Matt Elliott - Failed Songs
Genre : Folk
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01. Mellow
02. Eulogy For Liam
03. Melange
04. South Canadian Sea
05. Song To Child
06. Lament
07. Wedding Song
Among many obvious definitions of the ‘heart’ is this: ‘the vital center and source of one’s being, emotions, and sensibilities’.
It’s the first word I think of when I hear the work of Antony Harrison (the man behind the Konntinent moniker). And when you listen to his work, its really obvious why.
The Konntinent sound is very much based on micro-elements I guess, at least this time around. Unlike his earlier drone-based work, ‘Opal Island’ has much more of Antony’s guitar playing to the fore, as it does the gorgeous vocals of Lisa Madisson on ‘Dry eyed’, as well as Antony’s own beautifully subtle singing. It has odd rhythms coming in and out, piano, weird glitchy sounds and tones I can’t quite place. Its all in the craftsmanship you see. Its very rare to come across an artist who actually makes ‘songs’ which can also be defined as ‘pieces’ – and as such his work is so hard to place.
All I am left to do is to go back to the image of the heart. In Japan, there is a faux-English usage of the word, made adjective…the Japanese say ‘heartful’. Its on billboards, products and people use it all the time. Its basically used to describe something which is full of emotion and induces said emotion in others. Whilst the word admittedly does my head in when I am in Japan, in a nice and concise way it covers my feelings for the music Antony Harrison creates. Opal Island is a very ‘heartful’ album, as Antony is himself a very ‘heartful’ artist and songsmith. And whilst linguists will not initially thank me, after hearing this record, you just might get what I mean.
Ian Hawgood
The long-awaited follow-up to the acclaimed Copia, Eluvium takes a courageous creative leap with Similes, an 8-song album featuring three key musical elements previously uncharted by Eluvium: percussion, a verse-chorus song structure, and singing. For a celebrated experimental musician, it was just about the bravest and scariest direction to go. In this way, Similes is the most truly experimental Eluvium album yet, and also the most accessible. Written, performed and recorded as always by Matthew Cooper in his own Watership Sounds studio, Similes marries Eluvium's trademark dream-like aura with Cooper's unique, laconic vocals, akin to an especially contemplative Ian Curtis with trace reflections of Magnetic Fields and Brian Eno. It is the most daring - and ultimately most rewarding - work of Eluvium's impressive and prolific career.
Amiina is a band based in Reykjavík Iceland. At present the band counts six people - Edda Rún Ólafsdóttir, Hildur Ársælsdóttir, María Huld Markan Sigfúsdóttir, Sólrún Sumarliðadóttir, Magnús Trygvason Eliassen and Guðmundur Vignir Karlsson (aka Kippi Kaninus). The bands origins go back to the late 1990s when four girls studying string instruments at the Reykjavík College of Music formed a string quartet, playing classical music, but increasingly moving on to playing all sorts of music with various bands in Reykjavík. In 1999 the quartet joined Icelandic band Sigur Rós on stage. The collaboration has continued ever since with amiina contributing strings to Sigur Rós’ music on tours and in the recording studio on the albums ( ) , Takk and Með Suð... In 2004 amiina’s first EP AnimaminA was released, followed by the Seoul single (2006), the album Kurr (2007), a Lee Hazlewood collaboration on a 7” vinyl Hilli (at the Top of...) (2008) and the limited release EP Re Minore (2009). In the autumn of 2007 drummer Magnús Trygvason Eliassen joined amiina on tours, adding percussion to the band’s textures. A few months later in early 2008 a collaboration between Kippi Kaninus and amiina was established while preparing a show together for the Reykjavík Arts Festival. The merging of Kippi Kaninus' electronics and rhythms with amiina's sounds and Magnús' percussion became the starting point for more established collaboration between the six musicians.
Autechre have announced details surrounding their tenth full-length album, Oversteps.
As was the case with their previous nine efforts, Rob Brown and Sean Booth will follow up 2008’s Quaristice by releasing through their long term label home Warp. Although we’re in the dark at this stage as to how the record is sounding, if its predecessor is anything to go by, expect it to surprise and frustrate in equal measures. What we are sure of, though, is that the lads from Rochdale will embark on an extensive tour of the UK and Europe in support of the LP. Starting out at Manchester’s Pure venue on March 11th, the party will swing by—among many others—Minehead (for Bloc), Glasgow, Paris, Ljubljana, Copenhagen and Amsterdam, before ending up at an as yet unannounced London venue on April 10th.
Those who still dabble in the black arts will be pleased to learn that the album will be made available as a deluxe vinyl edition, which means 180 gram discs, housed in a debossed rigid slipcase, with a 900mm x 600mm double-sided poster also thrown in for good measure.
Rochdale’s bleep and squeak merchants Autechre have announced details of their beautifully packaged 10th studio album. Released via Warp, their long term home, there is plenty to say about Oversteps as long as it involves the packaging and the pressing of super high quality 180gm vinyls.
Housed in a special slip case, and with each record having it’s own dedicated cardboard sleeve, Oversteps sounds like an IDM pervert’s wet dream. Also included is a poster of the album art printed on Offenbach paper, an mp3 version of the album and the choice of two WAV versions of the album – 24 or 48 bit resolution.
Absolutely no word on the music however, though I would hazard a guess that it will be challenging, electronic and please as many people as it alienates.
Autechre will be performing at various shows and festivals in support of Oversteps through in March and April, including the Bloc Weekend in Minehead, Copenhagen, Paris and Glasgow, before finishing up with a secret show somewhere in London.
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