Seefeel - Seefeel

Seefeel - Seefeel
Genre : Shoegaze, Electronic

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01 O-on One
02 Dead Guitars
03 Step Up
04 Faults
05 Gzaug
06 Rip-Run
07 Making
08 Step Down
09 Airless
10 Aug30
11 Sway

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Conceived by Mark Clifford and Sarah Peacock in the early 90's, Seefeel immediately became groundbreaking leaders of the divergent quasi-movement known as "shoegaze", by amalgamating electronics in ways most of their peers in traditional bands would never dream of. They managed to fuse the early Acid House and techno sounds with guitar, drums and bass into urgent melodic waves that on early releases like Quique and Succour oscillated between hopefulness, introspection and downright menace. Now comes the all new self-titled full length, as a new generation of young bands the world over look once again to building their own walls of sound, Seefeel stand ready again to play not only the inspired outsiders, but also the inspirational forerunners. With much talk of implied mysticism abound in music these days, Seefeel deals this out in sonic revelations. From the glacial "Airless" to the lumbering intensity of "Dead Guitars" and the ghostly harmonics of "Faults" each step feels of deeply personal progression. Mark Clifford, "There is a real dynamic, creative process that’s exciting. I feel the music we have made for these initial releases is just the very start and we already have a number of ideas/tracks in place for future releases that I feel push our own boundaries even further. As well as this, we are growing as a live band, adding elements of improvisation and looser structures unimaginable to us a few years back, and with continued touring I'm excited to see how we develop in that direction."

Pale Sketcher - Can I Go Now (Gone Version)

Pale Sketcher - Can I Go Now (Gone Version)
Genre : Ambient, Electronic, Shoegaze

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1 Jesu - Can I Go Now (Gone Version) 5:46 Remix - Pale Sketcher
2 Jesu - Can I Go Now (Gone Version) 7:21 Remix - Donnacha Costello
3 Jesu - Can I Go Now (Gone Version) 5:26 Remix - Syntaks

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The first single to be lifted from his selection of Jesu remixes (Jesu: Pale Sketches DeMixed), 'Can I Go Now (Gone Remix)' finds Justin K. Broadrick exploring a more luscious, emphatically electronic strand of his material than ever before. In addition to the epic, Autotuned pop of the original lead track, remixes are supplied by Donnaccha Costello and Syntaks: the former extends the original into a dramatic, slow-building opus that denies you drums for almost four minutes, but comes good in the end with a light but stealthily euphoric finale. Syntaks meanwhile detunes some synths and amps up the beats for a touch of woozy, Manual-like electronic shoegazing.

RQTN - Decades And Decisions

RQTN - Decades And Decisions
Genre : Electronic, Shoegaze, Classic

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09 2010 - A New Decade
08 2003 - A Motionless Frozen State (ft. Antoine Ollivier)
07 1997 - A Block In Town
06 1986 - A Son To Concede All
05 1982 - A Dawn To Remember
04 1970 - A Gaze Towards The Lighthouse
03 1955 - A Shelter For Lovers
02 1942 - A Struggle In The Haze
01 1928 - A Birth Among Others

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RQTN is the solo musical project of the young french producer Mathieu Artu.

His music is a subtle mix between classical music and modern influences such as new-wave, post-rock and pop music.

He already released 2 EPs in 2008 and 2009, «We Were... We Are» on Swarm Of Nails Records, and a self-titled EP on free digital download.

«Monolithes En Mouvement», his first - successfuly acclaimed - album, was released in May 2009.

In 2010, RQTN strikes back and composes a new album : Decades And Decisions.

When the clouds :: The longed-for season

When the clouds :: The longed-for season
Genre : Shoegaze, Electronica

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01. The Dawn and The Embrace
02. Rise On
03. Flooding River
04. November Song
05. The Place Where This Path Leads
06. The House of Sleep

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When the Clouds is the recording project of artist and producer Franceso Galano of Salerno, Italy. Francesco has a strong passion for art which has led him from an early age and culminated in his decision to study Painting at the Academy of Fine Arts in Florence. At age 13, he had his first brush with making music via a broken acoustic guitar which he'd received as a gift from his uncle. From that moment on, his life was divided by two passions: art and music. While playing in several bands as a teenager, he also began composing music on his own. Francesco released his first demo in 2004, under the name Eid Ethyca, called “White Noise, Awake Memories”. This early project was close to the musical dimension he'd later finesse as When the Clouds. One notable difference being, voice was an important component to the song structure. With When the Clouds he's focused more on sound, spending time studying and obsessing over musique concrète's textures, noises and glitches. As a result he's steered towards instrumental music, and began to incorporate acoustic instruments in his sound. His focus on more organic sound, he's started to make extremely narrative instrumental electronic music that in and of itself tells a story. In each of these tracks, each listener could define in words or images something different. Inspired by the pastoral beauty of nature and its evocative power that holds sway over him, When the Clouds' very name can be left open to interpretation, just as any viewer can find shapes or meaning in the clouds themselves as they pass overhead. The Longed-For Season is a six track tapestry that reveals more and more of itself with each listen. Equal parts restraint, masterfully crafted tension and euphoric release that will leave listeners lost in thought. RIYL: Mum, Telefon Tel Aviv, The Soul's Release.

Jаtun :: Вlаnkеt оf Аsh

Jаtun :: Вlаnkеt оf Аsh
Genre : Shoegaze, Electronica

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01. Blanket of Ash
02. Electricity
03. Try Me, Mental-A
04. Overhead The Air Waves
Side B
05. The King of Nostalgia
06. Circuit Eater
07. The Thin
08. Space Be Gone (Free Digital Bonus)

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Influenced by an expansive range of artists, genres and styles, Alan and Scott have learned to interpret and appreciate sound from a broad perspective. Such open ears have facilitated an understanding of sonic interplay, and acute attention to arrangement and detail. Armed to the teeth with an arsenal of quality, vintage gear and a penchant for capturing the resultant noises, they craft music thoroughly and thoughtfully. Lush, enveloping and hyper-textured, Jatun’s songs blanket themselves around your ears and saturate your head with warm and intoxicating, Orange-tinged tones.

Manual :: Drowned In Light

Manual :: Drowned In Light
Genre : Shoegaze, Electronica

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1 Warm Circuits 1:17
2 Afterimages 4:33
3 Biarritz 6:54
4 Phainomenon 9:44
5 Drowned In Light 3:43
6 Empty Inside 4:39
7 Pulsations 7:10
8 Morning Glass 1982 6:14
9 Slow 2:32
10 Blood Run 6:23
11 Sabishisa 2:19
12 Issa 5:04

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Manual, a.k.a. Jonas Munk, is a producer from Odense, Denmark specializing in a unique brand of warm, organic music that fuses elements of new and old, electronic and hand-played, analogue and digital. He made his debut 10 years ago with an EP on Hobby Industries, followed by a handful of releases on Morr Music, both as Manual and with Icebreaker International, as well as his band Limp. Later, Munk signed with Californian label Darla and expanded his work into the area of minimalist ambient music while still perfecting the original Manual sound.

While completely unknown in his native Denmark, Munk is considered an influential artist in the circles of dreampop and electronica, touring all over the world, and collaborating, with artists including Ulrich Schnauss, Robin Guthrie (Cocteau Twins), Auburn Lull and, perhaps more surprisingly, members of Tortoise and Sunburned Hand of the Man. He has also scored a number of documentary films and undertaken production work for other bands and artists. Aside from collaborations, two minimalist ambient albums and a rarities collection from 2007, “Drowned in Light” is the first Manual album in five years. It is also Manual’s first for Make Mine Music, the pioneering artist-led co-operative label that is also home to releases by Piano Magic, Library Tapes, July Skies and Epic45.

Manual’s style has been described as "one of the most recognisable in electronica". At the core of this lies an ongoing desire to fuse electronic music with the structures and compositional elements of rock and pop, and an insistence that electronica can be fresh and innovative without flowing with the latest trends. Never have Munk’s unique strategies been more apparent than on his new album “Drowned in Light”, an ambitious work that showcases Munk’s talent for adventurous compositions, his finely-tuned production skills and aptitude for sound-design. On this latest album, drum machine loops and shimmering guitars (electric, acoustic, 12-string and flamenco) are bathed in analogue synth and modular effects, creating a lush, intoxicating sound that looks back to the 1970s and 1980s without a hint of the usual sleek irony or hip retro-revivalism, whilst simultaneously looking forward to a time when boundaries between programmed and played, and synthetic and organic, have become obsolete.

The family tree of “Drowned in Light” begins with Harmonia, Ash Ra Temple and Ennio Morricone in the 1970s, Durutti Column and Cocteau Twins in the 1980s, through to Seefeel and Slowdive in the 1990s. Manual continues this lineage and pushes into new territories. A prime example is “Biarritz”, where analog synth sequences that could belong in a Tangerine Dream excursion blend with elements of modern electronica, exotica and echoes of 80s’ synth pop. In a similar fashion “Phainomenon” rolls along like a mid-70s Ash Ra Temple jam until halfway, where the mood breaks and the track enters classic dream pop territory, leading to a dizzying climax. “Blood Run” and “Afterimages”, meanwhile, arguably possess some of Munk’s finest guitar playing, whilst “Pulsations” is, without doubt, the most cosmic, distorted and swirling psychedelic moment in the Manual catalogue.

In some ways “Drowned in Light” reaches back to the early Manual days of “Ascend”, a result of Munk’s rediscovered love of working with analogue gear. It is a diverse set, though, bound together by a warm, crystalline production and Munk’s signature guitar playing. Composition and craftsmanship on this level is such a rarity in an overcrowded sea of electronic music. This is the perfect album to accompany any journey into spring…

Past praise for Manual:

“...Sonically, it’s Seefeel meets Sons And Fascination era Simple Minds meets Kevin Shields meets David Sylvian; in other words, it inhabits a world where boundaries blur and where sounds collide and move within and around each other to make something instantly, comfortingly recognizable yet with an abstract sense of the new.” - Tangents Magazine

“The musings of so many of his peers feel conceptually thin and prefabricated in comparison to Manual's wandering, curious anthems.” – Pitchfork

“Think of My Bloody Valentine, but lighter than air. Or think of what Air's soundtrack to The Virgin Suicides might have been like if they spent more time at the beach. Or think about Brian Eno, if he surfed and liked drinks with exotic names and umbrellas in them. Think about Tangerine Dream: their name even more than their sound… and you've got a beautiful, awe-inducing force of nature.” - Erasing Clouds Magazine

“A painstaking labour of love that principally takes Durutti Column and the Cocteau Twins as its key templates and weaves their chiming matrix into a celebratory carnival of lush colour coded ambient structures of the type so rarely heard these days. All at once sensual, invigorating, heart stopping and quite simply perfect.” - Losing Today Magazine

Syntaks - Ylajali

Syntaks - Ylajali
Genre : Electronica, Ambient, Shoegaze
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1. twentytwohundred
2. love camp 23
3. phantasmogoria
4. she moves in colors
5. buio omega
6. blue sunshine
7. mistral moon
8. the shape of things to come
9. dark night

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Over a century ago, Norwegian author Knut Hamsun proposed a new creative ideal, a form of literature that would take the intricacies of the human mind as its main object, effectively describing “the whisper of the blood and the pleading of the bone marrow.” One hundred-plus years later, Danish duo (and avid Hamsun devotees) Syntaks have taken up Hamsun’s agenda with single-minded purpose, naming their new album after a character in Hamsun novel Hunger, recording it just blocks from where Hamsun wrote his masterpiece, and taking the author’s ambitious mission statement as their own. The album in question, Syntaks’ luminous Ylajali, crackles with emotion and imagination, giving form to its creators’ vibrant inner lives. In Ylajali’s beautifully scorched sonic landscape, acres of drones run beneath Anna Cecilia’s wordless sighs; beats crunch like autumn leaves while synthesizers swell, flourish, and disappear. Songs either tramp through hazy forests until they fade into the dark (the Boards of Canada-esque “Love Camp 23”), or stack tone upon tone like translucent building blocks, building to forceful, near-operatic crescendos (the epic “She Moves in Colors”). Syntaks’ Jakob Skott is a drummer by trade, and his percussion—both live and programmed, but always lent an otherworldly sheen—plays the sinister counterpoint to Cecelia’s tender melodies. “The Shape of Things to Come” typifies Syntaks’ dreamlike musical logic, drifting through fields of placid melody until sheets of guitar noise, metallic snares, and choir-like vocals rush in. Once the storm passes, all that’s left is the sun, glinting through the mist. Hamsun would be proud: Syntaks’ Ylajali is an ambient pop album as dense, emotionally complex, and, ultimately, as mysterious as the human mind; and like any great mystery, Ylajali keeps its audience engrossed until the bittersweet conclusion.

Asobi Seksu – Rewolf

Asobi Seksu – Rewolf
Genre : Shoegaze, Dream Pop, Indie

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1. Breathe Into Glass (at Olympic Studios)
2.Walk on the Moon (at Olympic Studios)
3.Meh No Mae (at Olympic Studios)
4.New Years (at Olympic Studios)
5.Blind Little Rain (at Olympic Studios)
6.Bossa (at Olympic Studios)
7.Suzanne (at Olympic Studios)
8.Gliss (at Olympic Studios)
9.Familiar Light (at Olympic Studios)
10.Thursday (at Olympic Studios)

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One of the last albums ever recorded at London’s renowned Olympic Studios (The Beatles, Rolling Stones, Led Zeppelin, The Who), Rewolf finds Asobi Seksu’s core duo—vocalist Yuki Chikudate and guitarist James Hanna—affording listeners a fresh take on songs spanning the band’s career. Here, Asobi Seksu replaces its sonic layer of guitars with beautiful new arrangements achieved through the use of mostly acoustic instruments.

Oppressed by the line - kiku

Oppressed by the line - kiku
Genre : Shoegaze, Electronica, Indie
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1. Mountain Mist 3:54
2. Sunset From the 16th Floor 2:10
3. Paper Cranes 5:42
4. One Thousand Red Stars 5:42
5. Shinkansen 7:26 $0.99
6. Sunset From the 16th Floor (Winterlight Remix) 6:16
7. Mountain Mist (Taro Kawasaki Remix) 3:32

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Beyond running Drifting Falling Records, Jonathan Thompson – who records under the moniker Oppressed by the Line – is a prolific artist too. It’s been less than a year since he delivered Soft Focus and now returns with a set of new songs that comprise his third album ”Kiku”. And there is no doubt that this release is Thompson’s most uplifting and heart – warming work to date.

As I read in the press release Thompson inspired Kiku by lovely sunsets, mountainous landscapes and city lights while on holiday in Japan. His experience in the Land of the Rising Sun is depicted in the opener Mountain Mist where a subtle Taiko drum beat and colorful xylophone ringings give way to warm organic melodies and glitchy sound effects. Sunset from the 16th Floor is a two minute instrumental piece of blissed-out ambience that nicely unrolls the carpet for the pop gem that is Paper Cranes. Displaying a nostalgic summery feeling Paper Cranes shines and sparkles with its joyful harmonies and a catchy chorus before ending up into a haze of swirling guitars. Imagine Field Mice meeting My Bloody Valentine, this track is dangerously infectious. Elsewhere Thompson’s echoed vocals add a spacey feel to the Shoegaze- laden synths of One Thousand Red Stars while the up tempo beats and textured electronic noises of Shinkansen find him venturing into dance territory.

Kiku also features two remixes by Taro Kawasaki and Winterlight. On Mountain Mist the Japanese composer abandons the minimal aesthetic of his debut ep for a lusher and playful orchestration while on Sunset from the 16th Floor, Tim Ingham (Winterlight) sticks to what he knows best: Creating aural dreamscapes that evoke a feeling of escapism.

By titillating both your ear and imagination Kiku calls you for repeated listening. Especially, for those who prefer music to be the equivalent of a green field full of poppies against a vivid blue sky where kids are cheerfully laughing and jumping this is a record they will fall in love with. by Sotiris

Robin Guthrie – Carousel

Robin Guthrie – Carousel
Genre : Shoegaze, Space Rock, Post Rock, Ambient, Electronica
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1		Some Sort Of Paradise	4:04
2		Sparkle	2:21
3		Delight	3:38
4		Close My Eyes And Burn	3:26
5		Search Among The Flowers	3:44
6		Mission Dolores	4:26
7		Autochromes	2:40
8		The Girl With The Little Wings	2:58
9		Waiting By The Carousel	4:20
10		Little Big Fish	5:26

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Robin Guthrie releases a new album of filmic, intricate instrumental music Carousel plus two new limited edition EPs, Angel Falls (released 6/29) and Songs To Help My Children Sleep (11/17). Carousel is the follow up to the critically acclaimed instrumental albums Continental and Imperial. We have a few words to describe Carousel – uplifting, summery, opulent, dreamlike, exquisite, moving – with Guthrie quietly coaxing beauty out of layers of echoes and always inventive soundscaping. Guthrie has been a massive influence on everyone from My Bloody Valentine through to Antony and the Johnsons, new 4AD Act The Big Pink and M83. In recent years he's worked with School Of Seven Bells, John Foxx (on this year's Mirrorball album, described by Q Magazine as 'full of myriad charms . . . encompassing the best of both artists'), Ulrich Schnauss, Harold Budd (with whom he made two albums in 2007, Before The Day Breaks and After The Night Falls) and Brooklyn’s Mahogany and Apollo Heights. Given the quality of Carousel, it's not surprising that as a guitarist and producer, though most people know about his work as the Cocteau Twins principal sound designer, his defining role in the now vogue-ishly fashionable early '90s shoegazing scene with his productions for the likes of Lush and Chapterhouse shouldn't go un-noticed. Guthrie is also developing an impressive reputation as a composer of film soundtracks and in the visual arts. He's scored two movies – Greg Araki's Mysterious Skin and the Dany Saadia directed 3:19 – for both of which he released a soundtrack album, and has performed extensively with Lumière, and its recently premiered successor Galerie, both films that he has created as backdrops for his atmospheric, hypnotic guitar-based instrumental concerts.

Simon Scott - Navigare

Simon Scott - Navigare
Genre : Ambient, Post Rock, Shoegaze, Experimental
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1		Introduction Of Cambridge	4:00
2		Under Crumbling Skies	4:00
3		Flood Inn	4:00
4		Derelict Days	4:00
5		Repulse	3:00
6		The ACC	4:00
7		The Old Jug And Drum	5:00
8		Ashma	4:00
9		Spring Stars	5:00
10		The Night And The Artificial Light	5:00

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Simon Scott is something of a hero in underground music circles, having made his name as part of Slowdive - one of shoegaze's genre-defining acts - only to remain an intensely active presence on the scene through his collaborations with Rafael Anton Irisarri (as part of The Sight Below's live band) and Isan's Antony Ryan (recording together as Seavault). In addition to these projects, Scott curates the label Kesh, releasing works from the likes of Sebastian Roux, Hannu, Mark Templeton and Aus. Throughout all these various elements of Scott's work you can trace a common thread running throughout; there's a fixation on the more sculpted, textural aspects of sound. 'Navigare' fully embraces the idea of sound-sculpting whilst retaining the more suggestively song-driven impetus of Scott's past, and the resultant album marks a new evolutionary step for Erik Skodvin's Miasmah imprint. 'Introduction Of Cambridge' sets the album on its course, flooding the speakers with a sun-dappled, ventilated drone sound that shifts around harmoniously until guitars and eventually very quietly mixed drums emerge from the distance - it could almost be a post-rock track were it not for the blurry edges and the disproportionate volume difference between the monolithic central droning soundscape and the more conventional instruments. When 'Flood Inn' fires up a fuzzy, scratchy old drum sample is at the heart of the mix, swaddled in Gas-like ambient textures and heated-up crackle. While much of the Miasmah catalogue to date has tended to emerge from darkness, skulking in shadowy electroacoustic recesses, Navigare is a brighter affair - the gravitas and sheer sonic density remains familiarly in place but there's a certain quality of iridescence to these productions that binds them to the dream-pop movement. This link is never clearer than on 'The ACC', which takes slow-mo drums and trad rock band dynamics only to dissolve them into a thick, goopy sonic splurge reminiscent of My Bloody Valentine or Fennesz. Another great entry into Miasmah's rock-solid catalogue, and a wonderfully rich ambient record in its own right - one whose residual echoes of a shoegaze past give it an appeal that transcends the usual parameters of drone music.

A Dancing Beggar - What We Left Behind

A Dancing Beggar - What We Left Behind
Genre : Shoegaze, Post Rock, Electroacoustic
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1.Tuesday Rollers and Strollers
2.Major Spillage
3.All The Boogies In The World
4.Monday Boogies Forward Forever

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A Dancing Beggar is the musical project of 21-year-old musician, James Simmons. Having played a mixture of drums and guitar in previous bands, a solo project seemed the next step in achieving other creative goals. Using just a laptop, a couple of guitars and a cheap microphone, everything is written, recorded, mixed and produced in his bedroom.

Influenced by seminal post-rock artists like Maps, Sigur Ros, Amusement Parks On Fire, and Epic45, A Dancing Beggar began in summer 2007. After the purchase of some recording equipment a number of songs were written, recorded and distributed across MySpace. It wasn’t until early 2008 that a collection of songs seemed to link together for a possible release. These were recorded and subsequently turned into the 5 track EP ‘How They Grow’ which has been described by The Stool Pigeon as a ‘post rock treat’. In late 2008 the entire EP was re-mixed, and on the 23rd February 2009 Grand Independent released ‘How They Grow’, as a 6 track EP on iTunes. ‘How They Grow’ takes elements of post-rock and shoegaze and has been compared to the sounds of Mogwai, Explosions in the Sky, Ulrich Schnauss and July Skies.

As of March 2009, work had begun on new songs for A Dancing Beggar’s eagerly anticipated full-length album, ‘What We Left Behind’. These songs are more acoustic based, less distorted and euphoric with emphasis on a more organic sound. Composed and mixed by James, all eleven tracks were recorded in James’ bedroom again using an acoustic and electric guitar, microphone and laptop, between November 2008 and June 2009. This time incorporating field recordings by artists Peter Caeldries, Adam Danz and Cynthia Lawson, samples of which can be heard on ‘Our Distant Memories’, ‘Skinny Trees’ and ‘Branches and Nettles’. Notably an extract of ‘Day 16 - Recall Your Favorite Childhood Memory’ by Cynthia Lawson, a story about how she nearly jumped into a swimming pool with no water in it when she was very young. Such samples only compliment the ethereal sounds of ‘What We Left Behind’, marking a turning point in the maturity of A Dancing Beggar’s music which in most parts navigates around the concept of nostalgia.

Let´s Drive to Alaska – A bell and a mirror

Let´s Drive to Alaska – A bell and a mirror
Genre : Ambient, Electronica, Shoegaze
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01. A bell and a mirror
02. Astrud
03. The energy amongst all things
04. Avery hart
05. Orpheus and Eurydice
06. When we are there
07. The story of Aoyagi

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Jason Scott - You Keep Me Hidden EP
Genre :Electronica, Experimental, Shoegaze, Drone, IDM
Myspace

1. you keep me hidden
2. what we do right is wrong
3. celeste
4. in youth

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Elemental Gaze - Promo Single
Genre : Pop Rock, Shoegaze, Electronica (Indonesia)
Myspace

1. Unperfect Sky ft. Tigapagi
2. Let Me Erase You
3.Behind The Window I See
4.Love Your Love Death Your Love
5.Running Away Lost in Three Way

pw: SirensSound.blogspot.com

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All Sides - Dedalus
Genre : Electronica, Experimental, Shoegaze,
Myspace
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1 The Idea (5:33)
2 They Come By Night (4:01)
3 Luv (3:39)
4 Dedalus (6:59)
5 The Unfinished End Of H.W. (5:26)
6 Mistake (2:53)
7 Against The Sun (5:07)
8 Runaway (5:54)
9 Icarus (4:08)
10 Into The Sea (4:48)
11 Stay (5:15)

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Nadja - When I See Sun Always Shines
Genre : Drone, Electronica, Experimental, Shoegaze

01. Only Shallow (My Bloody Valentine cover)
02. Pea (Codeine cover)
03. No Cure For The Lonely (Swans cover)
04. Dead Skin Mask (Slayer cover)
05. The Sun Always Shines On TV (A-ha cover)
06. Needle In The Hay (Elliott Smith cover)
07. Long Dark Twenties (Kids In The Hall cover)
08. Faith (The Cure cover)

Download Link:
http://rapidshare.com/files/210714200/When_I_See_The_Sun_Always_Shines_On_TV_by_Wiseman_mediaportal.ru.rar

Port-Royal - Flared Up - Port-Royal Remixed
Genre : Post-Rock, Ambient, Electronica, Shoegaze

1 Mohn Für Port-Royal (By F.S. Blumm) 2:45
2 Jeka (Fizzarum Remix) 5:11
3 Spetsnaz (Destroyed By Stafrænn Hakon) 6:03
4 Karola Bloch (Manual Remix) 8:22
5 Jeka (Judith Juillerat Remix) 5:20
6 Flares Pt.2 (D_Rradio Remix) 6:01
7 Flares Pt.3 (Televise Remix) 5:30
8 Karola Bloch (Dialect Remix) 7:04
9 Spetsnaz (Skyphone Remix) 4:08
10 Flares On The Water (Minamo Remix) 11:20
11 Karola Bloch (Opn Remix) 7:54
12 Stimmung (Ulrich Schnauss Remix) 5:53

Download Link:
http://www.megaupload.com/?d=NSGN3NM0

The Sight Below - Glider
Genre : Electronica, Shoegaze, IDM, Minimal,

1 At First Touch
2 Dour
3 Without Motion
4 Life's Fading Light
5 Further Away
6 The Sunset Passage
7 Already There
8 A Fractured Smile
9 Nowhere
10 Feeling Lost Forever

Download Link:
http://lix.in/-3b8321

The London Apartments - Signals & Cities Are Forever
Genre : Dream Pop, Shoegaze, Indie,

01. Fair is Fair
02. Bundle Up
03. Satellites
04. Oh, The Brightest Light
05. Dead Or Dying
06. Expelled
07. Forgot My Way Home
08. Telephone Lines
09. For Safe Keeping

Download Link:
http://thelondonapartments.com/mp3/Signals+Cities.zip