, this split 7" from Grouper and Xela is a subscription-only release, and so shouldn't really be available to shops.
This record marks the very first installment of Root Strata's 'Tsuki No Seika' series, a sequence of four 7"s that will go on to include contributions from Christina Carter, Richard Youngs, Islaja, Zelienople, Hisato Higuchi and Valet. The common theme running throughout is a restriction to acappella compositions, and the overall air of autonomy and self-sufficiency is even carried over into the artwork: each artist illustrates their own side of the sleeve. Grouper's musical contribution has something faintly festive about it, sounding like the warm-up hum of undead Christmas carollers. The piece acquires the seamless, fog-caked, drone-like quality that characterised Liz Harris' earliest output, momentarily abandoning her more songwriterly instincts for a return to the brilliantly intangible and esoteric qualities of 'Way Their Crept'. The Xela side is more discernible as a vocals-only piece, and avoiding droned-out abstraction he layers darkly reverberant falsetto recordings that tap into the almost Arvo Part-like streak recurrent in his work of late. The tone encroaches on something that's at least similar to ecclesiastical music, taking on the improbable aesthetic of a one-man church choir from the fourteenth century. Only the song's title upsets that logic: it's called 'I Drowned Her In A Dreamless Sleep'. This all makes for an exceptional start to the series, and with the likes of Carter and Youngs - both seasoned purveyors of unaccompanied vocal recordings - waiting in the wings, this bears all the hallmarks of an absolutely classic collectors edition.

Elm – Nemcatacoa

Elm – Nemcatacoa
Genre : Ambient, Electronica, Drone
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1 Nemcatacoa
2 In The Shadow Of Red Rock
3 Silver Dust In Moonlight
4 Arc Of Wisdom
5 Sacrament At Dusk
6 Breath Of Midnight Still
7 Covered In Blankets And Moss
8 Three Rings Drawn In Sand
9 Deep Mirage

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For my money, Barn Owl is the best new band to emerge in the last five years. Their trajectory has been meteoric, progressing musically and conceptually in leaps and bounds. I've been thrilled to be there from the beginning, watching and listening in awe as the duo of Jon Porras and Evan Caminiti have carved out an impressive niche of their own. Heavy doses of guitar savagery and tribal essence have them firmly planted at the top of the mountain. So it makes sense to deconstruct the duo and present each as a solo entity, soaring on their own.

Elm is the name of Porras' solo creations. His music retains the megasonics of Barn Owl, but finds his tutelage deep in the heart of the desert. "Nemcatacoa" is a lonesome, epic journey. Named after one of the deities of his Colombian heritage, his latest full-length (and first large-scale solo release) feels huge and endless. Walls of guitars shatter beneath the weight of the booming percussion blasts that find their way from the caves into the light. An acoustic guitar is mournfully plucked, the beginning of a procession of the dead. "Nemcatacoa" is an album begging for somebody, anybody to find and embrace.

Porras is a master artist. The instrumentation at work here is even more impressive when you consider it's played by a lone soul. Guitars, Rhodes, Harmonium, Trumpet and more echo through the caverns of the ancient Earth. Even though this album is dark and at times bleak, it never overpowers. Traversing similar aural planes as Sunn O))) and Earth, Porras is staking a claim all his own. As his voice wails over blankets of guitars, he never loses sight of the golden life ahead. Incredible.

Voder - Ísland

Voder - Ísland
Genre : Ambient, Electronica, Drone
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1.Slejalandsfoss
2.Vatnajökull
3.Kerio
4.Reykjadalur
5.Jökulsárlón

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Jason Scott - You Keep Me Hidden EP
Genre :Electronica, Experimental, Shoegaze, Drone, IDM
Myspace

1. you keep me hidden
2. what we do right is wrong
3. celeste
4. in youth

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Yarn:Moor - So, I’ll Take Your Hand And..
Genre :Electronica,Electro-Pop, Drone
Myspace

1. warm, sweet and freeze
2. it’s blooming
3. 1014
4. one cold day
5. after time in the forest
6. pool of the sun
7. snuffed at spring breeze today
8. ephemera

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