Motion sickness of time travel :: Seeping through the veil of unconscious c60

Motion sickness of time travel :: Seeping through the veil of unconscious c60
Genre : Ambient, Electronic

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side one
1. clairvoyance
2. telepathy
3. mental projection
side two
1. magnetism
2. auto suggestion
3. the alchemical dream

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"seeping through the veil of unconscious" came to us out of nowhere as a demo and i think i can say with some certainty that it's the best demo we've ever received. motion sickness of time travel is the solo moniker of lagrange, gerogia's rachel evans. she also plays in the duo, quiet evenings, with her husband and runs the hooker vision label with him as well. and while she's done some really great stuff, this album takes all of it, everything, to incredible new heights. evans concocts six whirlwind romances all in the space of an hour. beauty, magic and bleeding effervescence come together in perfect harmony. vague electro meanderings hide hints of early grouper as evans' compositions sing with the spheres. while the songs are built around vaguely catchy repetitive synth backbones, she laces an incredible array of instrumental layers between those bones creating music that is as dense and complex as it is continous. yet, the real star here is her voice. sometimes its at the fore, other times its buried underneath the plodding keys but it never gets lost and always shines. stunning music in every way. debut LP coming on digitalis next year. she's that fucking good. edition of 80, pro-dubbed. "

Slow Dancing Society :: … and to the dust we shall return

Slow Dancing Society :: … and to the dust we shall return
Genre : Ambient, Electronic

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1. … and to the dust we shall return 07:20

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Following on from the ebullient warmth of the critically acclaimed Priest Lake Circa ’88, ‘…and to the dust we shall return’ is the perfect introduction to Drew Sullivan’s latest ambient epic, Under The Sodium Lights. Accompanied by a stunning video by Latvian filmmaker Ieva Balode, this glorious seven-minute song sees the gradual accretion of reverberant guitar tones, emerging from the silence as sparse reflections across the stereo field. Slow searching melodies overlap and accumulate before a descending bass figure carries the song home to its elegiac conclusion. The song, like all Slow Dancing Society releases, resonates with a rich emotional core – and the choking realisation of our own transience.

The video (included with this download) for ‘…and to the dust we shall return’ was created by Latvian filmmaker and artist Ieva Balode. Currently studying at the Latvian Academy of Art, Balode has taken part in many exhibitions in Latvia, and has also presented her own solo exhibition in the capital, Riga, where she currently lives and works.

Aless :: i'mmobile

Aless :: i'mmobile
Genre : Ambient, Experimental, Electronic

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1. Like Looking Through Broken Glass
2. Inborn Sea Flowing
3. Keepsake
4. Honeyed
5. I'm Mobile
6. But It Will Not Bleed
7. Immobile

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Pale Sketcher - Can I Go Now (Gone Version)

Pale Sketcher - Can I Go Now (Gone Version)
Genre : Ambient, Electronic, Shoegaze

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1 Jesu - Can I Go Now (Gone Version) 5:46 Remix - Pale Sketcher
2 Jesu - Can I Go Now (Gone Version) 7:21 Remix - Donnacha Costello
3 Jesu - Can I Go Now (Gone Version) 5:26 Remix - Syntaks

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The first single to be lifted from his selection of Jesu remixes (Jesu: Pale Sketches DeMixed), 'Can I Go Now (Gone Remix)' finds Justin K. Broadrick exploring a more luscious, emphatically electronic strand of his material than ever before. In addition to the epic, Autotuned pop of the original lead track, remixes are supplied by Donnaccha Costello and Syntaks: the former extends the original into a dramatic, slow-building opus that denies you drums for almost four minutes, but comes good in the end with a light but stealthily euphoric finale. Syntaks meanwhile detunes some synths and amps up the beats for a touch of woozy, Manual-like electronic shoegazing.

Parallel Lines - 38:22

Parallel Lines - 38:22
Genre : Ambient, Experimental, Electronic

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1. Part I 9:00
2. Part II 4:31
3. Part III 7:46
4. Part IV 8:33
5. Part V 8:23

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Eric Quach (destroyalldreamers, thisquietarmy) from Montreal QC, Ryan Ferguson (Electroluminescent, Sianspheric) from Hamilton ON, Pascal Asselin (Millimetrik, Le Chat Blanc Orchestra, Below The Sea) from Quebec City QC have often crossed paths during their musical careers with their various projects --- the first time in 2005. Since then, they've become close friends and have played together all over Quebec, Ontario & even in Europe.

It was only a matter of time before a collaboration was to happen. And so it did, on July 26th, 2009 - live at Sam Murdock's house in Quebec City where he runs the P572 label and occasionally host house shows. This project, dubbed Parallel Lines, in reference to their numerous musical endeavours, is the result of this musical collaboration between 3 great friends.

Split over 5 parts; or "movements", this live collaboration between 3 artists at the forefront of underground experimental music in Canada is quite an epic. Sprawling layers of guitars and synths create a huge wall of psyched out shoegaze over the top of rhythmic and hypnotic drumming. What you'll hear is something you would not hear from any of the artists individually; it's something new and exciting. The term "krautgaze" has been used and it's a pretty accurate description.

Limited to 200 hand stamped and hand numbered copies in standard windowed sleeve tied with string.

Lights Out Asia In :: The Days Of Jupiter

Lights Out Asia In :: The Days Of Jupiter
Genre : Electronic, Ambient

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1. All These Worlds Are Yours
2. Except Europa
3. Attempt No Landing There
4. All Is Quiet In The Valley
5. 13 AM
6. Arbres Paisible
7. Great Men From Unhealthy Ground
8. Currents Meet The Tide
9. Then I Hope You Like The Desert
10. Shifting Sands Wreck Ships
11. Bye Bye November

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“In the Days Of Jupiter” is the 4th album from tri-state post-rock trio Lights Out Asia. Just as Jupiter eclipses the other planets in our solar systems, Lights Out Asia have eclipsed expectations by delivering their most expansive album to date. Not only in relative scope and emotional depth but also in proper use of something they have used sparingly on previous albums - open space. Their previous use of guitars in a more deliberate melodic role is somewhat subdued on “In The Days Of Jupiter”. The guitars here are utilized more just to drive a point home with the strings, field recordings and electronics being more of a prominent, and key, ingredient. Hidden below these expanses is a new sense of urgency within the band's songwriting which may shed a bit more light into their collective personal persona. Is it unrest? Anxiety? Loss? Are they at some personal crossroads? Or have they cultivated their collective emotions into one of their finest works to date.

Bitcrush - From Arcs To Embers

Bitcrush - From Arcs To Embers
Genre : Ambient, Experimental, Electronic
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1. Bitcrush - Post (Nichts ist wie vorher, Bersarin Quartett RMX)
2. Bitcrush - Untilted (Worm Is Green Remix)
3. Bitcrush - Every Sunday (Winterlight Remix)
4. Bitcrush - Bitcrush In Dub (By Stripmall Architecture)
5. Bitcrush - Colder (Funckarma Rmx)
6. Bitcrush - Waiting For Something (Jatun Remix)
7. Bitcrush - An Island A Penninsula (Mix By Vanessa Van Basten)
8. Bitcrush - The Days We Spent Within (Near The Parenthesis Remix)
9. Bitcrush - Of Embers (Port-Royal Remix)
10. Bitcrush - Of Days (Widescreen mix by SubtractiveLAD)

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This latest release from Mike Cadoo's Bitcrush project is a specially curated remix album comprised of re-workings of songs taken from all 5 of his albums as Bitcrush. Bersarin Quartett, Funckarma, Jatun, Near The Parenthesis, port-royal, Stripmall Architecture (Halou), SubtractiveLAD, Vanessa Van Basten, Winterlight, and Worm Is Green all re-imagine songs from the Bitcrush catalog. From Arcs to Embers is a remarkably fresh re-envisioning of the Bitcrush sound making it great for fans of his or any of the remixers' work.