tag:blogger.com,1999:blog-48183611722872830642012-01-29T07:12:49.195+01:00shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.comBlogger4671100tag:blogger.com,1999:blog-4818361172287283064.post-43861268652751154262011-09-16T03:04:00.003+02:002011-09-16T08:46:02.126+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-xQ_w3Qk3wGM/TnKhE-dIWZI/AAAAAAAABDE/1_jshORxX_Q/s1600/CS1798471-02A-BIG.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-xQ_w3Qk3wGM/TnKhE-dIWZI/AAAAAAAABDE/1_jshORxX_Q/s320/CS1798471-02A-BIG.jpg" alt="" id="BLOGGER_PHOTO_ID_5652757589160122770" border="0" /></a><br /><span style="font-weight: bold;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Aerosol ::: All That Is Solid Melts Into Air </span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://temporaryresidence.com/"><br /></a><a href="http://n5md.com/discography/188/All-That-Is-Solid-Melts-Into-Air"><span style="font-weight: bold;">Buy It!</span></a><a href="http://n5md.com/discography/188/All-That-Is-Solid-Melts-Into-Air"><br /></a><a style="color: rgb(51, 204, 255);" href="http://n5md.com/discography/188/All-That-Is-Solid-Melts-Into-Air"><span style="font-weight: bold;">Listen</span></a><a href="http://n5md.com/discography/188/All-That-Is-Solid-Melts-Into-Air"><span style="font-size:130%;"> </span></a><br /><br />01: Aerosol – Excess (06:53)<br />02: Aerosol – Near by (07:26)<br />03: Aerosol – Morning is A Blur (03:41)<br />04: Aerosol – Untie (05:14)<br />05: Aerosol – Lazy Sunday (04:20)<br />06: Aerosol – Woke Up in A Dream (08:12)<br />07: Aerosol – A Slow Beginning (03:33)<br />08: Aerosol – Being Around (04:18)<br />09: Aerosol – East of the Comfort Zone (06:10)<br />10: Aerosol – Saving Air (05:41)<span style="font-size:85%;"><br /></span><a href="http://www.mediafire.com/?2ta565eu2zz0akr"><br /></a><a href="http://www.easy-share.com/1918106203/Aerosol-All_that_is_Solid_Melts_into_Air-%28N5MD188%29-WEB-2011-MPX.rar"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Aerosol is Rasmus Rasmussen from Copenhagen, Denmark. Rasmus started his solo project in 2000 while working with band mates Jakob Scøtt (syntaks) and Jonas Munk(Manual) in the post-rock band Limp (Morr Music). His debut EP as Aerosol was released on the Active Suspension label in 2001 which was shortly followed by a handful of compilation appearances. In 2006 Rasmus teamed up with the Unlabel imprint to release his first full-length - the limited edition "All that is Solid melts in to Air". In contrast to the minimal electronics of his first material Rasmussen has taken Aerosol to a much grander, warmer, and organic place which now utilizes the guitar as the main Aerosol instrument Whether those guitars are acoustic or heavily processed electric they are thoughtfully aided by gauzy layers of synths and dub-wise electronics. Rasmussen recently signed on to the n5MD imprint and is currently working on his next full-length.<br />This limited edition repress of Aerosol's debut mini album 'All That Is Solid Melts Into Air' is the final release in our special repress series in partnership with Oakland's Carrot and Stick press. Originally release via the Unlabel imprint back in 2006 this newly remastered and repackaged version features 4 bonus tracks 3 of which are previously unreleased. A special treat for fans of the Limp collective of artists (Aerosol/Manual/Syntaks).<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4386126865275115426?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-39124530189946270902011-09-15T01:56:00.002+02:002011-09-15T02:05:38.536+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-nk7xi8snK0k/TnE_YeO3b-I/AAAAAAAABC8/QW68musqzzs/s1600/89783358556271552973.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-nk7xi8snK0k/TnE_YeO3b-I/AAAAAAAABC8/QW68musqzzs/s320/89783358556271552973.jpg" alt="" id="BLOGGER_PHOTO_ID_5652368696991510498" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Modeselektor ::: Monkey town</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://temporaryresidence.com/"><br /></a><a href="http://www.thrilljockey.com/catalog/?id=105300"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.thrilljockey.com/catalog/?id=105300"><br /></a><a style="color: rgb(51, 204, 255);" href="http://soundcloud.com/modeselektor/sets/modeselektor-monkeytown"><span style="font-weight: bold;">Listen</span></a><a href="http://soundcloud.com/modeselektor/sets/modeselektor-monkeytown"><span style="font-size: 130%;"> </span></a><br /><br />1 - Blue Clouds - Modeselektor<br />2 - Pretentious Friends - Modeselektor feat. Busdriver (emergency call by Pillow Talk)<br />3 - Shipwreck - Modeselektor &amp; Thom Yorke<br />4 - Evil Twin - Modeselektor (vocals by Otto von Schirach)<br />5 - German Clap - Modeselektor<br />6 - Berlin - Modeselektor feat. Miss Platnum<br />7 - Grillwalker - Modeselektor<br />8 - Green Light Go - Modeselektor &amp; PVT (drums by Gordon Boerger, additional synth by Siriusmo)<br />9 - Humanized - Modeselektor feat. Anti Pop Consortium<br />10 - This - Modeselektor &amp; Thom Yorke<br />11 - War Cry - Modeselektor (guitar by Sascha Ring) <span style="font-size: 85%;"><br /></span><a href="http://www.enterupload.com/z24c9v8alw3c/Modeselektor-Monkeytown-herowine.com.zip.html"><br /></a><a href="http://www.enterupload.com/z24c9v8alw3c/Modeselektor-Monkeytown-herowine.com.zip.html"><span style="color: rgb(51, 204, 255);">Download</span></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3912453018994627090?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-39628548358647920702011-05-24T01:22:00.002+02:002011-05-24T01:27:03.596+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-igalzgnhv4g/TdrsWMbsEqI/AAAAAAAABCw/iwCxUY2AeFM/s1600/Loscil%252B-%252BCoast%2B%252BRange%2B%252BArc%252B%25282011%2529.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/-igalzgnhv4g/TdrsWMbsEqI/AAAAAAAABCw/iwCxUY2AeFM/s320/Loscil%252B-%252BCoast%2B%252BRange%2B%252BArc%252B%25282011%2529.jpg" alt="" id="BLOGGER_PHOTO_ID_5610056151882011298" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Loscil - Coast/ Range/ Arc</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://temporaryresidence.com/"><br /></a><a href="http://www.glacialmovements.com/gmcat4.htm"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.glacialmovements.com/gmcat4.htm"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.glacialmovements.com/gmcat4.htm"><span style="font-weight: bold;">Listen</span></a><a href="http://www.glacialmovements.com/gmcat4.htm"><span style="font-size:130%;"> </span></a><br /><br />01. Black Tusk<br />02. Fromme<br />03. Stave Peak<br />04. Névé<br />05. Brohm Ridge<br />06. Goat Mountain<span style="font-size:85%;"><br /></span><a href="http://www.mediafire.com/?2ta565eu2zz0akr"><br /></a><a href="http://www.mediafire.com/?f2d3yl3bopjfz3t"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /> <p style="margin: 0cm 0cm 0pt; text-align: justify; font-family: georgia; color: rgb(255, 255, 255);" class="MsoNormal"> <span style="font-size:100%;"><b><span style="" lang="EN-GB"> Loscil</span></b></span><span style=";font-size:100%;" lang="EN-GB" > is a recording project of the Canadian composer Scott Morgan. His career in the ambient music genre began in 1999 with the debut self-produced work <i>A New Demonstration of Thermodynamic Tendencies</i> which drew the attention of American label Kranky. Working primarily with Kranky and Ghostly International, <b>loscil</b> has released some wonderful works which led him to be defined by worldwide media as one of the most authoritative composers of electronic music of our times. One of <b> loscil</b>’s main features is to write environmental weavings which revolve around a well-defined subject. For example, the subject of thermodynamic principles with <i>Triple Point</i> or the subaquatic work <i>Submers</i>, where every composition takes its name from that of a historic submarine. </span></p><div style="text-align: justify; font-family: georgia; color: rgb(255, 255, 255);"> </div><p style="margin: 0cm 0cm 0pt; text-align: justify; font-family: georgia; color: rgb(255, 255, 255);" class="MsoNormal"> <span style=";font-size:100%;" lang="EN-GB" > This aspect of the Canadian artist perfectly merges with the <b>Glacial Movements</b> theme and philosophy; that of glacial and isolationist ambient music.</span></p><div style="text-align: justify; font-family: georgia; color: rgb(255, 255, 255);"> </div><p style="margin: 0cm 0cm 0pt; text-align: justify; font-family: georgia; color: rgb(255, 255, 255);" class="MsoNormal"> <span style=";font-size:100%;" lang="EN-GB" > </span></p><div style="text-align: justify; font-family: georgia; color: rgb(255, 255, 255);"> </div><p style="margin: 0cm 0cm 0pt; text-align: justify; font-family: georgia; color: rgb(255, 255, 255);" class="MsoNormal"> <span style=";font-size:100%;" lang="EN-GB" > In fact, <i>coast/range/arc</i> is centered around the coastal mountains of the Pacific Northwest, studded with glaciers, lakes, waterfalls, canyons and epic views. The majestic ranges form a striking mountain landscape. These tracks explore the timelessness of mountainous elevations; oxygen deprived and surrounded by boundless skies. Mountains are hardly static - in fact they are dynamic on a time scale beyond the human experience. They grow, buckle, twist, erupt and erode at an epic pace. The Coast Range Arc is filled with such mountains and valleys, their dynamics nearly imperceptible. They evoke awe and a connection to an imperceptible past. They are constantly changing, yet represent such a seemingly stoic fixture in our relatively short lives.</span></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3962854835864792070?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com3tag:blogger.com,1999:blog-4818361172287283064.post-76736061447028835852011-04-28T01:22:00.003+02:002011-04-28T01:26:42.137+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-T05tBbkq2XQ/TbilKLQZgLI/AAAAAAAABCo/KLp_u7yKhSk/s1600/mountains-air-museum-album-cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-T05tBbkq2XQ/TbilKLQZgLI/AAAAAAAABCo/KLp_u7yKhSk/s320/mountains-air-museum-album-cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5600407730874056882" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Mountains ::: Air Museum</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://temporaryresidence.com/"><br /></a><a href="http://www.thrilljockey.com/catalog/?id=105300"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.thrilljockey.com/catalog/?id=105300"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.thrilljockey.com/catalog/?id=105300"><span style="font-weight: bold;">Listen</span></a><a href="http://www.thrilljockey.com/catalog/?id=105300"><span style="font-size:130%;"> </span></a><br /><br />01 January 17<br />02 Thousand Square<br />03 Newsprint<br />04 Sequel<br />05 Blue Lanterns on East Oxford<br />06 Backwards Crossover<br />07 Live at the Triple Door<span style="font-size:85%;"><br /></span><a href="http://www.mediafire.com/?2ta565eu2zz0akr"><br /></a><a href="http://anonym.to/?http://www.mediafire.com/?9ac5po430cv2cjp"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Mountains have blown me away with every release. After thinking I would never find out anything about the band behind the brilliance of Sewn, they caught me way off guard and dropped the stunning Choral in 2009 (original authorized review deleted from Blogger, eat a dick Google) and now Air Museum takes a new approach, totally exceeding the insanely high expectations I had for it. All you need to do is take a look at my LAST.FM stats to prove I’m not fucking around with this record. Mountains have ditched the electroacoustic computer processing on Air Museum, instead opting for a more analog approach and running their usual instruments (guitar, accordions, etc) through pedals and synths and shit. So this is probably their least electronic based record but easily their most electronic sounding record. It sounds SO goddamn synthy. This is their trip to outer space. They’re not there yet, but they’re en route, soaring through the mesosphere. This is what I want to permeate every moment of my life. Every little detail on this record is pure heaven. The opening track, “January 17,” has this sound that’s so subtle, but it fucking kills me every time. For the first minute, the song is all primer, chill smoothed out organ layers paving the way for the bliss to come, and a split second before it REALLY kicks in and gets all gauzy grandeur, there’s a quick bubbly sonar blip that just floors me. It’s so perfect. Mountains bounce back and forth between straight up drone and pulsing minimal space techno, keeping a nice balance, never cemented in their textured planar earthly past but not jumping ship for the OPN New Age. They mix it SO well, the sterile jet cabin air static on “Newsprint” breathes life into silver woven blankets, preceding one of the most amazing fucking tracks EVER, “Sequel,” with its surging synth rhythm and gut-wrenchingly glorious sprays of warm golden euphoric harmonies, layers upon layers of sun drenched buzz &amp; twinkle, humming the tune of Platonic perfection and painting everything in absolute beauty, mesmerizing &amp; dazzling enough that Death could arrive and you wouldn’t even notice. I had pretty much put Choral on an untouchable pedestal, imagining Mountains would never be able to outdo themselves. However, instead of making another but better Choral, they made something different but every bit as fucking great. Mountains achieved what Belong didn’t. They broadsided me, again, and this time I really thought I was ready for it. Mountains are fucking IT, man. They’re prescient visionaries. I want them to do something, and they say, “Ok, but what you really want is this.” So they do what they want and in the process make the greatest fucking records of our generation.<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7673606144702883585?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-5198855695184483362011-04-21T02:17:00.005+02:002011-04-21T02:25:57.429+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-qIASGjmpaUo/Ta933Op6QPI/AAAAAAAABCg/5aMni09JKrU/s1600/coverawk.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-qIASGjmpaUo/Ta933Op6QPI/AAAAAAAABCg/5aMni09JKrU/s320/coverawk.jpg" alt="" id="BLOGGER_PHOTO_ID_5597824652555206898" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Implodes ::: Black Earth</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Drone, Ambient, Experimental<br /><a style="color: rgb(51, 204, 255);" href="http://temporaryresidence.com/"><br /></a><a href="http://kranky.net/stream/krank156/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://kranky.net/stream/krank156/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://kranky.net/stream/krank156/"><span style="font-weight: bold;">Listen</span></a><a href="http://kranky.net/stream/krank156/"><span style="font-size:130%;"> </span></a><br /><br /><ol><li>Open the Door </li><li>Marker</li><li>White Window</li><li>Screech Owl</li><li>Oxblood</li><li>Meadowlands</li><li>Wendy</li><li>Experiential Report</li><li>Song for Fucking Damon II (Trap Door)</li><li>Down Time </li><li>Hands on the Rail</li></ol><span style="font-size:85%;"><br /></span><a href="http://www.mediafire.com/?2ta565eu2zz0akr"><br /></a><a href="http://www.mediafire.com/?7nd84ez3dk6w4dd"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Implodes are an experimental rock quartet based in Chicago who defy all attempts at pigeonholing… Centred around core members Matt Jencik and Ken Camden in 2009 and began practicing and writing in isolation until becoming the tight unit they are today. Having performed a number of live shows, they then went on to release a self-titled cassette that received positive reviews and it is with great anticipation that fans have awaited a full length album. Black Earth rises to the occasion and is a work which will entice listeners to delve into the band’s world of deep, dark and dare I say it, cinematic music. Though it is a word overused almost to the point of cliche, Implodes are indeed eclectic within the realm of guitar driven Rock and at times the band can sound like the logical successor to early Sonic Youth at their dissonant best. They also contain shades of influential Noise-Rock band Swans and perhaps something of the melancholic ambience of The Jesus And Mary Chain, but they are not reduced to the sum of their influences. No, they appear to learn the lessons of each precursor and move onwards, forging a new sound entirely their own. ‘Open The Door’ serves as introduction with a short atmospheric track of repeated chord progressions hidden beneath a surface of delay, and it is not until succeeding number ‘Marker’ that the band throw themselves into their performance. The guitars are naturally the focal point here and they sound powerful but just out of reach behind echo and reverb, while the bass and drum rhythm section have the difficult task of keeping time with such intangible audio. Despite the discord and frequently unintelligible vocals, usually delivered spoken or snarling, there is most often a catchy melody to encourage spontaneous involuntary head movement. With this mixture of challenging material wrapped in melodic verse, one imagines the band must be a real tour-de-force live. Alongside these heavier tracks and the occasional short piece, there are moments when Implodes veer into a more experimental direction. The band shun percussion and slow down for the ambient soundscape of ‘White Window’, while a Krautrock influence within ‘Wendy’ offers another element to the band’s repertoire. Penultimate track ‘Down Time’ is an ambient piece as beautiful as it is brief and Black Earth then closes with ‘Hands On The Rail’, a noisy dirge steeped in feedback and harmonic lead guitar. That which makes Implodes an exceptional listen also makes for difficult explanation. The band simply refuses to be easily categorised, so before they are arbitrarily tacked on to Shoegaze, Ambient or Rock, a new genre may be needed and Post-Post-Rock just will not do. Released April 20th on Kranky, Black Earth is available in CD and LP editions. - Review by Adam Williams for Fluid Radio<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-519885569518448336?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-11350095848846202392011-04-16T01:49:00.007+02:002011-04-16T01:58:13.175+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-94tTgF4xgh8/TajaBrx7_SI/AAAAAAAABCY/SlbKkwZEBVI/s1600/satie-nouveaux-jeunes_1_64fd1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 298px;" src="http://4.bp.blogspot.com/-94tTgF4xgh8/TajaBrx7_SI/AAAAAAAABCY/SlbKkwZEBVI/s320/satie-nouveaux-jeunes_1_64fd1.jpg" alt="" id="BLOGGER_PHOTO_ID_5595962259474742562" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Various Artists – Erik Satie Et Les Nouveaux Jeunes</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Classic, Electronic, Ambient<br /><a href="http://www.normanrecords.com/cd/123604-various-max-richter-rafael-anton-irisarri-etc-erik-satie-et-les-nouveaux-jeunes"><br /></a><a href="http://www.normanrecords.com/cd/123604-various-max-richter-rafael-anton-irisarri-etc-erik-satie-et-les-nouveaux-jeunes"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.normanrecords.com/cd/123604-various-max-richter-rafael-anton-irisarri-etc-erik-satie-et-les-nouveaux-jeunes"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.normanrecords.com/cd/123604-various-max-richter-rafael-anton-irisarri-etc-erik-satie-et-les-nouveaux-jeunes"><span style="font-weight: bold;">Listen</span></a><a href="http://www.normanrecords.com/cd/123604-various-max-richter-rafael-anton-irisarri-etc-erik-satie-et-les-nouveaux-jeunes"><span style="font-size:130%;"> </span></a><br /><br /><span class="Apple-style-span" style="color: rgb(255, 255, 255); line-height: 20px; font-family: georgia;font-size:100%;" ><p style="margin: 10px 0px;">CD1-01 Library Tapes – Satie On Tape<br />CD1-02 Kyle Dawkins – Danse De Travers<br />CD1-03 Minotaur Shock – Small Starts<br />CD1-04 Max Richter – Erik Sleeping<br />CD1-05 Chessie – Katy (For Satie)<br />CD1-06 Danny Norbury – Tango Fragment<br />CD1-07 Julia Kent – Seul, Pendant Un Instant<br />CD1-08 ww.lowman – Lakegirl<br />CD1-09 Akamatsu – Gymnopédie 8 (4/4)<br />CD1-10 Part Timer – A Clumsy But Subtle Technician<br />CD1-11 Rachel Grimes – Gnossiennes No.3<br />CD1-12 That Summer – Le Yachting<br />CD1-13 Monokle – Mist<br />CD1-14 Sylvain Chauveau – Prélude De La Chambre Rouge<br />CD1-15 Fred Lonberg-Holm – Le Flirt<br />CD1-16 Steve Peters – Hymne (Pour Un Fils Des Étoiles)</p><p style="margin: 10px 0px;"> CD2-01 Rafael Anton Irisarri &amp; Goldmund – Gnossienne No.1<br />CD2-02 Pan American – Leftalone (2ème)<br />CD2-03 Moinho – Movements &amp; Variations For Satie<br />CD2-04 Hauschka – Chat Noir<br />CD2-05 0 – Gnossienne No.3<br />CD2-06 Beatrice Martini &amp; Robert Lippok – Je Te Veux<br />CD2-07 Peter Broderick – Les Trois Valses Distinguées Du Précieux Dégouté 2<br />CD2-08 Rachel Grimes – Gnossienne No.2<br />CD2-09 The Boats – Le Yachting<br />CD2-10 Astrïd – Erik S.<br />CD2-11 Eluvium – Ogives/Redistributed<br />CD2-12 Dustin O’Halloran – Opus 33<br />CD2-13 Nils Frahm – Body<br />CD2-14 Mr Potier – Le Jars Des Andes<br />CD2-15 Steve Roden – EIAIE – In His Name, The Vowels Are Also Notes, And A Small Mountain<br />CD2-16 Inlandsis – Coloquinte</p></span><span style="color: rgb(255, 255, 255); font-family: georgia;font-size:100%;" ><br /></span><a style="color: rgb(255, 255, 255);" href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a style="color: rgb(255, 255, 255);" href="http://www.mediafire.com/?lx6xqam3ybbt6a7"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><br /><div style="text-align: justify;">This really is marvelous. I’ve always got time for some Satie, the legendary 19th Century composer and Pianist. His compositions have been reproduced by many over the years but to my knowledge this is certainly the most comprehensive collection of interpretations by contemporary players. The audio and Satie’s work really speak for themselves so I’ll let you know the important bit and that’s who features across the two discs (32 in all!) including Library Tapes, Kyle Dawkins, Minotaur Shock, Max Richter, Chessie, Danny Norbury, Julia Kent, Part Timer, Rachel Grimes, Sylvain Chauveau, Rafael Anton Irisarri &amp; Goldmund, Pan American, Hauschka, The Boats, Eluvium, Nils Frahm, Dustin O’Halloran etc. A stellar line up I’m sure you’ll agree. A really engaging listen, hearing how these talents add their unique magic to these important works.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1135009584884620239?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-44817359657596392012011-04-15T02:34:00.003+02:002011-04-15T02:41:06.018+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-b9TZnRXrfU8/TaeSvJ0fzpI/AAAAAAAABCQ/jIW86hItTC4/s1600/some_days_are_better.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 214px; height: 320px;" src="http://1.bp.blogspot.com/-b9TZnRXrfU8/TaeSvJ0fzpI/AAAAAAAABCQ/jIW86hItTC4/s320/some_days_are_better.jpg" alt="" id="BLOGGER_PHOTO_ID_5595602400818744978" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Matthew Robert Cooper ::: Some Days Are Better Than Others (2011) OST </span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://temporaryresidence.com/"><br /></a><a href="http://temporaryresidence.com/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://temporaryresidence.com/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://temporaryresidence.com/"><span style="font-weight: bold;">Listen</span></a><a href="http://temporaryresidence.com/"><span style="font-size:130%;"> </span></a><br /><br />01 Curious Moments<br />02 Drifting<br /> 03 Pursuance<br />04 Into Dust<br />05 Expectation<br /> 06 What You Leave Behind<br />07 Reprieve<br />08 Worry and Care<br /> 09 Time and Abandonment<br />10 It’s Never What It Seems<br /> 11 Camille and the Ocean<br />12 Some Days Are Better Than Others<br /> 13 Katrina Outtake<span style="font-size:85%;"><br /></span><a href="http://www.mediafire.com/?2ta565eu2zz0akr"><br /></a><a href="http://www.mediafire.com/?2ta565eu2zz0akr"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><br /><div style="text-align: justify;">We have waited with eager anticipation to release Matthew Cooper's spellbinding soundtrack to <em>Some Days Are Better Than Others</em> since before his creative breakthrough album, <em>Similes</em> (released under his more widely known Eluvium moniker) was even made. The film stars James Mercer (Broken Bells, The Shins) and Carrie Brownstein (Portlandia, Sleater-Kinney) as strangers whose lives occasionally intersect as they navigate their way through the struggles of personal attachment and disconnection. When viewing the film, Cooper observed themes being presented regarding our throw-away society, and realized that both he and <em>Some Days</em> director Matt McCormick shared a common interest in this world of things left behind and the emotional baggage that is connected to it - whether broken or simply tossed aside for something new; something once considered the future, turning into antiquated rubble. Cooper decided that using a collection of damaged instruments would be a fitting way to underscore this aspect of the film. Here he uses the inherent characteristics of these instruments to create something honest and beautiful, something that is at once familiar, damaged and unique - something we can all relate to. </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4481735965759639201?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-9925689310708935442011-04-08T07:48:00.002+02:002011-04-08T07:53:45.508+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-XcQPBxKAQs4/TZ6iyhJTO7I/AAAAAAAABCI/puUXubCI0fI/s1600/epic45-weathering-2011-post-rock.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-XcQPBxKAQs4/TZ6iyhJTO7I/AAAAAAAABCI/puUXubCI0fI/s320/epic45-weathering-2011-post-rock.jpg" alt="" id="BLOGGER_PHOTO_ID_5593086776015272882" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Epic45 ::: Weathering</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Post Rock, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.normanrecords.com/cd/123987-epic-45-weathering"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.normanrecords.com/cd/123987-epic-45-weathering"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.normanrecords.com/cd/123987-epic-45-weathering"><span style="font-weight: bold;">Listen</span></a><a href="http://www.normanrecords.com/cd/123987-epic-45-weathering"><span style="font-size:130%;"> </span></a><br /><br />01. People Say This Place Is Slowly Dying [0:07:07.94]<br />02. The Village Is Asleep [0:06:37.89]<br />03. Evening Silhouettes [0:02:31.29]<br />04. With Our Backs To The City [0:06:22.04]<br />05. Summer Message [0:02:41.96]<br />06. Afternoon, Shadowed [0:01:49.68]<br />07. The Weather Is Not Your Friend [0:02:57.49]<br />08. These Walks Saved Us [0:03:05.18]<br />09. Ghosts I Have Known [0:02:34.18]<br />10. Weathering [0:08:40.94]<br />11. Washed Up [0:08:48.89]<span style="font-size:85%;"><br /></span><a href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a href="http://uploaded.to/file/x7uytljl"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><br /><div style="text-align: justify;">I was going to try and write this review without shoe-horning the word pastoral in, just as a bit of a challenge. I've given up pretty quickly as you can see. It's like talking about the Second World War and not mentioning Hitler. You can't do it. Oh and I'm reasonably sure Epic 45 and Hitler have no connections before you try and detect one and accuse them of being a bit dodgy. Nothing could be further from the truth, as the their brand new CD 'Weathering' is sat here all bright and sparkly looking at me. And an epic journey it is I'll tell you that! I've been enjoying this in my car over the last week and it works best at the sun's going down. Suddenly the music comes into its own and you're transported to a place of special. I think this is the bands most cohesive album and also possibly their most adventurous and accomplished. There are tracks on this album which do the Hood and Talk Talk thing (and Sigur Ros at moments) which you'd kind of expect but there's other gems to be found within! For Example 'With Our backs To The City' featuring Stephen Jones (Baby Bird!) on vocals. It's a diamond of a pop tune and by far my favourite one on the album. It just totally works.<br /><br />Mid-way through the album you get a weird experimental dark ambient number which splits the album up neatly into two halves. I love it, very different for them. The album is rammed full of inventive and interesting ideas, songs are super layered with so many things going on, yet nothing sounds cluttered. Everything has it's place and no particular element impeaches on the other's musical territory. The music is mainly comprised of layered vocals, strings, field recordings, electronics, acoustic guitars, drums, samples but there's plenty more going on!<br /><br />Essentially though this is an indie pop album with a lot of bells and whistles. It's a gentle record steeped in countryside romanticism and one which I think many people will cherish over the years. Oh guest stars! I knew I had something else to say! The album features Stephen Jones (which you know about!) as well as Richard Vincent Adams (Declining Winter), Antony Harding (July Skies), Andrew Johnson (Remote Viewer), Craig Tattersall (The Boats &amp; Remote Viewer), Sarah Kemp (Brave Timbers) and lots more. A star studded cast playing a whole plethora of different instruments (hammered dulcimer, clarinet, violin, brass, glockenspiel, xylophone etc) as well as the Epic 45 boys playing a million different instruments, using samples, field recordings and all kinds of shenanigans reckon the boys (and girl) have done good with this 'un.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-992568931070893544?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-56765968809530391222011-04-05T02:03:00.004+02:002011-04-05T02:19:06.363+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-p3B_5MT6AKE/TZpceG4WrgI/AAAAAAAABCA/5o4nQ4I5Qrs/s1600/333.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-p3B_5MT6AKE/TZpceG4WrgI/AAAAAAAABCA/5o4nQ4I5Qrs/s320/333.jpg" alt="" id="BLOGGER_PHOTO_ID_5591883559646703106" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Tape ::: Revelationes</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Electroacoustic, Ambient<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://boomkat.com/vinyl/389442-tape-revelationes"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/vinyl/389442-tape-revelationes"><br /></a><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/vinyl/389442-tape-revelationes"><span style="font-weight: bold;">Listen</span></a><a href="http://boomkat.com/vinyl/389442-tape-revelationes"><span style="font-size:130%;"> </span></a><br /><br />01 - Dust and Light<br />02 - Companions<br />03 - Hotels<br />04 - Byhalia<br />05 - In Valleys<br />06 - The Wild Palms<br />07 - Gone Gone<span style="font-size:85%;"><br /></span><a href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a href="http://www.megaupload.com/?d=OSGIG6EC"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;"><span class="Apple-style-span" style=";font-family:Georgia;font-size:14px;" >Since 2008's gorgeous 'Luminarium', Swedish troupe Tape have been holed up in their Summa studio in Stockholm, studiously busying themselves hand-crafting a follow up. And what a sequel it is; 'Revelationes' is everything you would hope for from the band and more, finding the well-worn sound of brothers Andreas and Johan Berthling pushing into darker, more downtrodden territory. The overwhelming prettiness of Tape's back catalogue has been pushed aside; echoes of Slint's genre-defining 'Spiderland' haunt the opening notes of 'Dust and Light', but when the signature organs and electronics finally make an appearance it is a markedly more subtle and melancholy affair than we might have expected from the band. 'Revelationes' is somehow deeply sad and incredibly affecting, but is a record flecked with hope - the curiously uplifting vibraphones, wavering theramin and jazz-tinged drums offering an occasional and much needed counterpoint to the mood. The band have refined their craft over an enviable selection of full-lengths, and 'Revelationes', which clocks in at an economical thirty-two minutes, is easily their most focused to date. No song drags or outstays its welcome, instead their pieces are pointed and enjoyable, bringing to mind Tortoise at their very best. </span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5676596880953039122?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-64134727128609342232011-03-31T11:23:00.008+02:002011-03-31T11:32:43.748+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-lkTHpI4T-yo/TZRIJP6n6mI/AAAAAAAABB4/z8a7bBb_muE/s1600/249043893-1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-lkTHpI4T-yo/TZRIJP6n6mI/AAAAAAAABB4/z8a7bBb_muE/s320/249043893-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5590172361202068066" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">36 ::: Cocoon / Saphron 7" Vinyl</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Electronic, Ambient<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://3six.net/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://3six.net/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://3six.net/"><span style="font-weight: bold;">Listen</span></a><a href="http://3six.net/"><span style="font-size:130%;"> </span></a><br /><br />1 Cocoon<br />2 Saphron<br />3 Drowning <span style="font-size:85%;"><br /></span><a href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a href="http://rapidshare.com/#%21download%7C779l35%7C454867074%7C2011_-_36.rar%7C35967"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;"><span style="font-size:100%;"><span style="font-family:georgia;">The “3six Seven” series is a collection of 7″ vinyl releases. These will be limited to 100 copies, in carefully printed full-colour sleeves, matt laminated, with stunning artwork, curated by various artists around the world. Hand numbered by the artist. No represses will be made in this format. The first release features the tracks “Cocoon” and “Saphron”. Artwork by Masaki Okezawa.</span></span> </div><p style="text-align: justify;font-family:georgia;" ><span style="font-size:100%;">“Cocoon” uses low-end pressure and dub-like delay to create an ever-rising, constantly evolving sound, with an intensity matched only by it’s sensitivity. </span>“Saphron” is pure melancholia, with melodic padwork and drifting textures, reminiscent of the most haunting moments from Hypersona, but taken even deeper into the abyss.</p><div style="text-align: justify;"> </div><p style="font-family: georgia; text-align: justify;">The digital version includes the bonus track “Saphron Drowning” which is a moodier, darker edit of the original. It is music for the earliest of hours, lighting a candle of sound that illuminates any headspace.</p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6413472712860934223?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-46669929038395870402011-03-31T04:01:00.000+02:002011-03-31T04:04:48.416+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-yi8fqZ43aWc/TZPgg9idFLI/AAAAAAAABBw/tCvWta_Ew2c/s1600/edit_2803764front.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-yi8fqZ43aWc/TZPgg9idFLI/AAAAAAAABBw/tCvWta_Ew2c/s320/edit_2803764front.jpg" alt="" id="BLOGGER_PHOTO_ID_5590058419376428210" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Stendeck ::: Scintilla</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, IDM<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://stendeck.com/SHOP.htm"><span style="font-weight: bold;">Buy It!</span></a><a href="http://stendeck.com/SHOP.htm"><br /></a><a style="color: rgb(51, 204, 255);" href="http://stendeck.com/SHOP.htm"><span style="font-weight: bold;">Listen</span></a><a href="http://stendeck.com/SHOP.htm"><span style="font-size: 130%;"> </span></a><br /><br />1 hold my hand high in the sky ready for the deep dive<br />2 feel the flames burning inside me<br />3 catch the midnight girl<br />4 tired figures wave goodbye in the backdrop of a sinking boat<br />5 tight around her throat she slips away<br />6 like snowflakes on my fingers<br />7 run amok (against time rebels)<br />8 swimmers in a sleepless hour<br />9 voiceless wishes flicker in the shattered mist<br />10 six-door bedroom<br />11 that foolish fascination of a ghost light collector<br />12 why did we get so far?<br />13 learning how to walk through walls<br />14 last night an angel fell on a motorway<br />15 thieves of watercolour memories<br />16 the silence after this<br />17 crimson clouds cascade<span style="font-size: 85%;"><br /></span><a href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a href="http://uploaded.to/file/52bozhee"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><br /><div style="text-align: justify;">Two years after the release of the widely-acclaimed ‘<em>Sonnambula</em>‘ album, <strong>Stendeck</strong> returns with his highly-anticipated new full-length titled ‘<strong><em>Scintilla</em></strong>‘. Once again, <strong>Stendeck</strong> presents another outstanding mix of generous beats and emotional electronica, accentuated by deep, flowing atmospheres, heart-seizing melodies, expertly-placed noise elements, and lush synthlines. <p>‘<strong><em>Scintilla</em></strong>‘ is an energetic spark of creativity full of passion, life, and hope. The creation of a fantastic blaze of emotion, alluring and serendipitous; a spark that creates an everlasting fire that won’t soon fade away.</p> <p>17 stunning new tracks on compact disc packaged in a beautifully-designed 6-panel digipak by Kostas K. of Subheim.</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4666992903839587040?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-64577495155971561052011-03-26T07:56:00.001+01:002011-03-26T08:01:30.082+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-fI0KN15qvAw/TY2OSPgyk6I/AAAAAAAABBo/aRzifa4jAPw/s1600/Seefeel.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-fI0KN15qvAw/TY2OSPgyk6I/AAAAAAAABBo/aRzifa4jAPw/s320/Seefeel.jpg" alt="" id="BLOGGER_PHOTO_ID_5588279156689507234" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Seefeel - Seefeel</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Shoegaze, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://n5mailorder.com/release/1154&amp;zenid=f6f5b1b13faa1c0ea8bc819492dfe157/seefeel-seefeel"><span style="font-weight: bold;">Buy It!</span></a><a href="http://n5mailorder.com/release/1154&amp;zenid=f6f5b1b13faa1c0ea8bc819492dfe157/seefeel-seefeel"><br /></a><a style="color: rgb(51, 204, 255);" href="http://n5mailorder.com/release/1154&amp;zenid=f6f5b1b13faa1c0ea8bc819492dfe157/seefeel-seefeel"><span style="font-weight: bold;">Listen</span></a><a href="http://n5mailorder.com/release/1154&amp;zenid=f6f5b1b13faa1c0ea8bc819492dfe157/seefeel-seefeel"><span style="font-size: 130%;"> </span></a><br /><br />01 O-on One<br />02 Dead Guitars<br />03 Step Up<br />04 Faults<br />05 Gzaug<br />06 Rip-Run<br />07 Making<br />08 Step Down<br />09 Airless<br />10 Aug30<br />11 Sway<span style="font-size: 85%;"><br /></span><a href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a href="http://www.filesonic.jp/file/65512593"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><br /><div style="text-align: justify;">Conceived by Mark Clifford and Sarah Peacock in the early 90's, Seefeel immediately became groundbreaking leaders of the divergent quasi-movement known as "shoegaze", by amalgamating electronics in ways most of their peers in traditional bands would never dream of. They managed to fuse the early Acid House and techno sounds with guitar, drums and bass into urgent melodic waves that on early releases like Quique and Succour oscillated between hopefulness, introspection and downright menace. Now comes the all new self-titled full length, as a new generation of young bands the world over look once again to building their own walls of sound, Seefeel stand ready again to play not only the inspired outsiders, but also the inspirational forerunners. With much talk of implied mysticism abound in music these days, Seefeel deals this out in sonic revelations. From the glacial "Airless" to the lumbering intensity of "Dead Guitars" and the ghostly harmonics of "Faults" each step feels of deeply personal progression. Mark Clifford, "There is a real dynamic, creative process that’s exciting. I feel the music we have made for these initial releases is just the very start and we already have a number of ideas/tracks in place for future releases that I feel push our own boundaries even further. As well as this, we are growing as a live band, adding elements of improvisation and looser structures unimaginable to us a few years back, and with continued touring I'm excited to see how we develop in that direction." <br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6457749515597156105?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-36609654880192882702011-03-07T01:58:00.004+01:002011-03-07T02:03:11.884+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-fz2lFozC3_w/TXQt5KdIEVI/AAAAAAAABBY/wdnsP-42t_A/s1600/jh58v5.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 319px; height: 320px;" src="http://3.bp.blogspot.com/-fz2lFozC3_w/TXQt5KdIEVI/AAAAAAAABBY/wdnsP-42t_A/s320/jh58v5.jpg" alt="" id="BLOGGER_PHOTO_ID_5581136298301198674" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Úrsula - Hasta Que La Soledad Nos Separe </span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Electronic, Ambient<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.foehnrecords.com/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.foehnrecords.com/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.foehnrecords.com/"><span style="font-weight: bold;">Listen</span></a><a href="http://www.foehnrecords.com/"><span style="font-size:130%;"> </span></a><br /><br />01 Capítulo siete<br />02 Humildad y paciencia<br />03 Teoría del sufrimiento<br />04 Insomnio de verano<br />05 Reflexiones permanentes<br />06 Un final decepcionante<span style="font-size:85%;"><br /></span><a href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a href="http://www.megaupload.com/?d=N7N8KEZQ"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;"><span style="font-family: arial;">Úrsula has managed to move finely between neoclassicism, ambient, minimalism and, enclosed, certain contemporary reminiscences. They have made a simple language which only object is to transport the public across a path replete with sensations in which their participation is going to be indispensable, establishing one dialog sutil and accurately between the musician and the listener. As one of their models, Górecki, Úrsula do not walk among complicated harmonys and have managed to absorb the essence of Bártok's Neoclassicism. Echoes are guessed to Terry Riley and Steve Reich, besides a distant inspiration in Cage, and have assumed perfectly Webern's sonorous economy at the time that they approach to the beginnings of Arvo Pärt. From the beginning they appreciate an extremely precise and imaginative use of the tremolo and the delay, among other effects, which are the base of the sound of the guitar, which constructs, without scarcely developments, clear and superposed textures. It´s here where more we perceive the influence of bands as The Sight Below, whose principal member - Rafael Anton Irisarri - has masterized the record. </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3660965488019288270?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-9312243054682460412011-03-07T01:54:00.003+01:002011-03-07T01:57:20.071+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-_-N6wEg4dDc/TXQs70G0SGI/AAAAAAAABBQ/PktbQS4v4xo/s1600/cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 314px; height: 320px;" src="http://2.bp.blogspot.com/-_-N6wEg4dDc/TXQs70G0SGI/AAAAAAAABBQ/PktbQS4v4xo/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5581135244330027106" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Halls - Halls EP</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic, Dub<br /><br />Halls - Halls EP - 01 Warsaw Radio Mast<br />Halls - Halls EP - 02 Shiner<br />Halls - Halls EP - 03 Cave Days<br />Halls - Halls EP - 04 Chakra Drums<br />Halls - Halls EP - 05 Kaleidoscope<br />Halls - Halls EP - 06 Rise<span style="font-size:85%;"><br /></span><a href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a href="http://www.filesonic.jp/file/160186982/HHP.rar"><span style="color: rgb(51, 204, 255);">Download</span></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-931224305468246041?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-61492622369166154892011-02-24T00:58:00.002+01:002011-02-24T01:06:02.614+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-QtnBmvnBJcs/TWWfGCs0wSI/AAAAAAAABBI/Ccolh4UIQfk/s1600/333.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/-QtnBmvnBJcs/TWWfGCs0wSI/AAAAAAAABBI/Ccolh4UIQfk/s320/333.jpg" alt="" id="BLOGGER_PHOTO_ID_5577038639721136418" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">VA ::: Tasogare Live in Tokyo Folder</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Ambient, Drone<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://boomkat.com/cds/377880-taylor-deupree-sawako-minamo-various-tasogare-live-in-tokyo"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/cds/377880-taylor-deupree-sawako-minamo-various-tasogare-live-in-tokyo"><br /></a><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/cds/377880-taylor-deupree-sawako-minamo-various-tasogare-live-in-tokyo"><span style="font-weight: bold;">Listen</span></a><a href="http://boomkat.com/cds/377880-taylor-deupree-sawako-minamo-various-tasogare-live-in-tokyo"><span style="font-size: 130%;"> </span></a><br /><br />01-minamo live in tokyo april 11 2010<br />02-sawako and hofli live in tokyo april 10 2010<br />03-moskitoo live in tokyo april 10 2010<br />04-solo andata live in tokyo april 10 2010<br />05-taylor deupree live in tokyo april 11 2010<span style="font-size: 85%;"><br /></span><a href="http://www.megaupload.com/?d=4PJ8IO6H"><br /></a><a href="http://www.megaupload.com/?d=4PJ8IO6H"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">12k compilations are always a treat, and this bumper set of live recordings is no different. Collecting five sets from performances of Tokyo, we get long-form improvisations and compositions from Moskitoo, Sawako + Hofli, Solo Andata, Minamo and Taylor Deupree to boot. Already with names like this you should know you’re getting quality, and the tracks don’t disappoint. Minamo kicks off proceeding with an effortlessly warming ten minutes of guitar drenched electronic bliss. With rotating oscillators and swathes of ambient noise the acoustic guitar soars into the eventual cloud of delicate hum and sublime transcendence. My pick of the set comes from Aussie duo Solo Andata, who continue their streak of top-form business with a twenty minute slice of dark, Thomas Koner-influenced sub-sonic ambience. This is a much-needed yang to the near-twee of Sawako and Moskitoo, and as the disc comes to a close with Taylor Deupree’s gorgeous, dusty fifteen minute composition you’ll know all is right with the world.<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6149262236916615489?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-50783297202563873432011-02-22T01:10:00.003+01:002011-02-22T01:23:29.275+01:00<span style="font-size:100%;"><a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-laNcwPH0uo0/TWL_v5227CI/AAAAAAAABBA/apUpUSqXUGc/s1600/SIC025.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-laNcwPH0uo0/TWL_v5227CI/AAAAAAAABBA/apUpUSqXUGc/s320/SIC025.jpg" alt="" id="BLOGGER_PHOTO_ID_5576300487087942690" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></span><span style="font-weight: bold; font-family: georgia;font-size:100%;" >V.A - The silence was warm vol.3</span><span style="font-family: georgia;font-size:100%;" ><br /></span><span style="font-family: georgia;font-size:100%;" ><span style="font-weight: bold;font-size:100%;" >Genre : </span></span><span style="font-size:100%;"><span style="font-family: georgia;">Electronic, Ambient, Drone</span><br /><a style="color: rgb(51, 204, 255); font-family: georgia;" href="http://www.symbolicinteraction.net/SIC025.html"><br /></a><a style="font-family: georgia;" href="http://www.symbolicinteraction.net/SIC025.html"><span style="font-weight: bold;">Buy It!</span></a><a style="font-family: georgia;" href="http://www.symbolicinteraction.net/SIC025.html"><br /></a><a style="color: rgb(51, 204, 255); font-family: georgia;" href="http://www.symbolicinteraction.net/SIC025.html"><span style="font-weight: bold;">Listen</span></a><a style="font-family: georgia;" href="http://www.symbolicinteraction.net/SIC025.html"> </a><br /><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >disc 1:</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >1. melodium – ritournelle</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >2. taishin inoue - dystopian air castle</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >3. talvihorros – rusak</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >4. hakobune - shimokume</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >5. teruyuki nobuchika - a day</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >6. shotahirama - conversation peace</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >7. flotel – yclept</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >8. konntinent - caster</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >9. hessien - falling down around us</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >10. the 2nd colony - yarn</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >11. melodium - the decline of iron</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >disc 2:</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >1. umin - F/re</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >2. line spectra - III</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >3. maps and diagrams - a view from below</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >4. retina.it - we've seen things hit Jupiter before</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >5. yu miyashita - telomere stop</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >6. ard bit - tois</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >7. darren mcclure - shibuya module reform</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >8. set in sand - relax on a deeper level</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >9. thisquietarmy - sunday regenerating</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >10. amorph - waves</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" ><br /></span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" >11. hopeless local marching band - and the man cannot describe himself</span><span class="Apple-style-span" style="border-collapse: collapse; font-family: georgia;font-family:verdana,tahoma,arial,helvetica,sans-serif;font-size:100%;" > </span><span style="font-family: georgia;font-size:100%;" ><br /></span><span style="font-size:100%;"><a style="font-family: georgia;" href="http://www.filesonic.com/file/75336553/Tim_Hecker_-_Ravedeath_1972.rar"><br /></a><a style="font-family: georgia;" href="http://hotfile.com/dl/106613850/682782c/v.a._SilenceVol3_%28SymInt2011%29.zip.html"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /></span><div style="text-align: justify; font-family: georgia;"><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" >Consider a Japanese equivalent of the Kompakt’s pop ambient series, but approached through the lens of sound art and experimental domains, and you begin to have an impression of The Silence was Warm Vol. 3. Compiled by Kentaro Togawa this double cd spans 22 tracks that in some manner or form approach the theme of ‘rebuild’. The artists included form three subgroups, Symbolic Interaction artists; Melodium, Set in Sand, Konntinent, Ard Bit, Hakobune and Darren McClure, Japanese artists; Teruyuki Nobuchila, Yu Miyashita, Taishin Inoue, shotahirama , Hopeless Local Marching Band, the 2nd colony and overseas artists; Retina.it, Flotel, thisquietarmy, Maps and Diagrams, Umin, Talvihorros, Amorph, Hessien, Line Spectra.</span><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" > </span><span style="font-size:100%;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" > </span><span style="font-size:100%;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" >Edited highlights of the album start with the minimal bright electronic with kooky clatter beat with warbling melody of ‘Ritournelle’ by Melodium. Talivhorro’s ‘Rusak’ plunges into post rock landscape of acoustic guitar meets soundscaping with electronics in a recurring tone and wired out electric guitar playing distant background sculptural noise which becomes more integral to the soundscape. Teruyki Nobuchika presents a more modern classical piano with pristine tonal electronic signals pulsing through the mix in ‘A Day’. Maps and Diagrams ‘A view from below’ is the closest to a ambient groove track on the album with static warmth and crackle and a slow paced dubbed electronic track. Darren McClure produces a full textured ‘Shibuya Module Reform’ with close miked up effects on objects, bells, bowls, scraping of surfaces wielded into sonic shapes amidst drones, weaving guitars in and out, all forming a sharp dimensional form. The Hopeless Marching Band finish off the compilation with ‘and the man cannot describe himself’ a slow slightly off kilter piano and effects moving into a melancholic drumbeat piano denouement of a track, as if signalling the carnival is over but the sound is still fused in their display, playing the downbeat into a post-rock wall of guitar fuzz and the party is over.</span><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" > </span><span style="font-size:100%;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" > </span><span style="font-size:100%;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" >It’s a compilation consistent high standards with its production and mastering by Rudi Arapahoe crisp and dimensional. Covering areas of ambient, glitch, modern classical, drone, post-rock and soundart it is a comprehensive round-up of the edge of contemporary experimental ambient in Japan and beyond</span><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" > </span><span style="font-size:100%;"><br /></span><span class="Apple-style-span" style="border-collapse: collapse;font-size:100%;" > </span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5078329720256387343?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-73326431167618759242011-02-14T12:45:00.002+01:002011-02-14T12:48:45.924+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-CqTrlhZ_r80/TVkWHr8QapI/AAAAAAAABA0/SZl2umrNafI/s1600/Cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 211px;" src="http://2.bp.blogspot.com/-CqTrlhZ_r80/TVkWHr8QapI/AAAAAAAABA0/SZl2umrNafI/s320/Cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5573510335158053522" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Ossining ::: I Will Be Missed</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Electronic, Ambient, Drone<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://boomkat.com/vinyl/317433-ossining-i-will-be-missed"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/vinyl/317433-ossining-i-will-be-missed"><br /></a><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/vinyl/317433-ossining-i-will-be-missed"><span style="font-weight: bold;">Listen</span></a><a href="http://boomkat.com/vinyl/317433-ossining-i-will-be-missed"><span style="font-size:130%;"> </span></a><br /><br />01 Mirror Warmer<br />02 Go For Pinks<br />03 Moons<span style="font-size:85%;"><br /></span><a href="http://www.filesonic.com/file/75336553/Tim_Hecker_-_Ravedeath_1972.rar"><br /></a><a href="http://www.mediafire.com/?ppk1wxg5j01p3vo"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Super-limited pressing of just 150 copies for the world - if you're into Oneohtrix Point Never, don't miss this* Digitalis activist Brad Rose maps out three passages to synthetic galaxies with Kevin Danchisko of Sovetskaya Gone. For the keenest of observers, they dropped two tapes last year, but 'I Will Be Missed' is their first vinyl release, containing three new tracks of vast and mysterious drones punctuated with starbursting synth patterns and a wide-eyed effect harking back to early 90s ambient qualities with a nod to narcotically laced Americana that fand of Oneohtrix will adore. However, as it's a Digitalis release, there's something disturbed and just a little squinted lurking in the background, especially with the lengthy A-side composition 'Mirror Warmer'. The near psilocybic queerness of the melodies and spacious harmonics also recall Leyland Kirby's distorted memories but threaded with howling inhuman voices shrieking way back in the ether while the symphony continues to phosphoresce regardless, almost ignorant of the pain underneath. On the other side the choral voices (or are they just synths?) of 'Go For Pinks' recaptures the spirit of a chill-out room for a midwest American rave, but with a more sinister, brown speckled twist. 'Moons' completes the album with stray arpeggiations, godly vocal harmonics and bloopy sequences masking an underlying tension, perhaps saying that this form of dosed-up, lethargic escapism has something intrinsically wrong and unusually disturbing. Fans of feeling strange should book themselves on this trip without delay...</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7332643116761875924?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-17736532759990193922011-02-10T10:29:00.002+01:002011-02-10T10:33:49.152+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TVOwEN5fM8I/AAAAAAAABAs/uJfs10xt7pk/s1600/110205104346465719.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TVOwEN5fM8I/AAAAAAAABAs/uJfs10xt7pk/s320/110205104346465719.jpg" alt="" id="BLOGGER_PHOTO_ID_5571990750484181954" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Tim Hecker ::: Ravedeath, 1972</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Ambient, IDM<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.kranky.net/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.kranky.net/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.kranky.net/"><span style="font-weight: bold;">Listen</span></a><a href="http://www.kranky.net/"><span style="font-size: 130%;"> </span></a><br /><br />01. The Piano Drop<br />02. In the Fog: I-III<br />03. No Drums<br />04. Hatred of Music: I-II<br />05. Analog Paralysis, 1978<br />06. Studio Suicide, 1980<br />07. In the Air: I-III<span style="font-size: 85%;"><br /></span><a href="http://www.filesonic.com/file/75336553/Tim_Hecker_-_Ravedeath_1972.rar"><br /></a><a href="http://www.filesonic.com/file/75336553/Tim_Hecker_-_Ravedeath_1972.rar"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Tim Hecker's latest work approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this new piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wooden room, and also a pagan work of physical resonance within a space once reserved for the hallowed breath of the divine. </div><div style="text-align: justify;"> </div><p style="text-align: justify;"> While the title of the piece "Hatred of Music" might be a clue, the album is also partly an attempt to confront a pervasive negativity surrounding music. Historical rituals of destroying pianos, mountains of pirated CDRs pushed by bulldozers in Eastern Europe, or the melancholy of the digital music era began as sideline motifs which quickly informed the work on this record. They also really didn't at all. </p><div style="text-align: justify;"> </div><p style="text-align: justify;">Despite that the context is wide open in such a form of musical abstraction, the substance of these immersive compositions showcases Hecker's continued mastery of organizing sound into a visceral near entity. It is an almost physical presence that the listener feels as much as hears. This work is a significant contribution to Hecker's oeuvre, one which spans over ten years of musical production. Ravedeath is an enigmatic document of beauty and force. </p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1773653275999019392?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-6002395059483862272011-01-31T13:01:00.002+01:002011-01-31T13:07:24.575+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TUak2InDr1I/AAAAAAAABAg/eApAcnn07R0/s1600/cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TUak2InDr1I/AAAAAAAABAg/eApAcnn07R0/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5568319239221391186" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Maps &amp; Diagrams ::: A Pulsating History</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Ambient, IDM<br /><a href="http://boomkat.com/cds/373134-fabio-orsi-stand-before-me-oh-my-soul"><span style="font-weight: bold;"></span></a><br /><br />01 The Modern Century<br />02 Anti-Clockwise<br />03 First Quarter<br />04 Drake's Departure<br />05 On Esquiline Hill (feat Ylid)<br />06 Particles of Earth.<br />07 Coming in from the Cold<br />08 The Lonely Planet<span style="font-size: 85%;"><br /></span><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><br /></a><a href="http://hotfile.com/dl/100462704/f59da7d/MAD_APH.zip.html"><span style="color: rgb(51, 204, 255);">Download</span></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-600239505948386227?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-753151844092753532011-01-31T03:31:00.002+01:002011-01-31T03:35:48.626+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TUYfQMFRPoI/AAAAAAAABAY/YIQ3AlIs01Q/s1600/333.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TUYfQMFRPoI/AAAAAAAABAY/YIQ3AlIs01Q/s320/333.jpg" alt="" id="BLOGGER_PHOTO_ID_5568172352271892098" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Fabio orsi ::: Stand Before Me, Oh My Soul</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Ambient, IDM<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://boomkat.com/cds/373134-fabio-orsi-stand-before-me-oh-my-soul"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/cds/373134-fabio-orsi-stand-before-me-oh-my-soul"><br /></a><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/cds/373134-fabio-orsi-stand-before-me-oh-my-soul"><span style="font-weight: bold;">Listen</span></a><a href="http://boomkat.com/cds/373134-fabio-orsi-stand-before-me-oh-my-soul"><span style="font-size: 130%;"> </span></a><br /><br />01 All The Trees Of The Field Will C<br />02 The Dress Looks Nice On You<br />03 In The Devil's Territory<br />04 To Be Alone With You<br />05 Abraham<br />06 Sister<br />07 Size Too Small<br />08 We Won't Need Legs To Stand<br />09 A Good Man Is Hard To Find<br />10 He Woke Me Up Again<br />11 Seven Swans<br />12 The Transfiguration<span style="font-size: 85%;"><br /></span><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><br /></a><a href="http://www.mediafire.com/?3tyddr25cmd251b"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Preservation's latest captures Italian experimentalist, Fabio Orsi in hungry, visceral form. Joined by Rich Baker's original drum loops, Fabio plays guitar, keyboards, voice and effects on eight relatively short, one might even say poppy, rock postures within an immersive ambient sound sphere. Considering that he's best known for lushly textured drone and ambient works 'Stand Before Me, Oh My Soul' is a hugely confident sideways shift into a new realm of more aggressive sonics with a defiantly rocking dynamic. However, he has retained a tangible link with his quieter self through the use of repetitious drum looping and structured arrangements which unfold more like a drone composition than your average rock track. This all results in a sound approaching Seefeel-esque shoegaze in the towering, expansive opener 'Naked Trance', the doomy jazz scapes of Bohren And Der Club Of Gore on 'Folks! My Soul Stands Up Before You!' and narrow-eyed Krautrock on 'Papa, Show Me Your Blues LPs'. In 'Full Metal Flat' in foregrounds tense, ascending synths over crashing, noisy drums for a take on Post Rock while 'My Awesome Drugs Propaganda' is punkier, more visceral, and we return to blissed ambient noise on 'Please Could You Hide That Ghost Noise' and it's proggier counterpart 'Ghost Track', closing to the breathtaking, autofluorescent ambience of 'Soon, I'll Be At Home'. Gorgeous.<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-75315184409275353?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com2tag:blogger.com,1999:blog-4818361172287283064.post-33242327770168000112011-01-29T10:52:00.002+01:002011-01-29T10:56:10.721+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TUPjUpSWxJI/AAAAAAAABAI/KFut4cTTJ40/s1600/in%252B8%252Bmovements.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 240px; height: 240px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TUPjUpSWxJI/AAAAAAAABAI/KFut4cTTJ40/s320/in%252B8%252Bmovements.jpg" alt="" id="BLOGGER_PHOTO_ID_5567543508179797138" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Black Swan - In 8 Movements</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Ambient, Drone<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://blackswan.bandcamp.com/album/black-swan-in-8-movements"><span style="font-weight: bold;">Buy It!</span></a><a href="http://blackswan.bandcamp.com/album/black-swan-in-8-movements"><br /></a><a style="color: rgb(51, 204, 255);" href="http://blackswan.bandcamp.com/album/black-swan-in-8-movements"><span style="font-weight: bold;">Listen</span></a><a href="http://blackswan.bandcamp.com/album/black-swan-in-8-movements"><span style="font-size: 130%;"> </span></a><br /><br />01 Part I<br />02 Part II<br />03 Part III<br />04 Part IV<br />05 Part V<br />06 Part VI<br />07 Part VII<br />08 Part VIII<span style="font-size: 85%;"><br /></span><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><br /></a><a href="http://www.mediafire.com/?paxn1veyuamuw1z"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><br /><a href="http://www.mediafire.com/?8ad9zcpa0fld5sv"></a><div style="text-align: justify;">Majestic and mysterious album of lucid dreamlike dronescapes from an unregistered entity - quite a must for fans of Stars Of The Lid, Leyland Kirby, Phillip Jeck or Indignant Senility. 'Drones For Bleeding Hearts. In 8 Movements' submerses us in a flickering, half-lit world of creaking, unidentified acousmatic sound and orchestrated drones with chillingly tangible atmospherics. When Black Swan drops the temperature, say with a sudden ghoulish howl from the peripheries or a disorientating blast of icy nothingness, you can practically feel your hair moving in kinaesthetic syncopation. To this degree he evokes the psychedelic, gaseous nature of Phillip Jeck's music and also the piloerect effect of Indignant Senility's Wagnerian overtones. But there's something detached, silhouetted and lurking between the lines that suggests something creepier, as though Black Swan is watching you listen to his music with a face caught somewhere between voyeuristic sneer and irreconcilable sorrow. It's too early in the day to be falling into this right now, but once night falls we'd imagine the effect to be massively intensified.<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3324232777016800011?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com2tag:blogger.com,1999:blog-4818361172287283064.post-87784550630966341762011-01-26T01:06:00.002+01:002011-01-26T01:08:55.167+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TT9leEvVHyI/AAAAAAAABAA/Kg_41XVzPrA/s1600/db.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 126px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TT9leEvVHyI/AAAAAAAABAA/Kg_41XVzPrA/s320/db.jpg" alt="" id="BLOGGER_PHOTO_ID_5566279231795961634" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Duckbay - VA</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Ambient<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://clone.nl/digital/item210330.html"><span style="font-weight: bold;"></span></a><br />01 Tanaka Munechika - Tuner<br />02 Aquarelle - At The Seams<br />03 Ian Hawgood - Heather Withdrawn<br />04 Pawn - Morning Mist<br />05 Simon James French - Esther<br />06 Con_Cetta - Defectivus<br />07 Segue - 25<br />08 Sublamp - Owldrive (For Ann)<br />09 Peregrino - Cecilia<br />10 Hakobune - Unnoticed Envelope<br />11 Opitope - Our Music<br />12 Mimosa_Moize - Frosted Window<br />13 Jasper Leyland - The High Boundary<br />14 Tanner Menard - Only You Can Know<br /><br /><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><br /></a><a href="http://hotfile.com/dl/99508034/3d4834e/vadbsing_%282010%29.zip.html"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><br /><div style="text-align: justify;">Duckbay is an internet based record label that releases one compilation of minimal, ambient and experimental music each year. as a label that releases only compilations, I hope to set duckbay apart from other record labels by fulfilling a niche. These albums will include music from artists all around the world, selected from an ever expanding network of friends and artists who each have their own unique sound and expression. The real difference compared to other compilations, I think, is the personal touch in with each release as all the artists are selected by one person (Jordan Sauer), which means the final product will have a cohesive sound and vision (which only materializes at the very end!).<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-8778455063096634176?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-42945347506024163572011-01-25T04:30:00.004+01:002011-01-25T04:35:08.423+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TT5D7ZEPHSI/AAAAAAAAA_w/eZsW6zMyQrs/s1600/folder.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 271px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TT5D7ZEPHSI/AAAAAAAAA_w/eZsW6zMyQrs/s320/folder.jpg" alt="" id="BLOGGER_PHOTO_ID_5565960877096508706" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Shaula - Non_rem_sleeps</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Electronic, Ambient<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.somehowrecordings.co.uk/shop.html"><span style="font-weight: bold;">Buy It!</span></a><a href="http://clone.nl/digital/item210330.html"><br /></a><a style="color: rgb(51, 204, 255);" href="http://soundcloud.com/shaula"><span style="font-weight: bold;">Listen</span></a><a href="http://soundcloud.com/shaula"><span style="font-size:130%;"> </span></a><a href="http://soundcloud.com/shaula"><br /></a><br /><span style="font-size:85%;"><br /></span><span class="Apple-style-span" style="color: rgb(255, 255, 255);font-size:85%;" >1 Origin Of Mirage 7:35<br />2 Parachute 3:15<br />3 Macula 8:48<br />4 Ghost Type 5:02<br />5 Lepido 10:01<br />6 Opaque 5:00<br />7 You Sleep Like Lyric Poetry 6:19<br />8 Rem 4:02</span><span style="font-size:85%;"><br /></span><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><br /></a><a href="http://www.mediafire.com/?8ad9zcpa0fld5sv"><span style="color: rgb(51, 204, 255);">Download</span></a><a href="http://www.mediafire.com/?8ad9zcpa0fld5sv"><br /></a><br /><p class="Normal-P"><span class="Normal-C0">Somehow welcomes shaula to our site with a full length album. Non_rem_sleeps is a hidden treasure of an album and has a different story with every track. From the outset shaula plays with guitars &amp; sounds that eclipse what the listener is hearing. Ghost type strolls, pressing the listening experience, but always reminding you of someplace, sometime…..</span></p> <p class="Normal-P"><span class="Normal-C0">Favourite track for us is Lepido, simply stunning. A fine and surreal guitar track layered over beautiful drones that give a sense of today, tomorrow, even yesterday.</span></p> <p class="Normal-P"><span class="Normal-C0">We hope that shaula will return with us for another album soon. But for the moment, keep this safe with you at all times….</span></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4294534750602416357?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-38756976849122666442011-01-22T02:52:00.001+01:002011-01-22T02:55:24.512+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TTo4cMXidsI/AAAAAAAAA_g/_2BHnNvxUuo/s1600/cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TTo4cMXidsI/AAAAAAAAA_g/_2BHnNvxUuo/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5564822346577114818" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Ø (Mika Vainio) - Heijastuva</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Ambient<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://clone.nl/digital/item210330.html"><span style="font-weight: bold;">Buy It!</span></a><a href="http://clone.nl/digital/item210330.html"><br /></a><a style="color: rgb(51, 204, 255);" href="http://clone.nl/digital/item210330.html"><span style="font-weight: bold;">Listen</span></a><a href="http://clone.nl/digital/item210330.html"><span style="font-size: 130%;"> </span></a><br /><br /><br />1-Heijastuva<br />2-Anksiolyytti<br />3-Ensimminen_Valo<br />4-Hikari<br /><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><br /></a><a href="http://www.megaupload.com/?d=28T4NM5N"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia; font-size: 14px;">Something quite exceptional from Mika Vainio - a 17 minute exploration of guitar feedback manipulation plus three further minimalist electronic compositions. Not that it was ever in question, but 'Heijastuva' shows the real scope of Mika's oeuvre from the outset with a lightshow of tenderly harmonised and deftly sculpted distortion referencing timeless music from Robert Fripp and Brian Eno's experiments in the '70s through to modern day Fennesz or Jim O'Rourke, all with a graciously diffident composure and detached beauty. This track could reduce sentimental types to tears. In more familiar, bleak and isolated terrain 'Ankysiolyytti' is eleven minutes of wonderfully alien soundscapes mapping similar zones to Daphne Oram or Rafael Toral. Cleansing the palette, 'Ensimmäinen Valo' redolent of his amazing 'Kantamoinen' tracks may be short but it's also one of the most affecting pieces here, and 'Hikari' is a sublime exercise in ultra-refined, minimalist electronic composition with a crisp and purified finish</span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3875697684912266644?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-72476678875100590162011-01-20T00:49:00.002+01:002011-01-20T00:53:31.749+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TTd4kNdkrfI/AAAAAAAAA_Y/73Y1fvodVUk/s1600/cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 300px; height: 300px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TTd4kNdkrfI/AAAAAAAAA_Y/73Y1fvodVUk/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5564048428123860466" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Ghost and tape - Ghost and tape</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Acoustic, Ambient<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.scholecultures.net/records/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.scholecultures.net/records/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.scholecultures.net/records/"><span style="font-weight: bold;">Listen</span></a><a href="http://www.scholecultures.net/records/"><span style="font-size: 130%;"> </span></a><br /><br /><br />1. Onesome<br />2. Bless The Blind<br />3. Sister<br />4. Craddle w/Akira<br />5. To Scratch<br />6. Ghostday<br />7. Pretty Drops<br />8. Automatic<br />9. It’s Morning<br />10. Science of Sundays<br />11. Loop Charm<br />12. Lorenzos Day<br /><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><br /></a><a href="http://www.mediafire.com/?ly22lbofbyd4fyl"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Lives in Barcelona Spain, “ghost and tape” is a solo unit by Heine Christensen.<br />His works were well received in both “Note of seconds-schole compilation vol.2-” and a piece which was included in a multi-media “CLARITY (CD+BOOK)”, and finally Schole Records is about to release his long-awaited debut album. <p>Like its name, “ghost and tape” creates sound like a mirage of perfect lo-fi oriented. Noise sounds like a mixture of old tapes, and invites us to slumber while tracing the middle of Acoustic/Electronica. The opening song “onesome” goes with guitar arpeggio loop which reminds the classic pop. Then, the exhilarating melody “bless the blind” takes listeners to the first climax with noisiness. In “cradle,” the voice of female vocal cut-ups makes people trip in melting. Akira Kosemura’s keyboard adds more to it. As Heine layered his soft vocal with much of floating feelings in “ghostday,” “ghost and tape” expands his popness with putting in some own twists while making listeners glimpsing the country-flavored honest melody line.</p> <p>The harmony is born between rough texture and noise that covers the whole tracks, a unique electronic sounds, and acoustic instruments to be the supreme relaxing daydream.</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7247667887510059016?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-69612956887932703412011-01-18T00:39:00.004+01:002011-01-18T00:47:06.171+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TTTUOCfp84I/AAAAAAAAA_Q/Kp1gXr3RcZY/s1600/img.png"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TTTUOCfp84I/AAAAAAAAA_Q/Kp1gXr3RcZY/s320/img.png" alt="" id="BLOGGER_PHOTO_ID_5563304777362305922" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Dakota Suite &amp; Emanuele Errante The North Green Down</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Classic, Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://digital.thinkindie.com/search/release.php?release_id=159808&amp;ref=26"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.distractionrecords.com/index.php?option=com_content&amp;view=article&amp;id=92"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.zero-inch.com/artist/Dakota_Suite/album/The_North_Green_Down/207028"><span style="font-weight: bold;">Listen</span></a><a href="http://www.zero-inch.com/artist/Dakota_Suite/album/The_North_Green_Down/207028"><span style="font-size:130%;"> </span></a><br /><br />01 - the north green down I<br />02 - leegte<br />03 - a hymn to haruki murakami<br />04 - le viti del mondo<br />05 - the north green down II<br />06 - the north green down III<br />07 - a worn out life (with cello)<br />08 - away from this silence<br />09 - the north green down IV<br />10 - they could feel the end of all thing<br />11 - nobody is ever safe<br />12 - a loveless moment<br />13 - no greater pain<br />14 - the north green down V<br />15 - the north green down VI<br />16 - a worn out life<br />17 - wat we kwijt zijn<br />18 - the north green down VII<br /><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><br /></a><a href="http://www.mediafire.com/?fgumzh9xkw1xnc5"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">After collaborating on Dakota Suite's remix project (The Night Just Keeps Coming In) Chris Hooson of Dakota Suite asked Emanuele Errante to collaborate with him on a project composed for the death of his sister-in-law called 'The North Green Down'.
Chris had composed a series of themes around the loss of his sister-in-law and in Emanuele found a partner to create the sounds which would evoke loss, the temporary nature of life and the stillness to get through. 'The North Green Down' also features the marvellous cello of David Darling who creates textures and waves of melancholy unlike anyone else.
Almost 80 minutes of fragile pianos, guitars, cello &amp; subtle electronic elements...cinematic, hypnotic &amp; simply beautiful! "In August 2009, Johanna and I took what we didn't know then would be our last holiday with our sister-in-law, Hannah. We knew that Hannah had cancer and that it was most likely going to take her from us and that moment was something we could feel draw ever closer. We all went to a place loved by our family for many years, Southwold in Suffolk. It was clear that Hannah was in pain. We were walking back from the ocean, for Southwold lies on the sea, through a part of Southwold called 'the north green'. I was overwhelmed by what I could feel being taken from us, every step we took represented a small death. I knew then that I would miss her. 
During that walk with Hannah through the north green I felt there the beginnings of the music you hear on this record as the main 'north green down' theme and knew I had to keep going with this tribute to her. I sent the basic piano and guitar pieces I had recorded at home to Emanuele. I had previously bought his records and felt in him a sympathetic soul who would feel the weight of this music and make it more fitting for the purpose I had in mind, namely a suite of hymnal pieces for Hannah.
Hannah was a beautiful, selfless and nurturing woman. This record is for her."
</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6961295688793270341?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-4332454426763883032011-01-04T10:11:00.001+01:002011-01-04T10:14:57.563+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TSLkW0Cyi7I/AAAAAAAAA_I/dTzhQxvXzMo/s1600/ihab016_460.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TSLkW0Cyi7I/AAAAAAAAA_I/dTzhQxvXzMo/s320/ihab016_460.jpg" alt="" id="BLOGGER_PHOTO_ID_5558255970707213234" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Federico Monti ::: Sorolls</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Ambient, Electronic, Drone<br /><a href="http://www.distractionrecords.com/index.php?option=com_content&amp;view=article&amp;id=92"><span style="font-weight: bold;"></span></a><a href="http://www.distractionrecords.com/index.php?option=com_content&amp;view=article&amp;id=92"><br /></a><a style="color: rgb(51, 204, 255);" href="http://impulsivehabitat.com/releases/ihab016.htm"><span style="font-weight: bold;">Listen</span></a><a href="http://impulsivehabitat.com/releases/ihab016.htm"><span style="font-size: 130%;"> </span></a><br /><br />1. Perfil 1<br />2. Perfil 2<br /><a href="http://impulsivehabitat.com/releases/ihab016.htm"><br /><span></span></a><a href="http://impulsivehabitat.com/releases/ihab016.htm"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">The field recordings for 'Sorolls' were taken on the sea and mountains between March and June of 2010. Sorolls' two pieces were processed with granular synthesis. This release was put together for a deep listening.<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-433245442676388303?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-17636229744520445402011-01-02T03:26:00.002+01:002011-01-02T03:30:11.532+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TR_idOJzUWI/AAAAAAAAA_A/24Q2uK798Js/s1600/l_fce9718c382841a59de9b06ca438d10d.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 284px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TR_idOJzUWI/AAAAAAAAA_A/24Q2uK798Js/s320/l_fce9718c382841a59de9b06ca438d10d.jpg" alt="" id="BLOGGER_PHOTO_ID_5557409456841773410" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">VA ::: Forma.3.10</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre :</span></span> Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.cdjournal.com/main/news/-/32760"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.cdjournal.com/main/news/-/32760"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.cdjournal.com/main/news/-/32760"><span style="font-weight: bold;">Listen</span></a><a href="http://www.cdjournal.com/main/news/-/32760"><span style="font-size: 130%;"> </span></a><br /><br />01. Yuanyuan / Alarmist<br />02. Seiji Takahashi / Gion<br />03. Nakagawa Takuma a.k.a. Nobi / Smoke<br />04. Jun Nishimura / Falcon<br />05. Caelum / Kyrie<br />06. Tessei Tojo / Blue Fog<br />07. Miyauchi Yuri / bdq_<br />08. eater / Rhythm of Japanese Garden<br />09. Pawn / Morning Tone<br />10. Marei Suyama / Pidgin op.1<br />11. Minus Lex / Minus Lex<br />12. Junichi Akagawa / Flus<br />13. Sooner / Barely Confine<br />14. Serph / Scenery<br />15. Sabi / Loose Contruulled<br />16. Geskia! / Viola<br />17. Taishin Inoue / Voices in Cells<br />18. Chisato Ohori / Caitokali<br /><br /><a href="http://www.megaupload.com/?d=EHGQFZY9"><span></span></a><a href="http://www.fileserve.com/file/e5HrURb"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br />青木孝允、徳井直生、半野喜弘ほか錚々たる顔ぶれが輩出、近年も若き才能Ametsubを世に送り出し、日本を代表するエレクトロニック・ミュージック・レーベルとして活動を続けるPROGRESSIVE FOrM。同レーベルのコンピレーション・シリーズ“Forma.”に、2003年の『Forma.2.03』以来実に7年ぶりの第3弾『Forma.3.10』（PFCD-21 税込2,310円）が登場！8月11日発売. Marei Suyama（NGATARI）、miyauchi yuri、 Sabi、Soonerなど、注目アーティストを多数収録の『Forma.3.10』。フロア・ライク、フォーキー、クラシカルと想起される言葉はあれど、エレクトロニック / クラブ・ミュージックや“○○トロニカ”といった枠に収めることのできない個性的な面々が集結。強いて共通点を挙げるとすれば、美しいサウンドとメロディ、確かな作曲センス。幅広いファン層の心に響くであろう珠玉の書き下ろし楽曲群が詰まった、今を知るにうってつけのインストゥルメンタル・コンピレーションとなっています。<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1763622974452044540?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-48325911383807969502010-12-28T01:18:00.004+01:002010-12-28T01:26:56.932+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TRkuYfx1CDI/AAAAAAAAA-4/jJrQX1KZF6U/s1600/333.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TRkuYfx1CDI/AAAAAAAAA-4/jJrQX1KZF6U/s320/333.jpg" alt="" id="BLOGGER_PHOTO_ID_5555522613720451122" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">d_rradio ::: parts</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Classic, Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.distractionrecords.com/index.php?option=com_content&amp;view=article&amp;id=92"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.distractionrecords.com/index.php?option=com_content&amp;view=article&amp;id=92"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.distractionrecords.com/index.php?option=com_content&amp;view=article&amp;id=92"><span style="font-weight: bold;">Listen</span></a><a href="http://www.distractionrecords.com/index.php?option=com_content&amp;view=article&amp;id=92"><span style="font-size:130%;"> </span></a><br /><br />1. Fading Stars I<br />2. Better Left Alone<br />3. Midnight On A Moonless Night<br />4. Still In A Storm<br />5. Through Broken Rushes<br />6. Drawing In The Dark<br />7. Fading Stars II<br />8. Parts<br />9. Death Of The Fair Green Veil<br />10. See For The Last Time<br />11. Easy To Fall<br />12. Ruins Of A Wall Of Sound<br />13. End Of A Wild Life<br />14. Up By The Roots<br />15. Under The Lake Bed<br />16. The Immense Quiet Of The Dark Blue<br />17. The Right Way To Lie<br />18. Rain On The Rocks<br />19. Returns<br /><br /><a href="http://www.megaupload.com/?d=EHGQFZY9"><span></span></a><a href="http://hotfile.com/dl/79846600/0ece740/d_rradio_-_parts_V0_.rar.html"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">South Shields electronic trio d_rradio return for a brand new album on Distraction Records, and it marks a bit of a change in style. The unassumingly titled Parts takes on a kind of vintage, ghostly ambient feel that at various points brings to mind the likes of Philip Jeck, Leyland Kirby, Janek Schaefer and Klimek. The mention of those sorts of names instantly summons up images of old 78s, cinematic orchestral plunderings and buzzwords that already feel a little past-it and overused like 'hauntology'. In all fairness though, these are all pretty apt points of reference. With this latest long-player d_rradio have masterfully taken hold of that particular sub-section of the ambient genre, drawing you into a sepia-tinted, slightly out of focus musical universe that's full of crackle, surface noise and eerie romance. As Parts unfolds it becomes fairly clear that this is a more immediately listenable and accessible outing than anything you'd encounter by most of those artists mentioned above, but it is a vividly coherent and atmospheric record that's easy to recommend - even to listeners who don't normally find themselves drawn to ambient music. </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4832591138380796950?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com3tag:blogger.com,1999:blog-4818361172287283064.post-51557888971326097142010-12-22T08:17:00.003+01:002010-12-28T01:17:47.302+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TRGoD00R5kI/AAAAAAAAA-s/tCkXlKFi1tM/s1600/pass008_-_monokle_-_brittle.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TRGoD00R5kI/AAAAAAAAA-s/tCkXlKFi1tM/s320/pass008_-_monokle_-_brittle.jpg" alt="" id="BLOGGER_PHOTO_ID_5553404599195526722" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Monokle ::: Brittle</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic<br /><a href="http://boomkat.com/cds/361564-marcus-fischer-monocoastal"><span style="font-weight: bold;"></span></a><a href="http://boomkat.com/cds/361564-marcus-fischer-monocoastal"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.passagemusic.net/index.php?id=40"><span style="font-weight: bold;">Listen</span></a><a href="http://www.passagemusic.net/index.php?id=40"><span style="font-size:130%;"> </span></a><br /><br /><span class="grey">01/ Floes 05:39<br />02/ Gray Sparks 05:17<br />03/ Ferry 06:18<br />04/ Brook</span><br /><br /><a href="http://www.megaupload.com/?d=EHGQFZY9"><span></span></a><a href="http://www.passagemusic.net/index.php?id=40"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br />A pack of truly emotional ambient tracks, the depth of which is complemented by live instruments filtering through the limpid synthetic atmosphere.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5155788897132609714?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-46813103950172877572010-12-20T00:17:00.002+01:002010-12-20T00:21:54.073+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQ6ThkjPblI/AAAAAAAAA-k/hONnSV7_24E/s1600/folder.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 282px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQ6ThkjPblI/AAAAAAAAA-k/hONnSV7_24E/s320/folder.jpg" alt="" id="BLOGGER_PHOTO_ID_5552537595550854738" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Marcus Fischer ::: Monocoastal</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Classic, Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://boomkat.com/cds/361564-marcus-fischer-monocoastal"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/cds/361564-marcus-fischer-monocoastal"><br /></a><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/cds/361564-marcus-fischer-monocoastal"><span style="font-weight: bold;">Listen</span></a><a href="http://boomkat.com/cds/361564-marcus-fischer-monocoastal"><span style="font-size:130%;"> </span></a><br /><br /><span class="grey">01. Wave Atlas<br />02. Mossbank<br />03. Monocoastal 1<br />04. Cascadia Obscura<br />05. Wind and Wake<br />06. Shape To Shore<br />07. Between Narrow and Small<br />08. Monocoastal 2</span><br /><br /><a href="http://www.megaupload.com/?d=EHGQFZY9"><span></span></a><a href="http://www.megaupload.com/?d=NOMZB92U"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Markus Fischer joins the illustrious ranks who've appeared on Taylor Deupree's excellent 12k label, presenting a supremely delicate solo debut. He cites his movements up and down the West coast of America during the last two decades as a major influence on his sound, infusing frayed, fractured and quietly restrained compositions with field recordings and allowing lo-fi noise textures to creep and grow around both the artificial and natural sounds like tiny little organisms which slowly catalyse the whole thing into life. Fischer uses an array of battered, salvaged pianos, a xylophone made of wrenches and other unnamed physical ephemera to create harmonic blurs and the kind of gaseous tones you can almost taste on the tip of the tongue. Like Taylor Deupree's 'Shoals', Solo Andata's s/t album or Seaworthy + Matt Rösner's latest, DSP and obvious use of synthesis are shunned in favour of a warmer, more organic sensation and use of actual physical space and reverb settings to shape his faded polaroid environments.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4681310395017287757?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-75249097108165231712010-12-18T08:35:00.003+01:002010-12-18T08:39:59.340+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQxlREG3XVI/AAAAAAAAA-c/bPJr277WAq0/s1600/coverlq.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 319px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQxlREG3XVI/AAAAAAAAA-c/bPJr277WAq0/s320/coverlq.jpg" alt="" id="BLOGGER_PHOTO_ID_5551923784475696466" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Yasushi Yoshida ::: Grateful Goodbye</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Classic, Ambient, Electronic<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.noble-label.net/shop/?en"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/cds/352607-yui-onodera-celer-generic-city"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.myspace.com/slowcalm"><span style="font-weight: bold;">Listen</span></a><a href="http://www.myspace.com/slowcalm"><span style="font-size:130%;"> </span></a><br /><br />1. Let Go (01:21)<br />2. Grateful Goodbye (06:52)<br />3. Staircase (05:39)<br />4. Embrace Calm Music (05:42)<br />5. Remembering (00:27)<br />6. Pieces Of Last Scene Brilliance (03:37)<br />7. Departure Music (01:29)<br />8. Round And Chord (01:30)<br />9. Slow Bird Wonder Words (07:36)<br />10. Chromatic Chronicle (06:20)<br />11. For Everything Calm Embrace (03:39)<br /><br /><a href="http://www.megaupload.com/?d=EHGQFZY9"><span></span></a><a href="http://hotfile.com/dl/89948095/2fd0c9c/Grateful_Goodbye.rar.html"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Two and a half years from his previous album, “Little Grace”, a breathtakingly beautiful shower of instrumental music with ringing sounds of live instruments performed with film-like eloquence, Yasushi Yoshida will release his newest album, “Grateful Goodbye” from noble label.<br /><br />Yasushi Yoshida’s music style like a storybook that breathes life into the images of the scene in the listener’s mind has led the way to many collaborations in the area of visual arts including dance, theater, and film. In his third album, “Grateful Goodbye”, each of the tracks have been composed around the concept, “stories of farewell.” A story unfolds in every song, coming together like a puzzle to form one grand story in the end. “Farewells” are captured from different angles and the flowing, three dimensional execution of the stories speak well of the artist’s talent as a story teller.<br /><br />In orchestration, the style of the previous album has evolved further and now features a vast lineup of live instruments such as guitar, bass, flute, and trumpet composed around the piano, cello, and violin. Approaches like chamber music, dynamic orchestra ensembles, and their emotional melody are not only inspiring but the level of completion and the superior power of expression together prove the sure evolution of Yoshida’s music. Though tranquil and melancholy in mood, the album brings to mind positive images of dynamism and life. It is not a film score. It is not classical music. It is not post-rock. It is pure and beautiful music at its best. A “Grateful Goodbye” to all those living. A masterpiece by Yasushi Yoshida.</div><span class="Apple-style-span" style=";font-family:Georgia;font-size:14px;" ></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7524909710816523171?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-70221359186637061852010-12-16T00:43:00.003+01:002010-12-16T00:48:56.638+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQlT3TqZwOI/AAAAAAAAA-U/-2ojzLESSGc/s1600/R-2466648-1285626811.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 319px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQlT3TqZwOI/AAAAAAAAA-U/-2ojzLESSGc/s320/R-2466648-1285626811.jpg" alt="" id="BLOGGER_PHOTO_ID_5551060225346879714" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Yui Onodera &amp; Celer ::: Generic City</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span><br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://boomkat.com/cds/352607-yui-onodera-celer-generic-city"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/cds/352607-yui-onodera-celer-generic-city"><br /></a><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/cds/352607-yui-onodera-celer-generic-city"><span style="font-weight: bold;">Listen</span></a><a href="http://boomkat.com/cds/352607-yui-onodera-celer-generic-city"><span style="font-size:130%;"> </span></a><br /><br />01.An Imaginary Tale Of Lost Vernacular 16:55<br />02.Waiting Until Something Else Happens 11:52<br />03.The Street Of A Rainy, Gray Day 09:15<br />04.A Renewed Awareness Of Home 09:49<br /><br /><a href="http://www.megaupload.com/?d=EHGQFZY9"><span></span><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;"><span class="Apple-style-span" style=";font-family:Georgia;font-size:14px;" >Celer's archival output over recent times has been prolific to say the least, and now Will Long (one-half of the duo) sets up his own label, Two Acorns. For this new imprint's inaugural release Celer collaborated with Japanese artist Yui Onodera, with mastering duties performed by 12k boss Taylor Deupree. While much of the established Celer sound centres upon thoughtful, droning austerity this album is given a very different shape by extensive field recording work from both Los Angeles and Japaninvolved. Woven into this tapestry of environmental sounds and floating tonality you'll hear migratory birds, ice breaking on a frozen lake, temple bells and sounds made by people in restaurants or on public transport systems. It's becoming difficult to keep up with Celer's release schedule, but it's still well worth trying to maintain pace - Generic City benefits from Onodera's additional pair of ears, and the final mix strikes up a deftly poised balance between beautiful ambience and more revelatory acousmatic material; in its finest moments Generic City offers an absorbing, occasionally hallucinatory portal into the audio topography of urban spaces.</span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7022135918663706185?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-32378343566217029412010-12-13T02:07:00.002+01:002010-12-13T02:12:59.513+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TQVx3yBQO5I/AAAAAAAAA-M/F0tatSMX5Qw/s1600/Upward_Arrows.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 286px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TQVx3yBQO5I/AAAAAAAAA-M/F0tatSMX5Qw/s320/Upward_Arrows.jpg" alt="" id="BLOGGER_PHOTO_ID_5549967318937779090" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Upward arrows ::: Upward arrows</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electroacoustic, Ambient<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /></a><a href="http://www.underthespire.co.uk/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.underthespire.co.uk/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.underthespire.co.uk/"><span style="font-weight: bold;">Listen</span></a><a href="http://www.underthespire.co.uk/"><span style="font-size: 130%;"> </span></a><br /><br /><p>01 - ^ - 2010<br />02 - ^^ - 2010<br />03 - ^^^ - 2010<br />04 - ^^^^ - 2010<br />05 - ^^^^^ - 2010<br />06 - ^^^^^^ - 2010<br />07 - ^^^^^^^ - 2010<br />08 - ^^^^^^^^ - 2010<br />09 - ^^^^^^^^^ - 2010<br />10 - ^^^^^^^^^^ - 2010</p><span><a href="http://www.mediafire.com/?q9d87dovw13v8b8"><br /></a></span><a href="http://www.mediafire.com/?awo9vbrcu0grpvw"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Part Timer's John McCaffrey unveils a new guise for the Under The Spire, delivering an album specifically with that label's agenda in mind. Even the project's name references Under The Spire: "the name Upward Arrows is an allusion to the thousands of church spires that pepper the world, all pointing upwards like arrows aimed at the sky" says McCaffrey. In musical terms McCaffrey has adapted his musical strategy to what he perceives as in-keeping with the Under The Spire sound, venturing into the border territories between the modern classical and ambient genres. Taking as his starting point unfinished pieces from his hard drive, field recordings and even sounds provided by William Ryan Fritch (a contributor to Asthmatic Kitty's Library Catalog Music Series) and the Fourplay String Quartet, McCaffrey takes a step in a new direction without totally abandoning the tone of his established oeuvre. You'll still hear snatches of the kind of fluttering, processed guitars you'd find on a Part Timer record, and a similarly warm, melodious atmosphere is conjured along the way, but Upward Arrows feels a little more ambitious, embracing hazy, Tim Hecker-like expanses of reverb and a kind of slow, stately orchestral feel that at times recalls Stars Of The Lid. Delightful stuff that's sure to please both Part Timer and UtS fans.<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3237834356621702941?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-29896325685002897762010-12-13T00:44:00.003+01:002010-12-13T00:50:59.010+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQVehAl-q8I/AAAAAAAAA-E/DHtz4i93NEw/s1600/cover3-400x400.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQVehAl-q8I/AAAAAAAAA-E/DHtz4i93NEw/s320/cover3-400x400.jpg" alt="" id="BLOGGER_PHOTO_ID_5549946036991994818" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Part Timer ::: Real to Reel</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Electroacoustic, Ambient, Experimental<br /><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><br /><span style="font-weight: bold;">Buy It!</span></a><a href="http://losttribesound.com/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://losttribesound.com/"><span style="font-weight: bold;">Listen</span></a><a href="http://losttribesound.com/"><span style="font-size:130%;"> </span></a><br /><br /><p>1. The Distance Between One (feat. Danielle McCaffrey)<br />2. Campsite Sundown<br />3. Unfound (feat. Heidi Elva and Aaron Martin)<br />4. A Long Inhalation<br />5. Suspended Belief<br />6. The Runner (feat. Heidi Elva and Aaron Martin)<br />7. Where We Used To Go (feat. Nicola Hodgkinson and Aaron Martin)<br />8. Interalia (feat. Aaron Martin)<br />9. In Your Hand<br />10. Untold, Unfold (feat. Danielle McCaffrey)<br />11. It’s A Storm<br />12. Never Meant To Be (feat. Heidi Elva and Aaron Martin)<br />13. Taken Along Quietly</p><span><br /><a href="http://www.mediafire.com/?q9d87dovw13v8b8"><br /></a></span><a href="http://www.mediafire.com/?q9d87dovw13v8b8"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Brand new album of folk-tinged electronic love songs featuring contributions from Nicola Hodgkinson, aka Empress, Aaron Martin and Heidi Elva on vocals and harp* Starting out as a member of sorely missed Northern duo Clickits, John McCaffrey has redefined himself over the last few years as a prime purveyor of beautiful, folk-tinged electronic love songs. Yes, songs, I said it – these three-to-four minute slices of bliss are far from the directionless vignettes you might expect from an ‘electronic musician’, they have a beginning, middle, end and even choruses. Who’d have thought? The impeccable production McCaffrey has exhibited throughout his career is utilized here maybe better than ever before. Nicola Hodgkinson (aka Empress) and John’s wife Danielle each contribute vocals which wisp graciously over McCaffrey’s stuttering percussion and staccato string plucks like billows of smoke from a French cigarette. It is Empress who I might say is the best reference point here, it’s been a while since we've heard her bleak tones on record and they're matched beautifully by McCaffrey's productions -coming across as both painfully sad and delicately optimistic. Let Part Timer wrap you up in dusty ¼” tape and sink into a deep blissful state...<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-2989632568500289776?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-27770731133457849902010-12-11T10:05:00.002+01:002010-12-11T10:11:56.301+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQM_bgou49I/AAAAAAAAA98/XkjVIlzKOeY/s1600/cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TQM_bgou49I/AAAAAAAAA98/XkjVIlzKOeY/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5549348907700380626" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">IJO - Delay Preform</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, IDM,<br /><br /><a style="color: rgb(51, 204, 255);" href="http://www.myspace.com/theijo"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.myspace.com/theijo"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.myspace.com/theijo"><span style="font-weight: bold;">Listen</span></a><a href="http://www.myspace.com/theijo"><span style="font-size: 130%;"> </span></a><br /><br />1 Kemmu 4:22 <br />2 Tier Valey 4:53 <br />3 Mille Teck 4:56 <br />4 Sunler 4:56 <br />5 Mountains Of Peru 3:09 <br />6 Forey 5:54 <br />7 Coscom 5:15 <br />8 Huntig Pletoria 3:51<span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://narod.ru/disk/1104754001/IJO%20-%202010%20-%20Delay%20Preform.rar.html"><span style="color: rgb(51, 204, 255);">Download</span></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-2777073113345784990?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-46513463113340201142010-12-07T00:30:00.002+01:002010-12-07T00:35:03.575+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TP1yNU6pr4I/AAAAAAAAA90/gVNj2_kItsA/s1600/cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TP1yNU6pr4I/AAAAAAAAA90/gVNj2_kItsA/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5547715889268895618" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Console - Herself</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic<br /><br /><a style="color: rgb(51, 204, 255);" href="http://www.console.li/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.console.li/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.console.li/"><span style="font-weight: bold;">Listen</span></a><a href="http://www.console.li/"><span style="font-size: 130%;"> </span></a><br /><br /><span style="font-family: Georgia; font-size: 10pt;">01 She Saw<br />02 A Homeless Ghost<br />03 Walking The Equator<br />04 Cutting Time<br />05 Bit For Bit<br />06 Dropped Down<br />07 Upon<br />08 Her Eyes<br />09 Leaving A Century<br />10 Of Time<br />11 For Herself </span><span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://hotfile.com/dl/87389143/64799e2/c-h.rar.html"><span style="color: rgb(51, 204, 255);">Download</span></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4651346311334020114?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-60473979412434064292010-12-03T11:48:00.003+01:002010-12-03T11:53:14.137+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TPjLJvD1eDI/AAAAAAAAA9s/F5hfCw7lgEM/s1600/heart%252Bof%252Bsky%252Bheart%252Bof%252Bearth.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 213px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TPjLJvD1eDI/AAAAAAAAA9s/F5hfCw7lgEM/s320/heart%252Bof%252Bsky%252Bheart%252Bof%252Bearth.jpg" alt="" id="BLOGGER_PHOTO_ID_5546406309218580530" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Tuluum Shimmering - Heart Of Sky Heart Of Earth</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Ambient, Drone, Experimental,<br /><br /><a style="color: rgb(51, 204, 255);" href="http://www.discogs.com/Tuluum-Shimmering-Heart-Of-Sky-Heart-Of-Earth/release/2266180"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.discogs.com/Tuluum-Shimmering-Heart-Of-Sky-Heart-Of-Earth/release/2266180"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.discogs.com/Tuluum-Shimmering-Heart-Of-Sky-Heart-Of-Earth/release/2266180"><span style="font-weight: bold;">Listen</span></a><a href="http://www.discogs.com/Tuluum-Shimmering-Heart-Of-Sky-Heart-Of-Earth/release/2266180"><span style="font-size: 130%;"> </span></a><br /><br />01 – Heart Of Sky Heart Of Earth A<br />02 – Heart Of Sky Heart Of Earth B<span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://www.mediafire.com/?v8scd7a10d3xxqq"><span style="color: rgb(51, 204, 255);">Download</span></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6047397941243406429?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-4045685229927143592010-12-02T12:47:00.002+01:002010-12-02T12:50:50.148+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TPeH8pgKLdI/AAAAAAAAA9k/qnXV2NCutGU/s1600/mcbride-1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TPeH8pgKLdI/AAAAAAAAA9k/qnXV2NCutGU/s320/mcbride-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5546050942132694482" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Brian mcbride ::: The effective disconnect</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic<br /><br /><a style="color: rgb(51, 204, 255);" href="http://n5mailorder.com/release/1088&amp;zenid=b79ab809418830dd28f326bc2e0a4266/brian-mcbride-the-effective-disconnect"><span style="font-weight: bold;">Buy It!</span></a><a href="http://n5mailorder.com/release/1088&amp;zenid=b79ab809418830dd28f326bc2e0a4266/brian-mcbride-the-effective-disconnect"><br /></a><a style="color: rgb(51, 204, 255);" href="http://n5mailorder.com/release/1088&amp;zenid=b79ab809418830dd28f326bc2e0a4266/brian-mcbride-the-effective-disconnect"><span style="font-weight: bold;">Listen</span></a><a href="http://n5mailorder.com/release/1088&amp;zenid=b79ab809418830dd28f326bc2e0a4266/brian-mcbride-the-effective-disconnect"><span style="font-size:130%;"> </span></a><br /><br />01 – melodrames telegraphies (in b major 7th) part 1<br />02 – melodrames telegraphies (in b major 7th) part 2<br />03 – girl nap<br />04 – several tries (in an unelevated style)<br />05 – supposed essay on the piano (b major piano adagietto)<br />06 – toil theme part 1<br />07 – toil theme part 2<br />08 – toil theme part 3<br />09 – beekeepers vs warfare chemicals<br />10 – i know that you don’t like the future like i do<br />11 – chamber minuet<span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://rapidshare.com/#%21download%7C368l3%7C427510789%7CBrian_McBride_-_Effective_Disconnect__2010_.rar%7C102163"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">From Brian McBride: When George and Myriam approached me to compose for their film they suggested I concentrate on four different themes: the gloriousness of the bees, the endurance and hardships of traditional beekeepers, pesticides and the holistic nature of non-industrial agriculture. I was especially intrigued with the idea of combining some of their mournful aspirations with something more serene. Composing began in May of 2009. I had decided to start fresh not using anything that I had already recorded. Preparing the music for the film, I knew that I needed to provide more built-in changes in the structure of the pieces to give George and Myriam more flexibility. As I worked, I purposely distanced myself from the more continuous architecture employed in my previous recordings in favor of several mini-suites. In the thinking about the music, I hoped that the pieces would do justice to the 'gloriousness of the bees' theme, striving for a more overt hopeful quality. But old traditions die-hard and the hopeful side of the music was eventually more subsumed by the lamentable. I should also mention that if you have seen the film, this record will not contain all the music used and scored for this film. I am incredibly honored to be a part of this project even if the final compositions turned out to be more appropriate for a different and more forlorn film. I know you have a lot to think about in this world but if you care about food or the world around us, you deserve to at least consider the arguments within this honest and real piece of film-making.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-404568522992714359?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-37528081656008089402010-11-30T12:33:00.003+01:002010-11-30T12:39:54.322+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TPThGlIwQqI/AAAAAAAAA9c/ba8Jj4_hzqg/s1600/388566857-1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TPThGlIwQqI/AAAAAAAAA9c/ba8Jj4_hzqg/s320/388566857-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5545304544364216994" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">36 ::: MemoriesInWidescreen</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic<br /><br /><a style="color: rgb(51, 204, 255);" href="http://3six.net/album/memories-in-widescreen"><span style="font-weight: bold;">Buy It!</span></a><a href="http://3six.net/album/memories-in-widescreen"><br /></a><a style="color: rgb(51, 204, 255);" href="http://3six.net/album/memories-in-widescreen"><span style="font-weight: bold;">Listen</span></a><a href="http://3six.net/album/memories-in-widescreen"><span style="font-size:130%;"> </span></a><br /><br />1 Before Time 5:33 <br />2 After Time 9:06 <br />3 Drifta 6:20 <br />4 Drowning 5:18 <br />5 Disappear 4:54 <br />6 The Mirror 3:19 <br />7 Lucid 4:43 <br />8 Memories In Widescreen 5:11 <br />9 Melt 5:48 <br />10 Slide 4:46 <br />11 Vesl 7:03 <br />12 Revert Time 4:29 <br />13 It's You (It's Me) 3:26 <span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://www.megaupload.com/?d=9TGDQEQ0"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><p style="text-align: justify;">"Memories In Widescreen" is the first vinyl-exclusive album from 36,<br />with 13 tracks spanning 70 minutes of material.</p><div style="text-align: justify;"> </div><p style="text-align: justify;">The intense, bitter-sweet melancholia of "After Time" converses with the<br />touching, dreamlike quality of "Lucid", whilst the huge bass drones of<br />"Vesl" preclude the haunting "Revert Time", bringing the album to it's<br />heart breaking conclusion.</p><div style="text-align: justify;"> "Memories In Widescreen" is available in limited edition 2xLP picture<br />disc vinyl. The record includes a free coupon to download the digital<br />version for free, including 2 exclusive bonus tracks. Each record is<br />individually hand numbered from the artist, with the first 50 records<br />including a bonus CD, with unreleased tracks, never heard before<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3752808165600808940?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-66882135163629179192010-11-28T03:43:00.006+01:002010-11-28T05:15:32.657+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TPHEkoQVDSI/AAAAAAAAA9U/nibYUHLvMGM/s1600/sun%252Bpeople%252Bsleepwalker.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 213px; height: 320px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TPHEkoQVDSI/AAAAAAAAA9U/nibYUHLvMGM/s320/sun%252Bpeople%252Bsleepwalker.jpg" alt="" id="BLOGGER_PHOTO_ID_5544428749830032674" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Pospulenn - Sun People Sleepwalker</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic,Electroacoustic,<br /><br /><a style="color: rgb(51, 204, 255);" href="http://housecraftarea.blogspot.com/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://housecraftarea.blogspot.com/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://housecraftarea.blogspot.com/"><span style="font-weight: bold;">Listen</span></a><a href="http://housecraftarea.blogspot.com/"><span style="font-size:130%;"> </span></a><a href="http://housecraftarea.blogspot.com/"><br /></a><br /><table class="playlist mini_playlist" id="playlist-0"><tbody><tr class="first"><td class="track_pos">A1</td> <td><br /></td> <td class="track"> Farther Twig And Grasshopper Song </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">A2</td> <td><br /></td> <td class="track"> Feather Gem Drift </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">A3</td> <td><br /></td> <td class="track"> Luno's Outer Scale </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">A4</td> <td><br /></td> <td class="track"> Rainbowed For A Fish In The Wind </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">A5</td> <td><br /></td> <td class="track"> Flown/Flewn </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">A6</td> <td><br /></td> <td class="track"> This Is How I Sing To The Moment </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">A7</td> <td><br /></td> <td class="track"> Frozen Beach </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">B1</td> <td><br /></td> <td class="track"> Mint Mountain </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">B2</td> <td><br /></td> <td class="track"> Silver Lake </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">B3</td> <td><br /></td> <td class="track"> Lazy Oasis </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">B4</td> <td><br /></td> <td class="track"> Frozen Beach Pt. 2 </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">B5</td> <td><br /></td> <td class="track"> Porcelain Solar Halo (Live 10/07) </td> <td class="track_duration" align="right"><br /></td> <td class="track_itunes"><br /></td> </tr> <tr> <td class="track_pos">B6</td> <td><br /></td> <td class="track"> Safe In The Cedar Alcove (Live 10/07) </td></tr></tbody></table><span><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://www.mediafire.com/?m6xomjnox8ubxvk"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Once again, the fine folks at Housecraft have put out a release that is unnecessarily limited. Each release on the label is unique to one another, in that they all bring the listener into a new environment completely of their own. Artists like Xiphiidae, Peat Raamur, and Samsara Vista all have an eerie yet enveloping feel in their sound. Pospulenn's <span style="font-style: italic;">Sun People Sleepwalker </span>is of a completely different breed.<br /><br />Pospulenn was an alias of Kane Pour (of Tricorn &amp; Queue and Hundreds) that was mainly guitar-based in its sound. <span style="font-style: italic;">Sun People Sleepwalker </span>is a compilation of Kane Pour's recordings under the Pospulenn name, which total up to over an hour in length. This release, I would say, is the best work I have ever heard from Kane Pour as of yet. In all 13 tracks, melodies are layered over one another as the songs build, and each one hits every single note in its key. In the midst of the guitars, field recordings faintly add density. This combination creates a dream-like feeling that seems completely new to me. During their slow builds, the songs begin to sound so lush that they form a drone that is absolute ecstasy. For its entire 69 minutes, <span style="font-style: italic;">Sun People Sleepwalker</span> never loses its momentum.<br /><br />I would highly recommend seeking this out, though unfortunately due to its limited amount of 50 copies, I doubt many distributors still have this tape in stock. Due to this, I hope <span style="font-style: italic;">Sun People Sleepwalker </span>receives a proper vinyl release someday. However, if this can be found at the right price, grab it immediately... it's a gem.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6688213516362917919?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com2tag:blogger.com,1999:blog-4818361172287283064.post-85033325348934010892010-11-27T15:09:00.003+01:002010-11-27T15:16:54.918+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TPERjMCzrzI/AAAAAAAAA9M/SJcSx0TCytE/s1600/12k1061.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 286px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TPERjMCzrzI/AAAAAAAAA9M/SJcSx0TCytE/s320/12k1061.jpg" alt="" id="BLOGGER_PHOTO_ID_5544231912495886130" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Murralin Lane - Our House Is On The Wall</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronic<br /><br /><a style="color: rgb(51, 204, 255);" href="http://www.12k.com/index.php/site/releases/our_house_is_on_the_wall/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.12k.com/index.php/site/releases/our_house_is_on_the_wall/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.12k.com/index.php/site/releases/our_house_is_on_the_wall/"><span style="font-weight: bold;">Listen</span></a><a href="http://www.12k.com/index.php/site/releases/our_house_is_on_the_wall/"><span style="font-size:130%;"> </span></a><br /><br />01-murralin_lane-all_we_hear_are_birds<br />02-murralin_lane-folding_paper_planes<br />03-murralin_lane-she_was_climbing<br />04-murralin_lane-our_house_is_on_the_wall<br />05-murralin_lane-in_the_woods<br />06-murralin_lane-she_collected<br />07-murralin_lane-when_i_told_you<span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://www.megaupload.com/?d=33F2UYZ8"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;"><span class="Apple-style-span" style="font-family: Georgia; font-size: 14px;">Our House Is On The Wall is the debut release from Swedes Murralin Lane, a duo formed by David Wenngren and Yiva Wiklund. While regular followers of Wenngren's main project, Library Tapes, will no doubt be expecting some of his signature piano work, Our House Is On The Wall makes a clean break from that sound, instead framing Wiklund's vocal pieces within crumbling lo-fi tracts fashioned from distorted tones and drones. The vocals themselves take on a certain abstract beauty, often calling upon decay-fixated effects or ramshackle recording scenarios (e.g. directly into a mobile phone). The resultant sound of these pieces (you could probably call them songs, in fact) is quite hard to define. While the prospect of faded vocals and corroded, droning backdrops might seem like a fairly familiar concept there's something in the execution of this album that's very fresh. Perhaps it's to do with the kind of 'lo-fi' sound being explored here. Generally when that term gets thrown around it's in reference to cassette or other such analogue aesthetics, yet everything that greets the ear on Our House... is very digitised; instead of muffled tape sounds you encounter heavy spectral filtering or the kind of sonic side-effects caused by noise reduction plugins. Perhaps if Fennesz and Grouper got together to record some tracks the end result would be something along the lines of 'She Was Climbing' or 'She Collected'. Another very fine 12k release.</span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-8503332534893401089?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-37765964257241143422010-11-26T14:54:00.004+01:002010-11-26T15:00:03.009+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TO-8eY9jDPI/AAAAAAAAA9E/94h1r2xjd90/s1600/Hawk%252BMoon%252BRecords%252B-%252BStanding%252BWhere%252BOur%252BPaths%252BShall%252BMeet%252B-%252Bcover.png"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TO-8eY9jDPI/AAAAAAAAA9E/94h1r2xjd90/s320/Hawk%252BMoon%252BRecords%252B-%252BStanding%252BWhere%252BOur%252BPaths%252BShall%252BMeet%252B-%252Bcover.png" alt="" id="BLOGGER_PHOTO_ID_5543856896599067890" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Oathless - Standing Where Our Paths Shall Meet</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electroacoustic, Electronic<br /><br /><a style="color: rgb(51, 204, 255);" href="http://www.archive.org/details/Oathless-StandingWhereOurPathsShallMeet"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.archive.org/details/Oathless-StandingWhereOurPathsShallMeet"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.archive.org/details/Oathless-StandingWhereOurPathsShallMeet"><span style="font-weight: bold;">Listen</span></a><a href="http://www.archive.org/details/Oathless-StandingWhereOurPathsShallMeet"><span style="font-size:130%;"> </span></a><br /><br />1. Under Porcelain Wings<br />2. Cascading Skies<br />3. A Single Rose<br />4. Winter (A Prelude)<br />5. White Horizons<br />6. Tigerlily<br />7. Winter Into Autumn<br />8. Ghost Providence<span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://www.archive.org/details/Oathless-StandingWhereOurPathsShallMeet"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">When Oathless was initially conceived as an acoustic folk effort in late 2006 by Simon Housley, the current sound associated with the project that has constantly evolved in the past four years would have been hard to imagine with the raw and simplistic sound that once existed. “Standing Where Our Paths Shall Meet” is an ambient release of much more sophistication and quality than the original three-track demo released in 2007. From the moment the first resonating ambient sounds of 'Under Porcelain Wings' reach your ears, there is a much darker sound than heard in previous releases. Following on from 'Zephyr' (the last release by Oathless), the sound of the album focuses on the upcoming cold of autumn and winter, embodied in particular in the aforementioned opening track and 'Tigerlily'. What has become a theme of more recent releases is still present, the slow, reverb-drenched strings that ooze. Heavily processed piano also underlies a number of tracks, none more so than the album's closer 'Ghost Providence', which ends the album in a very minimalist style to evoke a feeling of isolation and cold as winter approaches. Through subtle melodies and slow, reverberated chord changes, Standing Where Our Paths Shall Meet is an album that the listener can either choose to sit down and relax to use as a soundtrack for autumn and winter, or to listen to in more depth and to find more meaning in the sound after each listen, maybe attributing and associating their own experiences to the sound encapsulating them.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3776596425724114342?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-15888025621267921242010-11-25T10:34:00.003+01:002010-11-25T10:39:08.818+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TO4tv9xtNkI/AAAAAAAAA88/J9C27yXLdwA/s1600/333.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TO4tv9xtNkI/AAAAAAAAA88/J9C27yXLdwA/s320/333.jpg" alt="" id="BLOGGER_PHOTO_ID_5543418493399807554" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Apparat / Telefon tel aviv - Sayulita EP</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Electronic<br /><br /><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/vinyl/353909-apparat-telefon-tel-aviv-sayulita-ep"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/vinyl/353909-apparat-telefon-tel-aviv-sayulita-ep"><br /></a><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/vinyl/353909-apparat-telefon-tel-aviv-sayulita-ep"><span style="font-weight: bold;">Listen</span></a><a href="http://boomkat.com/vinyl/353909-apparat-telefon-tel-aviv-sayulita-ep"><span style="font-size:130%;"> </span></a><br /><br />01 - Apparat - Sayulita (DJ-KiCKS)<br />02 - Telefon Tel Aviv - Lengthening Shadows<br />03 - Apparat - Circles<span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://uploaded.to/file/9vxh1y"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Collecting the exclusive tracks from Sascha Ring's new DJ Kicks compilation, this EP brings you unmixed versions of both Apparat cuts, plus the previously unreleased Telefon Tel Aviv contribution. 'Sayulita' is typically clinical in its pristine, spacious production, but the chiming guitar melodies give the track a driving, emotional edge that takes the track beyond the confines of a dancefloor-focused mindset. 'Circles' is less beat-oriented, instead treading into Four Tet territory with its spiralling string plucks; otherworldly vocals and scrappy percussion join in too, making the piece all the more abstract. Telefon Tel Aviv are in great form for 'Lengthening Shadows'; its undoubtedly cut from a similar cloth to Apparat's work, shaping crystalline electronics around a kind of vapourised song structure - when it all comes together it all sounds pretty massive.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1588802562126792124?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-32023873988631993662010-11-22T13:30:00.001+01:002010-11-22T13:35:07.043+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TOpiifcOFjI/AAAAAAAAA80/ayK74RqdQhs/s1600/75497257.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TOpiifcOFjI/AAAAAAAAA80/ayK74RqdQhs/s320/75497257.jpg" alt="" id="BLOGGER_PHOTO_ID_5542350636127753778" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">VA - n5MD: The Reconstruction of Fives</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Electronic, Experimental, Drone<br /><br /><a style="color: rgb(51, 204, 255);" href="http://n5mailorder.com/release/1066&amp;zenid=87b4ac8d431010f6fb8bc472c68509be/va-the-reconstruction-of-fives"><span style="font-weight: bold;">Buy It!</span></a><a href="http://n5mailorder.com/release/1066&amp;zenid=87b4ac8d431010f6fb8bc472c68509be/va-the-reconstruction-of-fives"><br /></a><a style="color: rgb(51, 204, 255);" href="http://n5mailorder.com/release/1066&amp;zenid=87b4ac8d431010f6fb8bc472c68509be/va-the-reconstruction-of-fives"><span style="font-weight: bold;">Listen</span></a><a href="http://n5mailorder.com/release/1066&amp;zenid=87b4ac8d431010f6fb8bc472c68509be/va-the-reconstruction-of-fives"><span style="font-size: 130%;"> </span></a><br /><br /><i><b>CD 1 - Cover Versions<br /><br /></b> 01. Pale Sketcher - Secret Knots 5:18<br />02. Nadja - I Used To Be Sad 7:00<br />03. Architect - Blood Tracer 5:45<br />04. Worriedaboutsatan - 63 (She Was Trying To Sleep, I Was Trying To Breathe) 7:47<br />05. Bersarin Quartett - The Deep And Lovely Quiet 4:10<br />06. Ben Lukas Boysen - And By Sweet I Mean 6:06<br />07. Jasper TX – Colder 8:01<br />08. Rafael Anton Irisarri - A Storm Tore This House 5:19<br />09. Dalot – XX 7:28<br />10. Winterlight - National Geographic 5:45<br />11. Boy Is Fiction - Oh! Toronto 6:17<br />12. Miwon - Amidst 4:45<br /><br /><b>CD 2 - Original Versions<br /><br /></b> 01. Proem - Secret Knots 3:06<br />02. Port-Royal - I Used To Be Sad 4:41<br />03. Tobias Lilja - Blood Tracer 8:55<br />04. Plastik Joy - 63 (she was trying to sleep, i was trying to breathe) 7:31<br />05. SubtractiveLAD - The Deep And Lovely Quiet 5:25<br />06. Proem - And By Sweet I Mean 13:44<br />07. Bitcrush - Colder 4:13<br />08. Last Days - A Storm Tore This House 5:45<br />09. Hologram - XX 6:04<br />10. Run_Return - National Geographic 2:41<br />11. Lights Out Asia - Oh! Toronto 3:53<br />12. Another Electronic Musician - Amidst 5:13</i><span><br /><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><br /></a></span><a href="http://www.unibytes.com/nNpoWYpDAe0B/captcha"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">To mark the imprint's 10th anniversary n5MD has assembled a very special budget priced compilation with a slightly different viewpoint. “The Reconstruction of Fives” features songs from the n5MD catalog covered by a hand picked group of like minded and personally admired artists. Pale Sketcher (Justin Broadrick/Jesu/Final), Nadja, Architect (Daniel Myer/Haujobb), worriedaboutsatan, Bersarin Quartett, Ben Lukas Boysen (Hecq), Jasper TX, Rafael Anton Irisarri (The Sight Below), Boy Is Fiction, and Miwon all re-envision their favorite n5MD tracks in their own signature styles. Two of n5MD latest signings Dalot and Winterlight also weigh in on covers from two of the label's alumni. A different perspective on n5MD's output which is a must have for fans of the label or any of the participating artist's bodies of work. <br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3202387398863199366?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-54432340047831118032010-11-20T00:34:00.003+01:002010-11-20T00:38:36.263+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TOcJuXJLx1I/AAAAAAAAA8s/D94v7G36dJM/s1600/Library%2BTapes%2B-%2BLike%2BGreen%2BGrass%2BAgainst%2Ba%2BBlue%2BSky%2B%25282010%2529.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 291px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TOcJuXJLx1I/AAAAAAAAA8s/D94v7G36dJM/s320/Library%2BTapes%2B-%2BLike%2BGreen%2BGrass%2BAgainst%2Ba%2BBlue%2BSky%2B%25282010%2529.jpg" alt="" id="BLOGGER_PHOTO_ID_5541408558593853266" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">library tapes - Like Green Grass Against Blue Sky</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span></span>Ambient, Electronica,<br /><br /><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/cds/357991-library-tapes-like-green-grass-against-blue-sky"><span style="font-weight: bold;">Buy It!</span></a><a href="http://boomkat.com/cds/357991-library-tapes-like-green-grass-against-blue-sky"><br /></a><a style="color: rgb(51, 204, 255);" href="http://boomkat.com/cds/357991-library-tapes-like-green-grass-against-blue-sky"><span style="font-weight: bold;">Listen</span></a><a href="http://boomkat.com/cds/357991-library-tapes-like-green-grass-against-blue-sky"><span style="font-size:130%;"> </span></a><br /><br />1. Terese<br />2. 02<br />3. Enslig<br />4. Klosterg.<br />5. Like grass straws against a blue sky<br />6. Om du är en fågel<br />7. Accidental theme pt.1<br />8. Ren tystnad<br />9. 09<span><br /><br /></span><a href="http://www.multiupload.com/X0B4YSS14G"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Self-released on his Aeutic label, this is the 5th album from David Wenngren's project, Library Tapes. Lasting just under half an hour, Wenngren has slowly refined his ideas into one of the more distinctive modern classical variants we've heard in recent months. Simple but evocative piano motifs hover over field recordings and other indeterminable sounds, lulling the listener into a semi-conscious state. Long-term fans will be glad to know that the two long tracks, '02' and '09', feature long-term collaborator and esteemed artist in his own right - Danny Norbury, who adds his haunting cello arrangements to flesh out the piano and swirling drones in inspired style. Followers of Peter Broderick, Max Richter and Sylvain Chauveau would do well to check in on this fine album, a gorgeous swirling and soothing release to wrap yourselves in as the cold winter nights draw in. </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5443234004783111803?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-85154282403659445332010-11-17T00:58:00.001+01:002010-11-17T01:01:47.095+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TOMazPby0MI/AAAAAAAAA8k/pMNZ7uWIzbc/s1600/Taylor_Deupree.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TOMazPby0MI/AAAAAAAAA8k/pMNZ7uWIzbc/s320/Taylor_Deupree.jpg" alt="" id="BLOGGER_PHOTO_ID_5540301434214600898" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Taylor Deupree - Shoals</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span>Ambient, Electronica,<br /><br /><a style="color: rgb(51, 204, 255);" href="http://www.12k.com/index.php/site/releases/shoals/"><span style="font-weight: bold;">Buy It!</span></a><a href="http://www.12k.com/index.php/site/releases/shoals/"><br /></a><a style="color: rgb(51, 204, 255);" href="http://www.12k.com/index.php/site/releases/shoals/"><span style="font-weight: bold;">Listen</span></a><a href="http://www.12k.com/index.php/site/releases/shoals/"><span style="font-size: 130%;"> </span></a><br /><div class="post-body entry-content"><br /><span>01. Shoals 11:28<br />02. Rusted Oak 9:37<br />03. A Fading Found 12:07<br />04. Falls Touching Grasses 12:06<br /><br /></span><a href="http://hotfile.com/dl/48564750/db2eeca/Taylor_Deupree-Shoals-.rar.html"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Almost 3 years have passed since the release of <i>Northern</i>, Taylor Deupree’s last proper full-length album on 12k. For Deupree, <i>Northern</i> was a particularly personal work, with the added pressure of following up what many considered to be his seminal album, <i>Stil.</i> By many accounts, <i>Northern</i> was even more widely praised than its predecessor and set Deupree on a path of a more tactile organic sound. Since <i>Northern</i>, Deupree has released a number of short solo works: <i>Sea Last</i> (12k2011), <i>1am</i> (12k2004), and <i>Live1:Mapping</i> (12k3006), as well as the remixed reissue of <i>Northern</i> (12k2009). These works have seen Deupree incorporate more acoustic instrumentation into his sound world, culminating with <i>Weather &amp; Worn</i> (12k2012), which not only saw its release on vinyl (a first for 12k) but was also Deupree’s first work created without synthesizers.<br /><br />The path then had been laid for <i>Shoals</i>, an album referencing the sonic and emotional world that can be discovered by scraping away surfaces to reveal a worn interior of comfort and time.<br /><br /><i>Shoal: a sandbank or sand bar in the bed of a body of water, especially one that is exposed above the surface of the water at low tide.</i><br /><br /><i>Shoals</i> is perhaps Deupree’s most specific album in material concept and sound. In late 2009, he was invited to an artist residency program at the University of York (UK) Music Research Center. He was given the freedom to create a project with the resources of the University and staff at his disposal. The idea was to find a unique idea that he would be unable to realize in his own studio – and this was when he discovered the University’s extensive collection of Javanese and Balinese gamelan instruments. Without hesitation, the groundwork was established for his project at the residency: he would create an album using only these instruments by developing a simple yet powerful audio looping program in the Kyma programming language to capture it all and provide the structure for the finished pieces.<br /><br />After the first day in the studio, Deupree quickly realized that he was less interested in the traditional ways these instruments were played and more fascinated by the sounds of the surfaces of the instruments. And so he began to utilize their edges and undersides and find their flaws, such as broken strings. These instruments, played by scraping, tapping, or with an eBow, became the basis for long and meditative looping beds of sound. In addition, the microphones in the studio would by accident occasionally pick up the sounds of Deupree moving around, brushing the edge of an instrument or setting down mallets. These incidental sounds became as important as the instruments themselves and lend an incredibly physical element to the recordings. Much of <i>Shoals</i> is the sound of microphones in a room as Deupree loops and composes live.<br /><br />The software Deupree developed in Kyma allowed him to very simply layer loops and change pitches of his sounds, often transposing them down 2 or 3 octaves to further emphasize the cracks and fragments. After recording many hours of densely layered loops during the residency, Deupree returned to his 12k studio and finessed the works into the 4 tracks on <i>Shoals</i>, each based around one of the loops.<br /><br />The result is an album that has the slow pace of <i>Stil.</i> mixed with the acoustic imperfections of <i>Weather &amp; Worn</i> and the randomness of <i>Occur</i>. Particles of percussive sounds – bells, wood, mallets – are caught by the loop and repeated into a hypnotic underbelly that is coated with a loosely strung Celempung droned by an eBow. The unexpected and almost playful sounds of the instruments’ natural surfaces and room sounds are in stark contrast to the smooth tonal melodic elements, yet together they create an immersive space that seems to offer a microcosm of exploration.<br /><br />Given the strict instrumental concept Deupree placed on himself, <i>Shoals</i> is certainly one of the most challenging and singular visions he has created. Abandoning any hint of the “pop” elements that have sometimes crept into his music in recent years, he has combined the structure of his past with the sounds of his present to create a truly warm and alluring album (that Deupree recommends for night-time listening) that connects the floating dots of his most important work into a cohesive and definitive statement. </div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-8515428240365944533?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-46557495331766738532010-11-11T00:08:00.004+01:002010-11-11T00:13:26.042+01:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TNsmF7LMfuI/AAAAAAAAA8c/aVYVkMjjaQo/s1600/333.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TNsmF7LMfuI/AAAAAAAAA8c/aVYVkMjjaQo/s320/333.jpg" alt="" id="BLOGGER_PHOTO_ID_5538062050008006370" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Kangding Ray / Alva Noto / Ben Frost - Pruitt Igoe</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, Experimental</span><span style="font-size:100%;"><br /><a href="http://boomkat.com/downloads/345257-kangding-ray-alva-noto-ben-frost-pruitt-igoe"><br /></a></span></span><a href="http://boomkat.com/downloads/345257-kangding-ray-alva-noto-ben-frost-pruitt-igoe"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://boomkat.com/downloads/345257-kangding-ray-alva-noto-ben-frost-pruitt-igoe"><br /></a><a href="http://boomkat.com/downloads/345257-kangding-ray-alva-noto-ben-frost-pruitt-igoe"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br /><span>01-kangding_kay-pruitt_igoe_(rise)<br />02-kangding_kay-pruitt_igoe_(alva_noto_remodel)<br />03-kangding_kay-pruitt_igoe_(fall)<br />04-kangding_kay-pruitt_igoe_(ben_frost_demolition)</span><br /><br /><p><a href="http://hotfile.com/dl/78127533/d89e7f9/DEF-2010-WEB-N124-R-Igoe-Pruitt-Kay-Kangding_Sparhawk.rar.html"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style><span style="font-size:100%;"><span class="Apple-style-span" style=";font-family:Georgia;font-size:14px;" >Enhanced and incredibly produced bass music from the Raster Noton camp courtesy of Kangding Ray, reinforced with stunning remixes from Alva Noto and Ben Frost. With 'Pruitt Igoe' Kangding Ray augments his sound to Raster's current avant-techno agenda, logging onto the 'floor with the burly swing of 'Rise' and 'Fall', both echoing Dubstep's move into slower tempos and elevated groove technology like some uncompromising Teutonic cousin to Pinch's 'Croydon House' sound or a steel-plated Shackleton rhythm trip. Of course this is all in line with Raster's overriding agenda of intense, considered minimalism, striving to eke the optimised impact from every sound and eschewing the need for any unnecessarily conventional melody or harmony. On the remixes, Alva Noto continues a streak of rhythmically charged form, following remixes for Greie Gut Fraktion and Vladislav Delay with a colossal remodel of 'Rise', filtering the original's distorted field recordings of street singers from Uttar Pradesh into something like an inverted version of Ancient Methods' stentorian techno funk. Finally, Ben Frost returns Kangding Ray's programming favour on his 'By The Throat' album with a gripping refix of 'Fall', placing kicks like boulders strewn on arctic tundra while dynamically contorting the ghoulish synths into nightmarish figures looming from the inky blackness. As you can probably tell, this is pushing our buttons, hard. So good.</span></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4655749533176673853?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-60861941533678008632010-10-27T03:08:00.001+02:002010-10-27T03:11:57.606+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TMd7vGiWgGI/AAAAAAAAA8U/YwKjsrTRTAs/s1600/1288026295_folder.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 290px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TMd7vGiWgGI/AAAAAAAAA8U/YwKjsrTRTAs/s320/1288026295_folder.jpg" alt="" id="BLOGGER_PHOTO_ID_5532526716386705506" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Scone - Maze Ambients</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electronic, IDM, Ambient</span><span style="font-size: 100%;"><br /><br /></span></span><a href="http://www.funckarma.com/shop/index.php/scone-maze-ambients.html"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://www.funckarma.com/shop/index.php/scone-maze-ambients.html"><br /></a><a href="http://www.funckarma.com/shop/index.php/scone-maze-ambients.html"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br /><span>01 D90 Ambient <br />02 Why Ambient <br />03 Blando Ambient <br />04 Do Ambient <br />05 Sprak Ambient <br />06 Luttel Ambient <br />07 Maze Ambient <br />08 Night B4 Celine Ambient <br />09 Snth 65 Ambient <br />10 Ketayson Seaming Ambient <br />11 Bice Ambient <br />12 Second Ambient <br />13 Sowieso Ambient <br />14 Halfkriel Ambient <br />15 Dramstuk Ambient <br />16 Lisen Ambient</span><br /><br /><p><a href="http://www.fileserve.com/file/gHqzeaS"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style>Finally, after some of these tracks spent a long time in the vaults, we are ready to share this ambient drift into the melodic realms we explored with Kettel as Scone. The full original album is there, plus 3 unreleased tracks, including a Vade ambient with Halfkriel joining this brew.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6086194153367800863?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-65399823532425296662010-10-15T03:18:00.001+02:002010-10-15T03:20:46.740+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TLer17ASl-I/AAAAAAAAA8M/rHanDGvBtuo/s1600/cover%2B500x500.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TLer17ASl-I/AAAAAAAAA8M/rHanDGvBtuo/s320/cover%2B500x500.jpg" alt="" id="BLOGGER_PHOTO_ID_5528076010480900066" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Peter Broderick ::: Music For Contemporary Dance</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electrocoustic, Ambient, Classic</span><span style="font-size: 100%;"><br /><br /></span></span><a href="http://boomkat.com/vinyl/338026-peter-broderick-music-for-contemporary-dance"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://boomkat.com/vinyl/338026-peter-broderick-music-for-contemporary-dance"><br /></a><a href="http://boomkat.com/vinyl/338026-peter-broderick-music-for-contemporary-dance"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br />CD 1: Music For Falling From Trees<br /><br />Part 1: An Introduction To The Patient<br />Part 2: Patient Observation<br />Part 3: Pill Induced Slumber<br />Part 4: The Dream<br />Part 5: Awaken/Panic/Restraint<br />Part 6: Electroconvulsive Shock<br />Part 7: The Path To Recovery<br /><br />CD 2: Music For Congregation<br /><br />Part 1: Discovery<br />Part 2: Understanding<br />Part 3: Differences<br />Part 4: Disappearance<br /><br /><p><a href="http://www.unibytes.com/oChNZ8_8ftcB/last"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style>Music For Contemporary Dance packages together Peter Broderick's compositions for soundtracking choreography. The two scores compiled for this release are Music For Falling From Trees and Music For Congregation, the first being a suite for piano and strings previously released by Erased Tapes to great acclaim (on this very site, among a good many others), while the latter is a new work, commissioned by artists Kit Monkman and Tom Wexler, aka KMA. Congregation is said to be "The world's first ever ballet designed, choreographed and composed entirely for pedestrian performers" and is set to debut simultaneously in Shanghai and Bournemouth before further performances at Tate Britain. After the swooningly grand and emotive Falling From Trees, the score to Congregation feels more fully developed in terms of its arrangements and perhaps slightly more experimental in tone too. As you'll no doubt have come to expect from Broderick, his take on contemporary classical music never fails to be accessible, and sure enough, this four-part cycle is ravishingly lovely to the ear, peaking with the almost Sigur Ros-like post-rock ascent of 'Part 3: Differences'. </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6539982353242529666?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-89430188165205021272010-10-14T02:04:00.002+02:002010-10-14T02:07:38.849+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TLZJrM_77hI/AAAAAAAAA8E/A2ySqGhuRV0/s1600/type028_cover_lores_medium.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TLZJrM_77hI/AAAAAAAAA8E/A2ySqGhuRV0/s320/type028_cover_lores_medium.jpg" alt="" id="BLOGGER_PHOTO_ID_5527686599216459282" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Helios ::: Ayres</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Ambient, Electronic</span><span style="font-size:100%;"><br /><br /></span></span><a href="http://typerecords.com/releases/ayres"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://typerecords.com/releases/ayres"><br /></a><a href="http://typerecords.com/releases/ayres"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br /><br />01. A Rising Wind<br />02. Woods And Gives Away<br />03. Signed I Will You Well<br />04. Soft Collared Neck<br />05. The Obeisant Vine<br />06. In Heaven<br /><br /><p><a href="http://www.megaupload.com/?d=q1mxlqgp"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style><div id="description"> <p><br /></p><p>It hasn’t been long since Keith Kenniff’s gorgeous collection of gauzy, cinematic sound-poems ‘Eingya’ slipped into the consciousness. In a short space of time the Boston based multi-instrumentalist has become awash with acclaim and been invited to perform numerous live dates around Europe, something which gave life and inspiration to this latest collection of work. Those who managed to catch him on the most recent tour will already be aware that Keith has just taken up his most breathtaking instrument yet – his voice, and ‘Ayres’ is his first exploration of this new-found talent. ‘Eingya’ managed with the simplest of means to show just how crushing Keith’s songwriting was, but here he pieces together five gorgeous ‘songs’ and one inspired cover with devastating results.</p> <p>Combining his many musical loves, Keith manages somehow to bring in the warring elements of indie-pop, experimental electronics, folk and world music resulting in a sound which is distinctly his own; these might be songs in the traditional sense, but there’s little traditional about the way they have been produced. Decaying synthesizer sounds trip up over carefully strummed guitars and expertly carved percussion – take opening track ‘A Rising Wind’ which is maybe the most effortless display of Keith’s talents; this is a slow burning epic, beginning with the simplest of sound-palettes and growing into a jubilant dream-pop masterpiece. Elsewhere, standout track ‘The Obeisant Vine’ blends the hazy nostalgic electronics of the Brian Eno with the songwriting heart of the Innocence Mission leaving you gasping for more. By the time the mini-album ends with a cover of ‘In Heaven’, ‘that’ song from David Lynch’s seminal ‘Eraserhead’, you realize you have spent half an hour in Helios’s world, and it’s a world you’ll want to escape to again and again.</p> </div></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-8943018816520502127?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-59151660197167755412010-10-14T01:54:00.002+02:002010-10-14T01:58:12.379+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TLZG9nOS35I/AAAAAAAAA78/_IvYkA3geAw/s1600/RMSG10_MIKO_CHANDELIER_500-450x450-400x400.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TLZG9nOS35I/AAAAAAAAA78/_IvYkA3geAw/s320/RMSG10_MIKO_CHANDELIER_500-450x450-400x400.jpg" alt="" id="BLOGGER_PHOTO_ID_5527683616958766994" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Miko ::: Chandalier</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electroacoustic, Folk</span><span style="font-size:100%;"><br /><br /></span></span><a href="http://touchshop.org/product_info.php?products_id=415"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://touchshop.org/product_info.php?products_id=415"><br /></a><a href="http://touchshop.org/product_info.php?products_id=415"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br />01. Sea House [3:30]<br />02. New Town [3:19]<br />03. Kikoeru [3:26]<br />04. Keshiki [3:22]<br />05. Cherries [3:34]<br />06. America [2:17]<br />07. Humming [3:17]<br />08. Ashitaga Hare Demo [3:50]<br /><br /><p><a href="http://www.mediafire.com/?82drp6ygohihikr"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style> <p style="text-align: justify;"><br /></p><p style="text-align: justify;">Miko (Rie Mitsutake) composes her songs in shades of light and dark. Based on the outskirts of Tokyo, she seeks out vibrant harmony and shimmering rhythms that coalesce to create micro-universes in song-form. </p><p>On her sophomore album Chandelier, Miko creates a luminescent collection of songs that expand the unique and personal sound she explored on her debut album (issued by Plop). Working with organic instrumentation, led by voice, harmonic piano and restrained guitar lines, Miko utilises other less conventional elements (field recordings, unconventional percussion and more) to transform her songs from the everyday into something imaginary and evocative.</p> <p>Choosing the name ‘Chandelier’ both for its sound when said and its association with light, Miko’s new album sees her inhabit an entirely warm and atmospheric song space. Its shapes and instruments bring to mind a new kind of folk music – in which the sounds of the spaces that fill her day connect with and influence the songs she writes. This is a profoundly enticing and personal space in which she is working and one that is illuminated by Miko’s imagined song worlds.</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5915166019716775541?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-73443112861752286472010-10-13T01:36:00.002+02:002010-10-13T01:40:09.042+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TLTxLuC7X1I/AAAAAAAAA70/Pidq0t5JDUw/s1600/image.png"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 245px; height: 245px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TLTxLuC7X1I/AAAAAAAAA70/Pidq0t5JDUw/s320/image.png" alt="" id="BLOGGER_PHOTO_ID_5527307826331606866" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;" class="rel_title">Philip Jeck ::: An Ark For The Listener</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Electronic, Drone,<br /><br /></span></span><a href="http://touchshop.org/product_info.php?products_id=415"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://touchshop.org/product_info.php?products_id=415"><br /></a><a href="http://touchshop.org/product_info.php?products_id=415"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br />1. pilot/dark blue night 8:47<br />2. ark 4:21<br />3. twentyninth 2:36<br />4. dark rehearsal 7:36<br />5. thirtieth/pilot reprise 2:56<br />6. the all of water 8:29<br />7. the pilot (among our shoals) 4:33<br /><br />coda:<br /><br />8. all that's allowed (released) 3:24<br />9. chime, chime (re-rung) 7:34<br /><a href="http://uploadbox.com/files/afad119444"></a><p><a href="http://www.megaupload.com/?d=Z6TCKPOL"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style> <p style="text-align: justify;">On his sixth solo album for Touch, Jeck continues his perfection of using the record player as an instrument (not as a DJ) to create a long-form piece that has no sense of gimmick or cliché, but instead is a hazy, but warm and inviting piece of captivating music that is unlike the work of anyone else. Originally intended for live performance, this studio reconstruction is amazing on its own.<br /><br />Having never seen performances nor read intimate details of his compositional technique, I’m fascinated by exactly how Jeck coaxes the sounds he does out of his rudimentary instrumentation. On this album, the requisite record players were used, along with the infamous Casio SK1 keyboard, mini-disc recorders, and a bass guitar with only a few effects. How this becomes the gauzy atmospheric music that is presented here, I don’t know, and I think I’ll be happy not knowing as long as the music keeps coming.<br /><br />A recurring motif throughout the seven "main" songs here is a lo-fi melodic undercurrent that is absolutely immersed in reverb, giving a feeling that’s not unlike the Cocteau Twins or My Bloody Valentine but without sounding like either one of them. In these massive and heavy, but warm waves of sound, occasionally a bit of music is allowed to pass through. Percussion is hinted at on "Pilot/Dark Blue Night" but never fully appears until the closing "The Pilot (Among Our Shoals)" where it takes the form of snappy snare drum loops, with what resembles time-stretched harp plucks and violin notes as accompaniment.<br /><br />As aforementioned, sometimes the musical source material shines through to the surface, such as on "Twentyninth," where the big reverberated sounds and cascading guitar tones could be a careful study and dissection of 1980s hair metal, reduced to its most base elements and rebuilt into something entirely different and far more compelling. "Thirtieth/Pilot Reprise" continues this, focusing on hidden melodies and Jeck's overdriven bass guitar playing with a guitar-like squall and a thin, brittle closing section.<br /><br />Other pieces are less discernable, such as the dramatic swells of indecipherable sound of "Dark Rehearsal," which are preceded by some subtle, delicate melodies. "Pilot Reprise/The All of Water" is a chaotic pastiche of layered sound, immediately surging heavily and then continuing on with the same intensity, the sharp waves of sound battle one another over the dramatically drifting undercurrent.<br /><br />For the album's coda, two remixes of tracks from Suite: Live in Liverpool are included, sounding noticeably different than the preceding album, but just as strong on their own. Mostly eschewing the hazy ambience of the other tracks, "All That's Allowed (Remix)" shapes shimmering passages of crystal sound into swirling melodies, keeping a very clean, sharp feel over a dynamic undercurrent. "Chime, Chime (Re-Rung)" focuses on beautifully tactile static bursts covering a bell ringing alongside twinkling wind chimes with the occasional bit of squealing feedback. There is a different sort of audio grime that appears, and the whole song is more loop/sample focused than the other ones, which felt like they had more of an organic drift to them.<br /><br />Philip Jeck's work continues to sound like no one else's, in the best possible way. Regardless of the instruments used, he constructs beautiful, tactile sound that spreads out and engulfs its surroundings, demanding full attention. Few albums I have heard this year are as immersive and captivating as this one. [Creaig Dunton]</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7344311286175228647?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-6307716655379111002010-10-06T04:50:00.002+02:002010-10-06T04:54:10.054+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TKvkGcpghCI/AAAAAAAAA7s/zMjlCMXwVSc/s1600/folder.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TKvkGcpghCI/AAAAAAAAA7s/zMjlCMXwVSc/s320/folder.jpg" alt="" id="BLOGGER_PHOTO_ID_5524760167320683554" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;" class="rel_title">Concern ::: Caesarean</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Electronic, Drone,<br /><br /></span></span><a href="http://slowflowstore.net/index.php?product_id=131&amp;route=product/product"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://slowflowstore.net/index.php?product_id=131&amp;route=product/product"><br /></a><a href="http://slowflowstore.net/index.php?product_id=131&amp;route=product/product"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"><br /></a><br />01.Discrete Memorial 09:50<br />02.Mending 07:32<br />03.From Warmth And From Violence 16:47<br />04.Immersed In Envy, Porous With 33:52<br />Forgetfulness<br />05.Leaving Gold 08:37 <a href="http://uploadbox.com/files/afad119444"><br /></a><p><a href="http://www.megaupload.com/?d=HW6D8A3B"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style> <p style="text-align: justify;">Rather than stringing out drones from analogue synths, soft synths or field recordings, Concern’s Gordon Ashworth instead calls upon the services of various acoustic sound sources (clarinet, banjo, guitars, organs and more), all collaged together in an almost tangibly physical recording environment that seems a million miles away from the computer-dominated soundscapes this genre generally throws your way. It’s only the start of a very long journey (the album isn’t too far off maxing out the disc), but you might have trouble moving on from ‘Discrete Memorial’. It’s really quite wonderful; full of faults and dropouts, an introductory piano riff fires up in a stuttering loop, before languid woodwind tones join in. In theory this would all sound a bit derivative of William Basinski, but Ashworth ably asserts a very different voice on these pieces and certainly doesn’t adhere to any strictly repetitious loop-driven formula. Even on more conventionally drone-driven compositions like ‘Mending’ or ‘Leaving Gold’ there’s very evidently something special about those shimmering harmonics and endlessly sustaining strings; as much as the music itself, it’s to do with the production and the way the instruments dissolve into one another as Ashworth pieces the different elements together. Using both cassettes and quarter-inch tape, the album layers various crumbling stretches of acoustic sounds – perhaps never more adeptly than on the finely spliced ‘From Warmth And From Violence’ and its half-hour-plus follow-up ‘Immersed In Envy, Porous With Forgetfulness’, a formidable, slow-moving montage of ideas and sonic environments. Opening with ten minutes or so of dazzling metallic thrum, Ashworth goes on to pool sparse, untreated concrete sounds with overspilling harmonium chords to tremendous effect. Like Caesarian as a whole, it’s not easy to pinpoint precisely what it is about all this that distinguishes Concern as something special, but take a listen and it’ll soon become self-evident.</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-630771665537911100?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-16151708340515631702010-10-01T12:36:00.004+02:002010-10-01T13:46:01.379+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TKW5ujEzCqI/AAAAAAAAA7k/Yg_APcTuR8k/s1600/R-2422492-1283206090.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 250px; height: 250px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TKW5ujEzCqI/AAAAAAAAA7k/Yg_APcTuR8k/s320/R-2422492-1283206090.jpg" alt="" id="BLOGGER_PHOTO_ID_5523024727380265634" border="0" /></a><span style="font-weight: bold;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></span><span style="font-weight: bold;" class="rel_title">Dryft :: Ventricle</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Ambient, Electronic<br /><br /></span></span><a href="http://n5mailorder.com/release/1012&amp;zenid=cb09fe1871b18b3fc2e290df945ce72c/dryft-ventricle"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://n5mailorder.com/release/1012&amp;zenid=cb09fe1871b18b3fc2e290df945ce72c/dryft-ventricle"><br /></a><a href="http://n5mailorder.com/release/1012&amp;zenid=cb09fe1871b18b3fc2e290df945ce72c/dryft-ventricle"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"><br /></a><br /><span class="postbody">01. Recalcify (4:52)<br />02. Marked Velotin (5:53)<br />03. Knives As Gifts (7:41)<br />04. No Bargains, No Pleas (feat. Xiescive) (7:05)<br />05. Vector Step (Regeneration) (6:35)<br />06. Vapours And Waste (6:42)<br />07. Transmission (5:55)<br />08. ...And Again (4:40)<br />09. (Re)prise (3:37)</span><a href="http://uploadbox.com/files/afad119444"><br /></a><p><a href="http://www.unibytes.com/dsRVn3IDpKkB"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;"> <style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style> <p style="text-align: justify;">Ventricle is the latest album from Mike Cadoo's long dormant Dryft side-project. The album deviates from Cadoo's current main project Bitcrush just as previous Dryft efforts strayed from his previous group Gridlock. This time, however, it’s fair to describe Dryft as bearing more resemblance to Cadoo’s past than to any passing flirtation with fringe genres. Moreover, like a message in a bottle, it is as though all that Cadoo had failed to completely express through Gridlock had been stored away subconsciously and now, as Ventricle, that bottle has finally washed ashore. While Cadoo is the first to acknowledge the stylistic similarities between Ventricle and his contributions to Gridlock, he warns against making specific comparisons. This is new music. Caveats aside, the massive, enveloping drones and rusty clatter that anchored his former band are omnipresent. Powered by overdriven, symphonic walls of slowly evolving melodies matched with rhythms that recall the drum-n-bass of Cell (2000), the industrial battery of Gridlock and the jammed funk of his Mytotyc Exyt EP (2002), Ventricle is a true opus that offers revolution and retrospective in one. No matter the degree of hyperbole applied, the term “side-project” has never felt more out of place.</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1615170834051563170?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-31547428634045063132010-09-05T09:12:00.002+02:002010-09-05T09:18:59.015+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TINDHuuAq5I/AAAAAAAAA7c/a8W7FL_97R8/s1600/30295192324082517012.png"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TINDHuuAq5I/AAAAAAAAA7c/a8W7FL_97R8/s320/30295192324082517012.png" alt="" id="BLOGGER_PHOTO_ID_5513324168910777234" border="0" /></a> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /><span style="font-weight: bold;">Helios - Unleft</span><span style="font-size:85%;"> <br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Ambient, Electronic <br /> <br /></span></span><a href="http://www.discogs.com/Helios-Unleft/release/2160167"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://www.discogs.com/Helios-Unleft/release/2160167"> <br /></a><a href="http://www.discogs.com/Helios-Unleft/release/2160167"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"> <br /></a> <br /><p style="text-align: justify;">1 Convivium 4:16 <br /></p> <p style="text-align: justify;">2 Cross The Ocean 5:21 <br /></p> <p style="text-align: justify;">3 The Evening Walk 3:53 <br /></p> <p style="text-align: justify;">4 Bounce Dive 5:45 <br /></p> <p style="text-align: justify;">5 Every Hair On Your Head 3:58 <br /></p> <p style="text-align: justify;">6 South Tree 4:03 <br /></p> <p style="text-align: justify;">7 Friedel 5:46 <br /></p> <p style="text-align: justify;">8 Distance 4:28 <br /></p> <p style="text-align: justify;">9 Carry With Us 4:03 <br /></p> <p style="text-align: justify;">10 The Jaguar Sun 4:28 <br /></p> <p style="text-align: justify;">11 The Morning Room 4:49</p><a href="http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html"> <br /></a><p><a href="http://www.mediafire.com/?k9l9mm1iv73wkpx"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--><p style="text-align: justify;">On Unleft, Keith Kenniff collects previously unreleased Helios material recorded between 2000 and 2009, sequencing the resultant tracks as a self-contained album. The resultant fifty minutes plays out as a wonderfully varied sequence that focusses on melodically resonant electronic music. You'll hear some of the compositional techniques Kenniff has become known for at work, cutting a tuneful, glitched-up swathe through opener 'Convivium', while the crunchily filtered, slow-core beats of 'Friedel' and 'Distance' channel a hazy, opiated quality. Taking this a little further, the creaking deep bass and beautiful electronic post-rock of 'Cross The Ocean' is touched by the influence of Boards Of Canada, something that could also be said of the downtempo, beat-heavy ambience of 'Bounce Dive', though there's a more playful and openly tuneful quality to Kenniff's music compared to that of the Brothers Eoin, something highlighted by the airier, brighter productions of the Portlander's music. There's also a pronounced cinematic quality to all this, and you can well imagine Kenniff being recruited to score a film at some point down the line, especially given beautifully crafted, acoustic guitar-driven pieces like 'South Tree' or the upbeat, piano-heavy 'The Morning Room', both of which showcase this side of his output very strongly. <br /></p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3154742863404506313?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com7tag:blogger.com,1999:blog-4818361172287283064.post-29509359704231704792010-09-04T15:34:00.003+02:002010-09-05T09:10:44.855+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TIJLdlMjB_I/AAAAAAAAA7U/NsdJ7X7CH9w/s1600/3382825167-1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TIJLdlMjB_I/AAAAAAAAA7U/NsdJ7X7CH9w/s320/3382825167-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5513051865427937266" border="0" /></a><span style="font-weight: bold;"> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />36 :: Type series: Red</span><span style="font-size:85%;"> <br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Ambient, Electronic <br /> <br /></span></span><a href="http://3six.net/"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://3six.net/"> <br /></a><a href="http://3six.net/"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"> <br /></a><span style="font-size:100%;"> <br /></span> <meta name="Title" content=""> <meta name="Keywords" content=""> <meta equiv="Content-Type" content="text/html; charset=utf-8"> <meta name="ProgId" content="Word.Document"> <meta name="Generator" content="Microsoft Word 2008"> <meta name="Originator" content="Microsoft Word 2008"> <link style="font-family: georgia;" rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip/0clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal.dotm</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>40</o:Words> <o:characters>231</o:Characters> <o:company>m</o:Company> <o:lines>1</o:Lines> <o:paragraphs>1</o:Paragraphs> <o:characterswithspaces>283</o:CharactersWithSpaces> <o:version>12.0</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:trackmoves>false</w:TrackMoves> <w:trackformatting/> <w:punctuationkerning/> <w:drawinggridhorizontalspacing>18 pt</w:DrawingGridHorizontalSpacing> <w:drawinggridverticalspacing>18 pt</w:DrawingGridVerticalSpacing> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:compatibility> <w:breakwrappedtables/> <w:dontgrowautofit/> <w:dontautofitconstrainedtables/> <w:dontvertalignintxbx/> </w:Compatibility> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:latentstyles deflockedstate="false" latentstylecount="276"> </w:LatentStyles> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin-top:0cm; margin-right:0cm; margin-bottom:10.0pt; margin-left:0cm; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:612.0pt 792.0pt; margin:72.0pt 90.0pt 72.0pt 90.0pt; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin;} </style> <![endif]--> <!--StartFragment--><span style="font-family: georgia;font-family:Cambria;font-size:100%;" >1. <span style=""> </span>Transmission 01:46 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> <br /></span>2. <span style=""> </span><span style=""></span>Theme For Red 03:38 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span> <br />3.<span style=""> </span><span style=""></span>Decode 03:28 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span> <br />4. <span style=""> </span><span style=""></span>Lights Over Wibsey 06:09 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span> <br />5.<span style=""> </span><span style=""></span>Peripheral Shadow 02:43 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span> <br />6. <span style=""> </span><span style=""></span>Null 06:39 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> <br /></span>7.<span style=""> </span><span style=""></span>Tongue Depressor 01:34 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span> <br />8. <span style=""> </span><span style=""></span>Lost 06:01 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span> <br />9. <span style=""> </span><span style=""></span>False 01:07 <span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span><span style=""> </span> <br />10. <span style=""> </span><span style=""></span>Consumed 06:46 <span style=""> </span><span style=""> </span></span><!--EndFragment--> <br /> <br /><a href="http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html"></a><p><a href="http://rs940.rapidshare.com/files/417028815/36Red_2010_.rar"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--><p style="text-align: justify;"> <br /></p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-2950935970423170479?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-41797126995565966072010-08-31T01:00:00.001+02:002010-08-31T01:03:48.877+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/THw4BP1eShI/AAAAAAAAA7E/grVdHQuXeNg/s1600/1283173096_slow-dancing-society-under-the-sodium-lights.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/THw4BP1eShI/AAAAAAAAA7E/grVdHQuXeNg/s320/1283173096_slow-dancing-society-under-the-sodium-lights.jpg" alt="" id="BLOGGER_PHOTO_ID_5511341638076484114" border="0" /></a><span style="font-weight: bold;"> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />Slow Dancing Society - Under The Sodium Lights</span><span style="font-size: 85%;"> <br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Electronic <br /> <br /></span></span><a href="http://music.hiddenshoal.com/cat/news/slow-dancing-society/"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://music.hiddenshoal.com/cat/news/slow-dancing-society/"> <br /></a><a href="http://music.hiddenshoal.com/cat/news/slow-dancing-society/"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"> <br /></a> <br />01. The Songs In Your Eyes <br />02. Under The Sodium Lights <br />03. Laura's Dream <br />04. A Year Of Yesterdays <br />05. By Your Side <br />06. ...And To The Dust We Shall Return <br />07. Love Is On The Way <a href="http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html"> <br /></a><p><a href="http://hotfile.com/dl/65748383/000c556/459rth4y.rar.html"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--><p style="text-align: justify;">Hidden Shoal Recordings has announced the digital pre-release of the eagerly awaited fourth album by US ambient artist Slow Dancing Society. <br /> <br />Following on from the ebullient warmth of the critically acclaimed Priest Lake Circa ’88, Under The Sodium Lights is Drew Sullivan’s latest ambient epic. The album feels like a distillation of the three stunning releases that preceded it – and as such is Sullivan’s finest work to date. The delicate interplay between focused melodic details and blurred washes of sound draws the listener into a hypnotic state, where the waking world and the world of sleep cascade in and out of balance. <br /> <br />Under The Sodium Lights resonates with a rich emotional core – and the choking realisation of our own transience. The album rewards immersive listening from start to finish, to really soak in its beauty. <br /> <br />“a complexity of sound that allows it to stand out from traditionally ambient music… It is easy to get dissolved in this album, to let yourself fall into meditation as the music plays… Textures and timbre are executed with great precision… Even the simplest of songs allow complimentary textures to be layered upon each other to create a robust yet spacious sound… an aural delight for the listener.” – The Silent Ballet on Priest Lake Circa ’88. </p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4179712699556596607?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-45702165709249186102010-08-30T16:42:00.002+02:002010-08-30T16:47:15.364+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/THvDgpvktAI/AAAAAAAAA68/HRybOZiVDP4/s1600/117bcsm.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/THvDgpvktAI/AAAAAAAAA68/HRybOZiVDP4/s320/117bcsm.jpg" alt="" id="BLOGGER_PHOTO_ID_5511213534746555394" border="0" /></a><span style="font-weight: bold;"> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />Haruka Nakamura :: Twilight</span><span style="font-size: 85%;"> <br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Electronic <br /> <br /></span></span><a href="http://www.myspace.com/harukanakamura"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://www.digitalisindustries.com/ltd154.html"> <br /></a><a href="http://darla.com/?fuseaction=item_cat.ecom_superitem_detail&amp;item_cat_id=37984"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"> <br /></a> <br /><div class="separator" style="clear: both; text-align: left;">1. 夕べの祈り</div><div class="separator" style="clear: both; text-align: left;">2. Harmonie du so</div><div class="separator" style="clear: both; text-align: left;">3. 彼方</div><div class="separator" style="clear: both; text-align: left;">4. 窓辺</div><div class="separator" style="clear: both; text-align: left;">5. memoria</div><div class="separator" style="clear: both; text-align: left;">6. ベランダにて</div><div class="separator" style="clear: both; text-align: left;">7. faraway</div><div class="separator" style="clear: both; text-align: left;">8. 光景</div><div class="separator" style="clear: both; text-align: left;">9. dialogo</div><div class="separator" style="clear: both; text-align: left;">10. 音楽のある風景</div><div class="separator" style="clear: both; text-align: left;">11. twilight</div><div class="separator" style="clear: both; text-align: left;">12. カーテンコール</div><div class="separator" style="clear: both; text-align: left;">13. The Light</div><a href="http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html"> <br /></a><p><a href="http://www.mediafire.com/download.php?ac669wqdd7ovauu"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--><p style="text-align: justify;">An emerging talent on the Japanese independent music scene, haruka nakamura’s second solo outing refines the lyrical, pastoral imagery that inspired his first album “grace”. Recorded in a studio overlooking the ocean as a tribute to the sight of the expiring sun falling slowly over the horizon at dusk, “twilight” is a sustained reverie that mirrors the dwindling rays of light at day’s end with its subtle variations in timbre and texture. <br /> <br /> The brassy shimmer of ARAKI Shin’s sax opens the first track “Yuube no Inori” (Evening Prayer, M1), swelling languidly as the orchestra slowly unfurls around it like a resplendent sunset. Throughout the album, haruka nakamura coaxes a startling range of tonal color out of piano phrases that twinkle, patter and shuffle through a variety of compositions and tempos – the gentle march of “harmonie du soir”(M2); the somnolent haze of “On the Verandah” (M6) punctuated by drowsy stutters and cicadas muttering all around you; the reverberations of your languishing pulse as night starts to fall in “faraway”(M7). isao saito’s sensitive percussion offers subdued but confident support throughout – dwindling to a hush as the fading rays of the sun dissipate in the crisp night air. <br /> <br /> The middle of the album – “Koukei” (Sight, M8) and “dialogo”(M9), in particular – wanders off on a short jaunt into looser, ethereal territory. The furtive meandering of the soprano saxophone by akira uchida, roving itinerant chords, airy percussion and carefully-spaced <br /> sustain and release of the pedal are reminiscent of acoustic ambient jazz of ECM. Closing the album, however, are two melody-driven vocal tracks: “twilight”, a gentle flicker of a ballad that rises and ebbs with April Lee’s (aspidistrafly) fluttering, half-whispered vocals, and Janis crunch’s acoustic arpeggio-driven elegy in tribute to the dwindling of “The Light”.</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4570216570924918610?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com2tag:blogger.com,1999:blog-4818361172287283064.post-61303148050920245892010-08-27T01:25:00.003+02:002010-08-27T01:31:51.327+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/THb4PvCf7II/AAAAAAAAA60/smD86HXXcEg/s1600/msott_lrg.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 256px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/THb4PvCf7II/AAAAAAAAA60/smD86HXXcEg/s320/msott_lrg.jpg" alt="" id="BLOGGER_PHOTO_ID_5509864143343053954" border="0" /></a> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /><span style="font-weight: bold;">Motion sickness of time travel :: Seeping through the veil of unconscious c60</span><span style="font-size:85%;"> <br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Ambient, Electronic <br /> <br /></span></span><a href="http://www.digitalisindustries.com/ltd154.html"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://www.digitalisindustries.com/ltd154.html"> <br /></a><a href="http://www.digitalisindustries.com/ltd154.html"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"> <br /></a> <br />side one <br />1. clairvoyance <br />2. telepathy <br />3. mental projection <br />side two <br />1. magnetism <br />2. auto suggestion <br />3. the alchemical dream <br /><a href="http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html"> <br /></a><p><a href="http://rapidshare.com/files/415333119/motsicktime_-_seeping__digit_-_2010_.zip.html"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--><p style="text-align: justify;">"seeping through the veil of unconscious" came to us out of nowhere as a demo and i think i can say with some certainty that it's the best demo we've ever received. motion sickness of time travel is the solo moniker of lagrange, gerogia's rachel evans. she also plays in the duo, quiet evenings, with her husband and runs the hooker vision label with him as well. and while she's done some really great stuff, this album takes all of it, everything, to incredible new heights. evans concocts six whirlwind romances all in the space of an hour. beauty, magic and bleeding effervescence come together in perfect harmony. vague electro meanderings hide hints of early grouper as evans' compositions sing with the spheres. while the songs are built around vaguely catchy repetitive synth backbones, she laces an incredible array of instrumental layers between those bones creating music that is as dense and complex as it is continous. yet, the real star here is her voice. sometimes its at the fore, other times its buried underneath the plodding keys but it never gets lost and always shines. stunning music in every way. debut LP coming on digitalis next year. she's that fucking good. edition of 80, pro-dubbed. " </p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6130314805092024589?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com4tag:blogger.com,1999:blog-4818361172287283064.post-66223577273859648062010-08-25T01:16:00.001+02:002010-08-25T01:19:38.847+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/THRS_lFkfGI/AAAAAAAAA6s/t-y-JrbtLIY/s1600/499153238-1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/THRS_lFkfGI/AAAAAAAAA6s/t-y-JrbtLIY/s320/499153238-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5509119496421669986" border="0" /></a> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /><span style="font-weight: bold;">Slow Dancing Society :: … and to the dust we shall return</span><span style="font-size:85%;"> <br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Ambient, Electronic <br /> <br /></span></span><a href="http://slowdancingsociety.bandcamp.com/album/and-to-the-dust-we-shall-return"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"> <br /></a> <br />1. … and to the dust we shall return 07:20 <br /> <br /><p><a href="http://slowdancingsociety.bandcamp.com/album/and-to-the-dust-we-shall-return"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--><p style="text-align: justify;">Following on from the ebullient warmth of the critically acclaimed Priest Lake Circa ’88, ‘…and to the dust we shall return’ is the perfect introduction to Drew Sullivan’s latest ambient epic, Under The Sodium Lights. Accompanied by a stunning video by Latvian filmmaker Ieva Balode, this glorious seven-minute song sees the gradual accretion of reverberant guitar tones, emerging from the silence as sparse reflections across the stereo field. Slow searching melodies overlap and accumulate before a descending bass figure carries the song home to its elegiac conclusion. The song, like all Slow Dancing Society releases, resonates with a rich emotional core – and the choking realisation of our own transience. <br /> <br />The video (included with this download) for ‘…and to the dust we shall return’ was created by Latvian filmmaker and artist Ieva Balode. Currently studying at the Latvian Academy of Art, Balode has taken part in many exhibitions in Latvia, and has also presented her own solo exhibition in the capital, Riga, where she currently lives and works.</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-6622357727385964806?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-52841368883275014672010-08-17T07:53:00.001+02:002010-08-17T07:57:17.117+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TGoj4ujZc5I/AAAAAAAAA6k/_PkHSBrGFsw/s1600/DIST017_250.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 250px; height: 249px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TGoj4ujZc5I/AAAAAAAAA6k/_PkHSBrGFsw/s320/DIST017_250.jpg" alt="" id="BLOGGER_PHOTO_ID_5506252951889998738" border="0" /></a><span style="font-weight: bold;"> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />Aless :: i'mmobile</span><span style="font-size: 85%;"> <br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Experimental, Electronic <br /> <br /></span></span><a href="http://distancerecordings.com/dist017.php"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://distancerecordings.com/dist017.php"> <br /></a><a href="http://distancerecordings.com/dist017.php"><span style="font-weight: bold; color: rgb(51, 204, 255);"></span></a> <br /><ol><li>Like Looking Through Broken Glass </li><li>Inborn Sea Flowing </li><li>Keepsake </li><li>Honeyed </li><li>I'm Mobile </li><li>But It Will Not Bleed </li><li>Immobile </li></ol><p><a href="http://distancerecordings.com/media/dist017/DIST017_MP3.zip"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5284136888327501467?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-42292670729571191932010-08-13T02:05:00.002+02:002010-08-13T02:08:59.215+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TGSMXMeWUwI/AAAAAAAAA6c/govdhM3bp2A/s1600/333.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TGSMXMeWUwI/AAAAAAAAA6c/govdhM3bp2A/s320/333.jpg" alt="" id="BLOGGER_PHOTO_ID_5504678974666986242" border="0" /></a> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /><span style="font-weight: bold;">Pale Sketcher - Can I Go Now (Gone Version)</span><span style="font-size: 85%;"> <br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Electronic, Shoegaze <br /> <br /></span></span><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"> <br /></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy It!</span></a><a href="http://boomkat.com/downloads/322925-pale-sketcher-jesu-can-i-go-now-gone-version"> </a> <br /> <br />1 Jesu - Can I Go Now (Gone Version) 5:46 Remix - Pale Sketcher <br />2 Jesu - Can I Go Now (Gone Version) 7:21 Remix - Donnacha Costello <br />3 Jesu - Can I Go Now (Gone Version) 5:26 Remix - Syntaks <br /> <br /><p><a href="http://www.megaupload.com/?d=40860M9W"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--><p style="text-align: justify;">The first single to be lifted from his selection of Jesu remixes (Jesu: Pale Sketches DeMixed), 'Can I Go Now (Gone Remix)' finds Justin K. Broadrick exploring a more luscious, emphatically electronic strand of his material than ever before. In addition to the epic, Autotuned pop of the original lead track, remixes are supplied by Donnaccha Costello and Syntaks: the former extends the original into a dramatic, slow-building opus that denies you drums for almost four minutes, but comes good in the end with a light but stealthily euphoric finale. Syntaks meanwhile detunes some synths and amps up the beats for a touch of woozy, Manual-like electronic shoegazing.</p></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4229267072957119193?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-58964474213055739682010-07-31T02:18:00.001+02:002010-07-31T02:22:36.202+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TFNr7_bb0II/AAAAAAAAA6U/G7-G-2MhSOE/s1600/webimage.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 258px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TFNr7_bb0II/AAAAAAAAA6U/G7-G-2MhSOE/s320/webimage.jpg" alt="" id="BLOGGER_PHOTO_ID_5499858248332464258" border="0" /></a> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /><span style="font-weight: bold;">Parallel Lines - 38:22</span><span style="font-size: 85%;"> <br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Experimental, Electronic <br /> <br /></span></span><a href="http://deadpilot.bigcartel.com/product/parallel-lines-38-22"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://deadpilot.bigcartel.com/product/parallel-lines-38-22"> <br /></a><a href="http://deadpilot.bigcartel.com/product/parallel-lines-38-22"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy It!</span></a><a href="http://deadpilot.bigcartel.com/product/parallel-lines-38-22"> </a> <br /> <br />1. Part I 9:00 <br />2. Part II 4:31 <br />3. Part III 7:46 <br />4. Part IV 8:33 <br />5. Part V 8:23 <br /> <br /><p><a href="http://www.megaupload.com/?d=GS8K5VUY"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment--><p style="text-align: justify;">Eric Quach (destroyalldreamers, thisquietarmy) from Montreal QC, Ryan Ferguson (Electroluminescent, Sianspheric) from Hamilton ON, Pascal Asselin (Millimetrik, Le Chat Blanc Orchestra, Below The Sea) from Quebec City QC have often crossed paths during their musical careers with their various projects --- the first time in 2005. Since then, they've become close friends and have played together all over Quebec, Ontario &amp; even in Europe.</p><div style="text-align: justify;"> </div><p style="text-align: justify;">It was only a matter of time before a collaboration was to happen. And so it did, on July 26th, 2009 - live at Sam Murdock's house in Quebec City where he runs the P572 label and occasionally host house shows. This project, dubbed Parallel Lines, in reference to their numerous musical endeavours, is the result of this musical collaboration between 3 great friends.</p><div style="text-align: justify;"> </div><p style="text-align: justify;">Split over 5 parts; or "movements", this live collaboration between 3 artists at the forefront of underground experimental music in Canada is quite an epic. Sprawling layers of guitars and synths create a huge wall of psyched out shoegaze over the top of rhythmic and hypnotic drumming. What you'll hear is something you would not hear from any of the artists individually; it's something new and exciting. The term "krautgaze" has been used and it's a pretty accurate description.</p><div style="text-align: justify;"> </div><p style="text-align: justify;">Limited to 200 hand stamped and hand numbered copies in standard windowed sleeve tied with string.</p></div> <br /><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5896447421305573968?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-70834621102670619602010-07-31T01:23:00.003+02:002010-07-31T01:29:18.217+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TFNfJMVkYEI/AAAAAAAAA6M/8t86TaAmMzA/s1600/FR%3D177.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TFNfJMVkYEI/AAAAAAAAA6M/8t86TaAmMzA/s320/FR%3D177.jpg" alt="" id="BLOGGER_PHOTO_ID_5499844181484658754" border="0" /></a><span style="font-weight: bold;font-family:georgia;" ><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Lights Out Asia In :: The Days Of Jupiter</span><span style=";font-family:georgia;font-size:85%;" ><br /></span><span style=";font-family:georgia;font-size:100%;" ><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, Ambient</span><span style="font-size:100%;"><br /><a href="http://n5md.com/discography/177/In-The-Days-Of-Jupiter"><br /></a></span></span><a style="font-family: georgia;" href="http://n5md.com/discography/177/In-The-Days-Of-Jupiter"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://n5md.com/discography/177/In-The-Days-Of-Jupiter"><br /></a><a style="font-family: georgia;" href="http://n5md.com/discography/177/In-The-Days-Of-Jupiter"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br /><span style="font-family:georgia;">1. All These Worlds Are Yours <br />2. Except Europa<br />3. Attempt No Landing There<br />4. All Is Quiet In The Valley <br />5. 13 AM <br />6. Arbres Paisible <br />7. Great Men From Unhealthy Ground <br />8. Currents Meet The Tide <br />9. Then I Hope You Like The Desert<br />10. Shifting Sands Wreck Ships <br />11. Bye Bye November<br /><br /></span><p style="font-family: georgia;"><a href="http://www.megaupload.com/?d=ZH92BMCS"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;"><span style="font-size:100%;"><p> “In the Days Of Jupiter” is the 4th album from tri-state post-rock trio Lights Out Asia. Just as Jupiter eclipses the other planets in our solar systems, Lights Out Asia have eclipsed expectations by delivering their most expansive album to date. Not only in relative scope and emotional depth but also in proper use of something they have used sparingly on previous albums - open space. Their previous use of guitars in a more deliberate melodic role is somewhat subdued on “In The Days Of Jupiter”. The guitars here are utilized more just to drive a point home with the strings, field recordings and electronics being more of a prominent, and key, ingredient. Hidden below these expanses is a new sense of urgency within the band's songwriting which may shed a bit more light into their collective personal persona. Is it unrest? Anxiety? Loss? Are they at some personal crossroads? Or have they cultivated their collective emotions into one of their finest works to date. </p></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7083462110267061960?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-18585688190134939592010-07-26T10:34:00.003+02:002010-07-26T10:39:39.047+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TE1I3Coy1bI/AAAAAAAAA6E/17o2n2SB15U/s1600/1279474848_cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TE1I3Coy1bI/AAAAAAAAA6E/17o2n2SB15U/s320/1279474848_cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5498130830527223218" border="0" /></a><span style="font-weight: bold;"> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />Bitcrush - From Arcs To Embers</span><span style="font-size: 85%;"> <br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Experimental, Electronic <br /></span></span><a href="http://www.homenormal.com/releases/chihei-hatakeyama-a-long-journey"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://www.homenormal.com/releases/chihei-hatakeyama-a-long-journey"> <br /></a><a href="http://www.homenormal.com/releases/chihei-hatakeyama-a-long-journey"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy It!</span></a><a href="http://www.homenormal.com/releases/chihei-hatakeyama-a-long-journey"> </a> <br /> <br />1. Bitcrush - Post (Nichts ist wie vorher, Bersarin Quartett RMX) <br />2. Bitcrush - Untilted (Worm Is Green Remix) <br />3. Bitcrush - Every Sunday (Winterlight Remix) <br />4. Bitcrush - Bitcrush In Dub (By Stripmall Architecture) <br />5. Bitcrush - Colder (Funckarma Rmx) <br />6. Bitcrush - Waiting For Something (Jatun Remix) <br />7. Bitcrush - An Island A Penninsula (Mix By Vanessa Van Basten) <br />8. Bitcrush - The Days We Spent Within (Near The Parenthesis Remix) <br />9. Bitcrush - Of Embers (Port-Royal Remix) <br />10. Bitcrush - Of Days (Widescreen mix by SubtractiveLAD) <br /> <br /><p><a href="http://turbobit.net/3r5naymv32i1.html"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;"><link rel="File-List" href="file://localhost/Users/guillermonarvaezrivero/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"> <!--[if gte mso 9]><xml> <o:documentproperties> <o:template>Normal</o:Template> <o:revision>0</o:Revision> <o:totaltime>0</o:TotalTime> <o:pages>1</o:Pages> <o:words>190</o:Words> <o:characters>1083</o:Characters> <o:lines>9</o:Lines> <o:paragraphs>2</o:Paragraphs> <o:characterswithspaces>1330</o:CharactersWithSpaces> <o:version>11.1282</o:Version> </o:DocumentProperties> <o:officedocumentsettings> <o:allowpng/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:worddocument> <w:zoom>0</w:Zoom> <w:donotshowrevisions/> <w:donotprintrevisions/> <w:hyphenationzone>21</w:HyphenationZone> <w:displayhorizontaldrawinggridevery>0</w:DisplayHorizontalDrawingGridEvery> <w:displayverticaldrawinggridevery>0</w:DisplayVerticalDrawingGridEvery> <w:usemarginsfordrawinggridorigin/> </w:WordDocument> </xml><![endif]--> <style> <!-- /* Font Definitions */ @font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";} table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style> <!--StartFragment-->This latest release from Mike Cadoo's Bitcrush project is a specially curated remix album comprised of re-workings of songs taken from all 5 of his albums as Bitcrush. Bersarin Quartett, Funckarma, Jatun, Near The Parenthesis, port-royal, Stripmall Architecture (Halou), SubtractiveLAD, Vanessa Van Basten, Winterlight, and Worm Is Green all re-imagine songs from the Bitcrush catalog. From Arcs to Embers is a remarkably fresh re-envisioning of the Bitcrush sound making it great for fans of his or any of the remixers' work.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1858568819013493959?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-14547911669153080312010-07-25T02:33:00.003+02:002010-07-25T02:39:25.564+02:00<a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TEuGhMmYmuI/AAAAAAAAA58/nwG4ROWzrZs/s1600/R-2352608-1279267965.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 288px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TEuGhMmYmuI/AAAAAAAAA58/nwG4ROWzrZs/s320/R-2352608-1279267965.jpg" alt="" id="BLOGGER_PHOTO_ID_5497635675011848930" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold; font-family: georgia;">Bvdub - The Art Of Dying Alone</span><span style="font-size: 85%; font-family: georgia;"><br /></span><span style="font-size: 100%; font-family: georgia;"><span style="font-weight: bold; font-size: 100%;">Genre : </span></span><span style="font-family: georgia;">Ambient, Electronic</span><br /><a style="color: rgb(51, 204, 255); font-family: georgia;" href="http://www.discogs.com/Bvdub-The-Art-Of-Dying-Alone/release/2352608"><span style="font-weight: bold;">Buy It!</span></a><a style="font-family: georgia;" href="http://www.12k.com/1057.html"><br /></a><a style="color: rgb(51, 204, 255); font-family: georgia;" href="http://www.myspace.com/bvdubtechnology"><span style="font-weight: bold;">Listen</span></a><span style="font-size: 130%; font-family: georgia;"><br /><br /></span><span style="font-family: georgia; font-size: 100%;">1 Descent To The End 8:08 <br />2 Nothing From No One 8:48 <br />3 To Finally Forget It All 21:20 <br />4 No More Reasons Not To Fall 11:19 <br />5 No One Will Ever Find You Here 9:18 <br />6 The Art Of Dying Alone 19:13</span><br /><br /><a style="font-family: georgia;" href="http://www.megaupload.com/?d=8LASD0IJ"><span style="color: rgb(51, 204, 255);">Download</span></a><br /><br /><div style="text-align: justify;">Woah....how to kill my happy mood. Dying alone - now theres a thought. Better move onto the music. Bvdub has been part of the Pop Ambient series and the words Gas and dub techno are mentioned in the press thingymajig so I'm quite excited about this. It certainly lives up to the billing with superb drifty atmospherics, plucked acoustic guitar hidden somewhere under it all. Tracks seem to start with traditional sounding instruments plucked in a gently folky style before reverberating away into ethereal and ambient soundscapes. At its best such on the stunning 'To Finally Forget it all' the effect is akin to being carried along on some kind of cloud/cotton wool type material, the music resembling a softer Gas, dub techno rhythms just audible beneath the ambient gorgeousness. Really beautiful stuff &amp; highly recommended.<br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1454791166915308031?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-56186564544424417292010-07-24T04:50:00.002+02:002010-07-24T04:56:16.448+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TEpVL-CSAvI/AAAAAAAAA50/ydAVvcaSCnA/s1600/R-2275361-1273852468.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TEpVL-CSAvI/AAAAAAAAA50/ydAVvcaSCnA/s320/R-2275361-1273852468.jpg" alt="" id="BLOGGER_PHOTO_ID_5497299959278600946" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Eleven Tigers - Clouds Are Mountains</span><span style="font-size: 85%;"><br /></span><span style="font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electronic, Ambient</span><span style="font-size: 100%;"><br /><a href="http://www.myspace.com/pqpoison"><br /></a></span></span><a href="http://eleventigers.bandcamp.com/album/clouds-are-mountains"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://eleventigers.bandcamp.com/album/clouds-are-mountains"><br /></a><a href="http://eleventigers.bandcamp.com/album/clouds-are-mountains"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br />1. Open Mirror 04:57 <br />2. Made of 01:41 <br />3. Songs for You 04:32 <br />4. Couldn't 02:55 <br />5. Thesis 03:22 <br />6. Frozen Wheel 05:10 <br />7. Stood Up 08:15 <br />8. Flux 02:42 <br />9. Atomic Turnip 02:15 <br />10. Sparkles 05:51 <br />11. With a Little Patience 03:49 <br />12. Forever 01:45 <br />13. Stableface 06:40 <br />14. There Will Be Time 04:28 <div><a href="http://www.megaupload.com/?d=ILGQO2LR"><br /></a></div><p><a href="http://sharingmatrix.com/file/7316185/ET_-_CAM.rar"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5618656454442441729?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-58278775139126891442010-07-20T10:00:00.003+02:002010-07-20T10:05:44.599+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TEVXzUrZcuI/AAAAAAAAA5k/tICx49MPvRY/s1600/cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 300px; height: 300px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TEVXzUrZcuI/AAAAAAAAA5k/tICx49MPvRY/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5495895459511235298" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Simon Scott - Traba</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, Ambient</span><span style="font-size:100%;"><br /><a href="http://www.myspace.com/pqpoison"><br /></a></span></span><a href="http://boomkat.com/vinyl/319246-simon-scott-traba"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://n5mailorder.com/release/981&amp;zenid=00986736f697361e34a21a73b5d3e3a3/proem-enough-conflict-%5BPREORDER%5D"><br /></a><a href="http://www.piccadillyrecords.com/products/SimonScott-Traba-Immune-69373.html"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br />A1 She Came From The Sea 5:10 <br />A2 The Water Loop 5:04 <br />B1 Lamina 8:10 <br />B2 An Avalanche 5:10<div><a href="http://www.megaupload.com/?d=ILGQO2LR"><br /></a></div><p><a href="http://www.megaupload.com/?d=7MP1ZZG7"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;">"Traba" is a brand new mini-LP from the UK’s Simon Scott. In the early 90s Scott was the drummer for renowned shoegaze band Slowdive. Recent years have seen Scott running the KESH recordings label from his base in Cambridge, performing in the group Seavault with Anthony Ryan (ISAN) on Morr Music, and also working as a sound designer for television, film and sonic art installation.<br /><br />2009 saw the release of Scott’s debut solo album "Navigare" released on Miasmah Recordings (run by Erik Skodvin of Svarte Greiner / Deaf Center). Scott has shared studio and stage with Brian Eno, Klimek, The Caretaker, Machinefabriek, Jasper TX, Nils Frahm, Seasons (Pre-Din), Rafael Anton Irisarri, Xela, Fever Ray, Svarte Greiner, Marcus Fjellstrom, Lawrence English, Fennesz, Leyland Kirby and Taylor Deupree. He has also remixed ON, Autistici and ISAN and provided production assistance for Hannu's album "Hintergarten". Scott also performs live with The Sight Below with Rafael Anton Irisarri and co-wrote songs on the new album "It All Falls Apart" (Ghostly International).<br /><br />"Traba" contains four tracks that were written at the end of the sessions for "Navigare". When the deadline for completion of the album came and went these compositions were unfinished, but over the course of the summer and Autumn of 2009 they were completed in Scott’s o3o3o Studio in Cambridge. "Traba" continues and expands on the themes of submergence, being lost at sea, and intoxication.<br /><br />"Traba" is pressed on high-quality virgin vinyl in an edition of 500 copies. Included is a free MP3 download coupon.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5827877513912689144?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-48202809516469232652010-07-17T01:21:00.004+02:002010-07-17T01:26:23.278+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TEDppEoR1zI/AAAAAAAAA5c/4NoQDFX1f5o/s1600/cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TEDppEoR1zI/AAAAAAAAA5c/4NoQDFX1f5o/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5494648437218596658" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Рrоеm - Enough Conflict </span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, IDM</span><span style="font-size:100%;"></span><span style="font-size:100%;"><br /><a href="http://www.myspace.com/pqpoison"><br /></a></span></span><a href="http://n5mailorder.com/release/981&amp;zenid=00986736f697361e34a21a73b5d3e3a3/proem-enough-conflict-%5BPREORDER%5D"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://n5mailorder.com/release/981&amp;zenid=00986736f697361e34a21a73b5d3e3a3/proem-enough-conflict-%5BPREORDER%5D"><br /></a><a href="http://n5mailorder.com/release/981&amp;zenid=00986736f697361e34a21a73b5d3e3a3/proem-enough-conflict-%5BPREORDER%5D"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br />01 Deep Sleeping Birds<br />02 Back To Fail<br />03 guns.knives.lemons<br />04 jiittirrrrriii<br />05 She Never Cries<br />06 Fall Forward<br />07 Sudden Sharp Turns<br />08 Kalimba Jam<br />09 Enough Conflict<br />10 seafaring velvet waltz<br />11 skulls<br />12 @ the firey abyss<br />13 a short bit before you go<br />14 untitled<div><a href="http://www.megaupload.com/?d=ILGQO2LR"><br /></a></div><p><a href="http://www.megaupload.com/?d=ILGQO2LR"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;">For those keeping track of Richard Bailey's (a.k.a. Proem) output, Enough Conflict is album number eight from the North American IDM veteran. The album finds Bailey in top form utilizing his technical bag of tricks to render an album for die-hard fans and new-comers alike. Those concerned with Bailey's dark ambient album “til there's no breath” on Nonresponse in 2009 can rest assured that Enough Conflict is just what they have been craving since “A Permanent Solution” (n5MD). Enough Conflict is Bailey's most diverse album mixing catchier melodic passages with some of his roughest beatwork since his debut album “Burn Plate no1”. This diversity of mood and style makes “Enough Conflict” engaging on repeated listens and a possible contender for one of the best IDM albums of 2010.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4820280951646923265?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-9375544388048944472010-07-17T01:12:00.003+02:002010-07-17T01:20:31.531+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_GSTkcFN7zdo/TEDnpeD6ntI/AAAAAAAAA5U/8OigeG7UxSY/s1600/folder.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_GSTkcFN7zdo/TEDnpeD6ntI/AAAAAAAAA5U/8OigeG7UxSY/s320/folder.jpg" alt="" id="BLOGGER_PHOTO_ID_5494646245022146258" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">RQTN - Decades And Decisions </span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, Shoegaze, Classic</span><span style="font-size:100%;"><br /><a href="http://www.myspace.com/pqpoison"><br /></a></span></span><a href="http://www.rqtn.net/decades/#"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://www.rqtn.net/decades/#"><br /></a><a href="http://www.rqtn.net/decades/#"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br />09 2010 - A New Decade<br />08 2003 - A Motionless Frozen State (ft. Antoine Ollivier)<br />07 1997 - A Block In Town<br />06 1986 - A Son To Concede All<br />05 1982 - A Dawn To Remember<br />04 1970 - A Gaze Towards The Lighthouse<br />03 1955 - A Shelter For Lovers<br />02 1942 - A Struggle In The Haze<br />01 1928 - A Birth Among Others<div><br /></div><p><a href="http://www.megaupload.com/?d=YCMDZUN0"><span style="color: rgb(51, 204, 255);">Download</span></a></p><p><a href="http://www.megaupload.com/?d=YCMDZUN0"><span style="color: rgb(51, 204, 255);"><br /></span></a></p><p> RQTN is the solo musical project of the young french producer Mathieu Artu. </p> <p> His music is a subtle mix between classical music and modern influences such as new-wave, post-rock and pop music. </p> <p> He already released 2 EPs in 2008 and 2009, «We Were... We Are» on Swarm Of Nails Records, and a self-titled EP on free digital download. </p> <p> «Monolithes En Mouvement», his first - successfuly acclaimed - album, was released in May 2009.</p><p>In 2010, RQTN strikes back and composes a new album : Decades And Decisions. </p><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-937554438804894447?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-16067925628541001902010-07-07T01:30:00.002+02:002010-07-07T01:34:20.351+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TDO8lLH-w_I/AAAAAAAAA5M/AaqAs3H_7oQ/s1600/x-pq-cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TDO8lLH-w_I/AAAAAAAAA5M/AaqAs3H_7oQ/s320/x-pq-cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5490939717522211826" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;">Pq - You'll Never Find Us Here</span><span style="font-size:85%;"><br /></span><span style="font-size:100%;"><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Post Rock, Electronic</span><span style="font-size:100%;"></span><span style="font-size:100%;"><br /><a href="http://www.myspace.com/pqpoison"><br /></a></span></span><a href="http://www.myspace.com/pqpoison"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://boas.bandcamp.com/"><br /></a><a href="http://boomkat.com/cds/315172-pq-you-ll-never-find-us-here"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br /><div>01. A Taste Of Diminished Expectation</div><div>02. La Chapelle</div><div>03. Your Perception Of Red</div><div>04. Jocelyn</div><div>05. Louise On Earth</div><div>06. The Cairo Truth</div><div>07. Somebody Should Repeat My Summer</div><div>08. The Blind Architect</div><div>09. Will You Still Be There</div><div>10. You'll Never Find Us Here</div><div>11. Hidden Track</div><div>12. In Praise</div><div>13. Hold Me</div><div>14. Somebody Should Repeat My Summer - pq remix (Bonus track)</div><div><br /></div><p><a href="http://rs155.rapidshare.com/files/405227491/pq_-_you_ll_never_find_us_here__2010_.rar"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;">Belgian duo, Samir Bekaert and Maarten Vaderwalle arrive at Expanding Records, one of the more enduring electronica labels out there. You'll Never Find Us Here really doesn't fit with that sort of classification however, instead offering a richly varied selection of instrumental productions and tuneful home-listening excursions. Putting acoustic guitars and pianos to good use, Pq make soundtrack-like vignettes, with highlights such as the string-bestowed offering 'Jocelyn' and Max Richter-ish outing 'Your Perception Of Red'. Elsewhere you'll encounter acoustic guitar flurries of James Blackshaw proportions ('Will You Still Be There?'), a solitary ballad ('Louise On Earth', featuring a faintly spooky child's vocal) and the expertly produced 'Somebody Should Repeat My Summer', which sounds a little reminiscent of Helios. The influence of abstract, beat-driven, post-IDM electronics remains present, with a sequence of three tracks at the end of the album bringing to mind the output of primetime Hobby Industries or Morr Music: 'In Praise' is like an Opiate production with an electric guitar added to the mix and there's more top quality laptop juggling around the corner, providing clicky electronics and glitch rhythms for entries 'Hold Me' and the inappropriately titled 'Hidden Track'.</div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1606792562854100190?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-17533529013984069482010-07-04T11:04:00.001+02:002010-07-04T11:07:45.867+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/TDBOmL_FpTI/AAAAAAAAA5E/uvGo6SvLtLw/s1600/FR-td-2260231-1273704951.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 300px; height: 300px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/TDBOmL_FpTI/AAAAAAAAA5E/uvGo6SvLtLw/s320/FR-td-2260231-1273704951.jpg" alt="" id="BLOGGER_PHOTO_ID_5489974363724031282" border="0" /></a><span style="font-weight: bold; font-family: georgia;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />Taylor Deupree - Snow (Dusk, Dawn)</span><span style="font-family: georgia; font-size: 85%;"><br /></span><span style="font-family: georgia; font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electronic, Ambient</span><span style="font-size: 100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://boomkat.com/downloads/307985-taylor-deupree-snow-dusk-dawn"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://boomkat.com/downloads/307985-taylor-deupree-snow-dusk-dawn"><br /></a><a style="font-family: georgia;" href="http://boomkat.com/downloads/307985-taylor-deupree-snow-dusk-dawn"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br /><span style="font-family: georgia;">1. Taylor Deupree - Snow (Dusk, Dawn)</span><p style="font-family: georgia;"><a href="http://www.megaupload.com/?d=Y8A6LTNU"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;"><span style="font-size: 100%;"><p>"Transience, ephemerality. There is beauty in things that don't last. Taylor Deupree's Snow (Dusk, Dawn), a multimedia project incorporating sound and photography, is based around 63 photographs taken with expired polaroid film. This particular film produces images cast with other-worldly blueish hues and almost immediately begin to fade; losing color, to deep browns, and then finally, within 24 hours after being shot, to complete black. Deupree's work is often inspired by nature, particularly the winterscapes near his home and studio in rural New York. With the polaroid film in hand, which he knew would capture only a fleeting image, he shot images during the first heavy snowfall of the winter of 2009, at dusk, in the setting sun; nothing was to last, the snow, the image, the day. The next morning, barely at sunrise, he set out again to finish the film, in a dawn that wasn't going to last. As quickly as he could, following each photo session, Deupree scanned the polaroid prints, capturing the first white snow in ghostly blue before the pictures faded to black. Each of these scanned images is printed and displayed next to its original, black polaroid counterpart in the package along with the cd. Each copy of this edition of 63 is thus rendered unique, each with a different print and polaroid. For the music portion of the project there is also contrast, transience, and decay. A fragile melodic loop, distressed by surface noise, struggles to keep its repetitive flow over a quiet and languid 18 minutes as it subtly, but constantly, loses ground and eventually becomes fragmented and falls away amongst the elements that surrounded it. Snow (Dusk, Dawn) captures the essence of what much of deupree's work is about: imperfection, time, and memory. He uses both high- and low-tech means of creating rich works that scrape away at the surface of digital sterility. Avoiding the con- trolled manipulation offered by computers he prefers natural and unpredictable processes to add depth and texture to this work. Outdated film, cheap cameras, dust and leaking light effect his photographs while guitars, found percussion, old analog synthesizers and recordings of falling snow provide the soundtrack to a moment in time that comes and goes like dawn".</p></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-1753352901398406948?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-79764787060937047692010-06-15T13:03:00.003+02:002010-06-15T13:07:19.027+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TBdeFCh_tKI/AAAAAAAAA48/87k02yaht94/s1600/FR-2245894-1272092546.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 282px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TBdeFCh_tKI/AAAAAAAAA48/87k02yaht94/s320/FR-2245894-1272092546.jpg" alt="" id="BLOGGER_PHOTO_ID_5482954512018683042" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;font-family:georgia;" >Еmеrаlds - Dоеs It Lооk Likе I'm Неre? </span><span style=";font-family:georgia;font-size:85%;" ><br /></span><span style=";font-family:georgia;font-size:100%;" ><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, Ambient</span><span style="font-size:100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://boomkat.com/cds/306730-emeralds-does-it-look-like-i-m-here"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://boomkat.com/cds/306730-emeralds-does-it-look-like-i-m-here"><br /></a><a style="font-family: georgia;" href="http://boomkat.com/cds/306730-emeralds-does-it-look-like-i-m-here"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it</span></a><br /><br /><span style="font-family:georgia;">01 Candy Shoppe<br />02 The Cycle of Abuse<br />03 Double Helix<br />04 Science Center<br />05 Genetic<br />06 Goes By<br />07 Does It Look Like I'm Here_<br />08 Summerdata<br />09 Shade<br />10 It Doesn't Arrive<br />11 Now You See Me<br />12 Access Granted</span><p style="font-family: georgia;"><a href="http://www.megaupload.com/?d=BTU5WK1K"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;"><span style="font-size:100%;"><p>After a glut of super-limited CDrs, cassettes and vinyl pressings, Cleveland, Ohio's Emeralds present their most developed album to date on Editions Mego. Like everyone else (read: maybe you, The Wire, Peter Rehberg, Fact Magazine, so many blogs) we've become big fans of their open-skied and kosmic sound, working our way back from 'Solar Bridge' through sparse reissues, and following through last years stunning self titled LP and 'What Happened' for No Fun, plus the many, many side projects from individual members Steve Hauschildt, Mark McGuire and John Elliot. Yup, they're an annoyingly prolific bunch. Following the trend of recent albums 'Does It Look Like I'm Here?' takes a different approach from their early work, eschewing lengthy improvised jams for a sculpted and highly organised sound which thankfully hasn't lost any of the swirling synth magic they've become known for. As they've matured and developed a stronger sense of identity, the comparisons to Tangerine Dream, Ash Ra Tempel and Popol Vuh are still relevant, but with this album they've harnessed the elemental chaos into well honed and efficient movements, with sublimely intuitive key changes and melting textures skillfully gauged for piloerect impact, defining their art with ever more graceful contours. We're only 2 minutes into the cascading arpeggios and pastoral guitars of 'Candy Shoppe' before they hit us with the first pivotal bliss surge. It's these moments that define their sound and reflect the comparison to "cheesy" new age or kosmiche, moments of open-hearted honesty delivered without ironic discharge. We find these moments scattered across the album, in the spiraling clasp of guitars and burbling synth in 'Double Helix', the breathless ascension of 'Genetic' and the tactile envelopment of 'Goes By'. Their other attribute is one that places them in perfect company on Mego, next to the likes of Fennesz and even more appropriately, Oneohtrix Point Never, that searching sonic futurism, seeking out utterly alien and tinglingly lush harmonic colours that justifies what many may perceive as archaic synth noodling. 'Does It Look Like I'm Here' is a magical accomplishment and should be experienced by any lovers of affecting electronic music, Just remember to turn your euphoria blocker off.</p></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7976478706093704769?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-75702955470420731962010-06-11T01:22:00.000+02:002010-06-11T01:25:09.880+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TBFzutXLRSI/AAAAAAAAA40/QJhfBjR_AEU/s1600/FR-1368444.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TBFzutXLRSI/AAAAAAAAA40/QJhfBjR_AEU/s320/FR-1368444.jpg" alt="" id="BLOGGER_PHOTO_ID_5481289467774584098" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold; font-family: georgia;">Сhristорher Нipgrаvе- Slоw, With Раgеs Оf Fluttеring Intеrfеrеnсе </span><span style="font-family: georgia; font-size: 85%;"><br /></span><span style="font-family: georgia; font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electronic, Ambient</span><span style="font-size: 100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://www.low-point.com/"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://www.low-point.com/"><br /></a><a style="font-family: georgia;" href="http://www.low-point.com/"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it!</span></a><br /><br /><span style="font-family: georgia;font-family:Arial, Helvetica, sans-serif;" >1. Singularity<br /> 2. Everything Slowed<br /> 3. Brightening, Multiplying<br /> 4. Time And Distance<br /> 5. Often Into Dream<br /> 6. Shifting Uncertainties<br /> 7. Strange Attractor<br /> 8. Brushes And Settles<br /> 9. Heavy And Pulling You<br /> 10. Slow Time<br /> 11. Seas<br /> 12. Bright And Fluid As Mercury<br /> 13. Positive Feedback Escapes Equilibrium<br /> 14. Soft Static<br /> 15. Disturbing The Patterns<br /> 16. Go With The Loops<br /> 17. Orphan Drift</span><p style="font-family: georgia;"><a href="http://www.megaupload.com/?d=EUESO1G3"><span style="color: rgb(51, 204, 255);">Download</span></a></p><p style="text-align: justify; font-family: georgia;" class="style10">Following on from releases on Home Normal and Under The Spire in 2009, ‘Slow, With Pages Of Fluttering Interference’ is the third album from UK composer and sound designer Christopher Hipgrave. </p><p style="text-align: justify; font-family: georgia;" class="style10"> Over the course of 42 minutes, Hipgrave’s sound is one of gentle manipulation, shimmering melodies and an exquisite sense of indistinct fragility. Whilst multiple layers of texture and tone are the main focal point of this album, background hisses, pops and crackles can also be heard which all seem to emanate from some strange electronic machine. </p><div style="text-align: justify; font-family: georgia;"> </div><p style="text-align: justify; font-family: georgia;" class="style10">It’s this attention to detail that provides ‘Slow…’ with such warmth and humanity, creating a perfect balance against the structure of the music. Each piece is formed using a bare minimum of sound sources, which are then explored in depth, allowing the tracks to breathe, morph or run until their natural conclusion, resulting in an album of sublime intricate beauty. </p><span style="font-size: 100%;"><p></p></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7570295547042073196?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-4188525240542308952010-06-02T08:45:00.003+02:002010-06-02T08:50:50.580+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/TAX-Ml2vMHI/AAAAAAAAA4s/h9nqIhLCTDQ/s1600/345izh0.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/TAX-Ml2vMHI/AAAAAAAAA4s/h9nqIhLCTDQ/s320/345izh0.jpg" alt="" id="BLOGGER_PHOTO_ID_5478064014039658610" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold; font-family: georgia;">Loscil - Versions Ep</span><span style="font-family: georgia; font-size: 85%;"><br /></span><span style="font-family: georgia; font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electronic, Ambient</span><span style="font-size: 100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://www.myspace.com/loscil"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://loscil.bandcamp.com/album/versions"><br /></a><a style="font-family: georgia;" href="http://loscil.bandcamp.com/album/versions"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy it</span></a><br /><br /><span style="font-family: georgia;">1. Emma<br />2. </span>Estuarine <br /><span style="font-family: georgia;">3. </span>The Making Of Grief Point (Instrumental) <p style="font-family: georgia;"><a href="http://www.zshare.net/download/76750663da5fa49e/"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;"><span style="font-size: 100%;"><p>The EP is aptly titled Versions and features reworked versions of Emma from First Narrows, Estuarine and The Making of Grief Point from Endless Falls. Emma and Estuarine both feature Dan Bejar on guitar and Josh Lindstrom on Vibes and were first performed as part of New York’s Wordless Music Series in 2009. The Making of Grief Point is an instrumental version of the track from Endless Falls which featured Bejar’s spoken word. All of these tracks compliment the originals quite nicely so I thought it was worth making them available. </p></span><span style="font-size: 100%;"></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-418852524054230895?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com5tag:blogger.com,1999:blog-4818361172287283064.post-48831137881606923622010-05-31T07:55:00.002+02:002010-05-31T07:59:19.605+02:00<a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TANPfX9sitI/AAAAAAAAA4k/bp2G1YurJHA/s1600/edit_29058b0cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 300px; height: 300px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TANPfX9sitI/AAAAAAAAA4k/bp2G1YurJHA/s320/edit_29058b0cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5477308972239981266" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold; font-family: georgia;">Maps And Diagrams :: Cubiculo</span><span style="font-family: georgia; font-size: 85%;"><br /></span><span style="font-family: georgia; font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electronic, Ambient</span><span style="font-size: 100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://fluiddigital.bandcamp.com/album/cubiculo"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a style="font-family: georgia;" href="http://fluiddigital.bandcamp.com/album/cubiculo"><span style="font-weight: bold; color: rgb(51, 204, 255);"></span></a><br /><br /><span style="font-family: georgia;">1. The Melancholy of the Weavers 04:28 <br />2. Kopangyang 04:16 <br />3. Gnomish Twang 04:35 <br />4. Fragments of a Former Moon </span><p style="font-family: georgia;"><a href="http://fluiddigital.bandcamp.com/album/cubiculo"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify; font-family: georgia;"><span style="font-size: 100%;"><p>Taking some time out from making music with Charles Sage as Hessien, Tim Martin brings his Maps and Diagrams project to the surface with four exclusive songs for Fluid Audio.<br /><br />'Cubiculo' features a more structured, loop-based arrangement, drawing attention to a rounded and melodic stencil with focus on subtle, micro-crystalised rhythm, surrounded by a self-assurance and tangled textures with a salute towards the work of Oval and their deconstructed works of the 90's.<br /><br />'Cubiculo' creates a less-harsh listening environment compared to 'The Giant Woods' album on Yuki Yaki released in December 2009 and this is another steadfast release carefully crafted, interwoven with unfolding elements that makes Maps and Diagrams'<br />compositions so precisely enduring.</p></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4883113788160692362?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-33058500428998664122010-05-31T07:50:00.002+02:002010-05-31T07:53:02.813+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/TANOOPYB_9I/AAAAAAAAA4c/DzcUQEeRKAE/s1600/edit_2905ffecover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 300px; height: 300px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/TANOOPYB_9I/AAAAAAAAA4c/DzcUQEeRKAE/s320/edit_2905ffecover.jpg" alt="" id="BLOGGER_PHOTO_ID_5477307578365116370" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold; font-family: georgia;">Isan :: Glow In The Dark Safari Set</span><span style="font-family: georgia; font-size: 85%;"><br /></span><span style="font-family: georgia; font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electronic</span><span style="font-size: 100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://www.morrmusic.com/artist/ISAN/release/137"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a style="font-family: georgia;" href="http://www.morrmusic.com/artist/ISAN/release/137"><br /></a><a style="font-family: georgia;" href="http://www.morrmusic.com/artist/ISAN/release/137"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br />1. Channel ten<br />2. Device<br />3. Merman Sound<br />4. Grisette<br />5. The Axle<br />6. Greencracked<br />7. 64 Fire Damage<br />8. Catgot<br />9. Dapperling<br />10. Slurs And Slowly<br />11. Eastside <span style="font-family: georgia;"></span><span style="font-family: georgia;"></span><p style="font-family: georgia;"><a href="http://rs569.rapidshare.com/files/393051882/isn2k10.rar"><span style="color: rgb(51, 204, 255);">Download</span></a></p> <div style="text-align: justify;">Robin Saville and Antony Ryan, two English gentlemen who create music together under the nom de plume Isan, return with their sixth full length album for their spiritual home of Morr Music. It’s been a few years since Isan’s previous outing, the delectable electronic esoterica of Plans Drawn In Pencil, but our heroes haven’t been lazy. “We played some lovely shows on the back of the album and then took an unintentional sabbatical,” explains Robin. “Antony moved to Denmark and then Sweden where he's now learning to be a glass blower. No really”, he deadpans in as good natured a way one close friend can talk about another. Robin also released a critically acclaimed album himself, the agrarian electronica of Peasgood Nonsuch. No wonder it took them a while to finish Glow In The Dark Safari Set. The results, in (ahem) time-honoured Isan tradition, are certainly worth the wait. Opener, Channel Ten, with its Autobahn-assured poise, appropriately prefigures a body of work that is Isan’s finest to date. Inspiration for this came from ‘emancipation’ as Robin elaborates “It was an attempt to jettison the weight of our back catalogue and get back to the fun of making music. This entailed playing with ancient Casios, mangled tape loops and squidgy noises. Very hands-on. Most of the tracks on the album started life away from the laptop” This giddy sense of enjoyment suffuses the album – from the glistening rush of Merman Sound which segues into the soft focus sound world of its own coda seamlessly to the cinematic, techy strut of Grissette or the calmly oscillating and cascading melodies of Greencracked which evoke images of a retro-futurist utopia. Isan have always excelled at fashioning a quietly awe-inspiring music and Glow... is no exception. Even the title suggests a sense of wide-eyed-wonder “We were playing with lots of ideas around fire, embers, bioluminescence and the title popped into my head one day. It seemed to sum up a lot of the things we like - I like to imagine sitting in a darkened room looking at the gentle green glow of 1970s vu meters, then they all come to life and start crawling up the wall” says Antony. Such is the album’s celestial hot-wired circuit board wizardry; Glow In The Dark Safari Set positively throbs, ebbs and flows with electronically refracted ideas and melodies – a digital tone poem sitting somewhere betwixt the cosy experimentation of the BBC Radiophonic Workshop and the exotic sonic emissions of a top secret Düsseldorf studio circa 1975. “I think we'd like to see it as a bit of a reset in terms of the Isan canon” concludes Robin. If that’s the case then Isan fans old and new will be delighted to hear that Glow In The Dark Safari Set points to a beautiful future. Bask in its brilliance. - Rich Hanscomb </div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3305850042899866412?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-72693659603281476402010-05-26T13:54:00.003+02:002010-05-26T14:00:10.373+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/S_0L96ueWAI/AAAAAAAAA4U/N4F6s8MVdiU/s1600/Aidan-Baker-Liminoid-%E2%81%84-Lifeforms-2010.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 286px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/S_0L96ueWAI/AAAAAAAAA4U/N4F6s8MVdiU/s320/Aidan-Baker-Liminoid-%E2%81%84-Lifeforms-2010.jpg" alt="" id="BLOGGER_PHOTO_ID_5475545880316499970" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;font-family:georgia;" >Aidan Baker :: Liminoid / Lifeforms</span><span style=";font-family:georgia;font-size:85%;" ><br /></span><span style=";font-family:georgia;font-size:100%;" ><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, Ambient, Drone</span><span style="font-size:100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://www.alien8recordings.com/releases/liminoid-slash-lifeforms"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a style="font-family: georgia;" href="http://www.alien8recordings.com/releases/liminoid-slash-lifeforms"><br /></a><a style="font-family: georgia;" href="http://www.alien8recordings.com/releases/liminoid-slash-lifeforms"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br />1 Liminoid (Part I) 8:17<br />2 Liminoid (Part II) 6:35<br />3 Liminoid (Part III) 7:43<br />4 Liminoid (Part IV) 15:12<br />5 Lifeforms 29:21<span style="font-family:georgia;"></span><span style="font-family:georgia;"></span><p style="font-family: georgia;"><a href="http://www.filefactory.com/file/b1d51c2/n/Aidan_Baker_-_Liminoid_Lifeforms.rar"><span style="color: rgb(51, 204, 255);">Download</span></a></p><p style="font-family: georgia;"><br /><a href="http://www.filefactory.com/file/b1d51c2/n/Aidan_Baker_-_Liminoid_Lifeforms.rar"><span style="color: rgb(51, 204, 255);"></span></a></p><div style="text-align: justify;" class="widetext"> <p>While Alien8 Recordings has had the pleasure of releasing three full-length albums by Aidan Baker’s ambient doom project Nadja, as well as his collaborative effort <em>Fantasma Parastasie</em> with Tim Hecker, this marks our first solo release with the artist.</p> <p>Although we consider <em>Liminoid/Lifeforms</em> to be a solo effort, there are in fact no less than eight guest musicians helping out on the recording. These include Canadian noise legend Knurl (a.k.a. Alan Bloor) who has been released three times on Alien8 Recordings prior to this recording, as well as members of Arc, Picastro, Forest City Lovers and Whisper Room.</p> <p><em>Liminoid</em> is a composition for large ensemble exploring sonic immersion in drones and textures, rhythms and pulsations. Incorporating composed and improvised segments, the piece uses elongation of sound and layered polyphony in an attempt to create a liminal and/or numinous state. This recording of <em>Liminoid</em> is from its premier at The Music Gallery’s X-Avant Festival in Toronto, October 25, 2008. The piece features a powerful vocal performance with every member sharing the vocal duties. The lyrics have been adapted from 5th-8th century Coptic Christian texts and inspired by the book <em>Ancient Christian Magic</em> by by Marvin W. Meyer &amp; Richard Smith.</p> <p>The ensemble members for this performance were: Aidan Baker (guitar/voice), Clara Engel (guitar/voice), Nick Storring (cello/voice), Jakob Thiesen (drums/voice), Richard Baker (drums/voice), Tillman Lewis (cello/voice), Laura Bates (violin/voice) and Jonathan Demers (guitar/voice).</p> <p><em>Lifeforms</em> is a composition for strings, prepared/effected guitar, and amplified metal works. Likewise incorporating written and improvised material, the piece was originally commissioned and performed by The Penderecki Quartet in 2003. This recording was made in August 2008 at Commonwealth Studios in Toronto. The performers were: Aidan Baker (guitar), Nick Storring (cello), Mika Posen (violin) and Alan Bloor (metal works).</p> <p>This recording has been both skillfully mixed from multiple recordings and mastered by James Plotkin.</p></div><span style=";font-family:georgia;font-size:100%;" ></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7269365960328147640?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-89300947310982187092010-05-25T08:35:00.002+02:002010-05-25T08:39:02.109+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/S_twcoSJAyI/AAAAAAAAA4M/m5kAHAo_qxM/s1600/FR-toopudus-cover.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/S_twcoSJAyI/AAAAAAAAA4M/m5kAHAo_qxM/s320/FR-toopudus-cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5475093409151124258" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;font-family:georgia;" >Maps and diagrams :: toopuudus</span><span style=";font-family:georgia;font-size:85%;" ><br /></span><span style=";font-family:georgia;font-size:100%;" ><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Ambient, Electronic</span><span style="font-size:100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://n5mailorder.com/release/907/maps-and-diagrams-toopuudus"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a style="font-family: georgia;" href="http://n5mailorder.com/release/907/maps-and-diagrams-toopuudus"><br /></a><a style="font-family: georgia;" href="http://n5mailorder.com/release/907/maps-and-diagrams-toopuudus"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br /><span style="font-family:georgia;">1. Urschîpfung<br />2. Glottal<br />3. KÑsiraamat<br /><br /></span><span style="font-family:georgia;"></span><a href="http://www.megaupload.com/?d=04QTWPPZ"><span style="color: rgb(51, 204, 255);">Download</span></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-8930094731098218709?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-44968182752130428262010-05-15T01:26:00.003+02:002010-05-15T01:34:10.828+02:00<a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/S-3cJKJHXCI/AAAAAAAAA4E/ObObFFxCWtE/s1600/FR-51IjELJjMQL._SS500_.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/S-3cJKJHXCI/AAAAAAAAA4E/ObObFFxCWtE/s320/FR-51IjELJjMQL._SS500_.jpg" alt="" id="BLOGGER_PHOTO_ID_5471271172224539682" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold; font-family: georgia;">V.A. songs of twilight</span><span style="font-family: georgia; font-size: 85%;"><br /></span><span style="font-family: georgia; font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Ambient, Electronic</span><span style="font-size: 100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://www.amazon.co.jp/gp/switch-language/product/B0039UMADS/ref=dp_change_lang?ie=UTF8&amp;language=en_JP"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a style="font-family: georgia;" href="http://www.amazon.co.jp/gp/switch-language/product/B0039UMADS/ref=dp_change_lang?ie=UTF8&amp;language=en_JP"><br /></a><a style="font-family: georgia;" href="http://www.amazon.co.jp/gp/switch-language/product/B0039UMADS/ref=dp_change_lang?ie=UTF8&amp;language=en_JP"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br /><span style="font-family: georgia;">1. Snowy Lava (Ametsub)<br />2. Whim [new mastering version] (Serph)<br />3. Sparking Swallow (sooner)<br />4. Apoptosis (Caelum)<br />5. Winter Dusk [exclusive ver.] (Ametsub)<br />6. Rowboat [with Piana] (FourColor)<br />7. F (flica)<br />8. Hello World (miaou)<br />9. Chrome Yellow (Lowriders Deluxe)<br />10. The Stars in Spring (epic45)<br />11. Love Tendrilises (SUSUMU YOKOTA)<br />12. Niedola (matryoshka)<br />13. 1 C B 6002 (aleph-1)<br />14. Common Colors in the Air (aspidistrafly)</span><span style="font-family: georgia;"></span><p style="font-family: georgia;"><span style="color: rgb(51, 204, 255);"><a href="http://www.megaupload.com/?d=KF3ALUG7">Download</a><br /></span></p><span style="font-family: georgia; font-size: 100%;"></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-4496818275213042826?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-56825182479994241472010-05-11T12:54:00.002+02:002010-05-12T01:03:50.537+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/S-k3aaw6enI/AAAAAAAAA38/Om--qncfy5Q/s1600/folder.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/S-k3aaw6enI/AAAAAAAAA38/Om--qncfy5Q/s320/folder.jpg" alt="" id="BLOGGER_PHOTO_ID_5469964149418785394" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;font-family:georgia;" >Clubroot - II: MMX</span><span style=";font-family:georgia;font-size:85%;" ><br /></span><span style=";font-family:georgia;font-size:100%;" ><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, Dub</span><span style="font-size:100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://www.myspace.com/celersite"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a style="font-family: georgia;" href="http://n5mailorder.com/release/906&amp;zenid=9f38925e8b24293017bca64377f64bdc/when-the-clouds-the-longed-for-season"><br /></a><a style="font-family: georgia;" href="http://www.normanrecords.com/records/115632"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br />01. Orbiting [05:03]<br />02. Waterways [05:02]<br />03. Dry Cured [05:21]<br />04. Sjambok [01:47]<br />05. Toe To Toe [04:40]<br />06. Whistles &amp; Horns [04:41]<br />07. Running On Empty [05:01]<br />08. Physicality [05:21]<br />09. Dust Storm [03:47]<br />10. Closure [07:08]<br />11. Cherubs Cry [05:15]<span style="font-family:georgia;"></span><p style="font-family: georgia;"><span style="color: rgb(51, 204, 255);">Download　(take down by request)<br /></span></p><div style="text-align: justify;"><span style=";font-family:georgia;font-size:100%;" ><p>Deep-end dubstep heads, your time! Clubroot follows up his revelatory debut with a second set of deluxe post-rave for the emotionally scarred stepper. Unlike most producers of his ilk, Clubroot's music is almost defined by the fact that he simply doesn't play livesets. Perhaps it's a homage to that other show-shy figure, Burial, but it's probably more the fact that he'd have everyone in a blubbering puddle in the middle of the floor, meaning these tracks are ideally suited to smoke &amp; whiskey aided armchair sessions. These eleven tracks adhere to the formula of his former set, using spare, dread-reverbed percussion, sweeping subbass harmonics and a framework of late 90's to early 00's warehouse vibes to express a particular sort of smudged anguish. 'Orbiting' starts the rush with a cascade of angelic voices summoned from a Hysteria hyperrave in Milton Keynes circa 1996, while 'Waterways' offers a half-hidden glimpse of fluid tech-step submerged under trolleys and tesco bags at the bottom of an inner city canal. The impressive 'Whistles &amp; Horns', shakes out Orbital-esque rhythmic twists with the kind of synthbass finesse mastered by Teebee, 'Running On Empty' nods to the hanging halfstep of Kryptic Minds and then there's 'Cherubs Cry'. Do we really need to describe that one? Big.</p></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-5682518247999424147?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com2tag:blogger.com,1999:blog-4818361172287283064.post-70361649368488550062010-05-10T11:46:00.002+02:002010-05-10T11:51:30.417+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_GSTkcFN7zdo/S-fWCdaI6qI/AAAAAAAAA30/G_VfcVQ8kcQ/s1600/FR-115632.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 318px;" src="http://3.bp.blogspot.com/_GSTkcFN7zdo/S-fWCdaI6qI/AAAAAAAAA30/G_VfcVQ8kcQ/s320/FR-115632.jpg" alt="" id="BLOGGER_PHOTO_ID_5469575610207103650" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold; font-family: georgia;">Сеlеr :: Dwеll In Роssibility </span><span style="font-family: georgia; font-size: 85%;"><br /></span><span style="font-family: georgia; font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Electronic, Ambient</span><span style="font-size: 100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://www.myspace.com/celersite"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a style="font-family: georgia;" href="http://n5mailorder.com/release/906&amp;zenid=9f38925e8b24293017bca64377f64bdc/when-the-clouds-the-longed-for-season"><br /></a><a style="font-family: georgia;" href="http://www.normanrecords.com/records/115632"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br /><span style="font-family: georgia;">1. Dwell In Possibility Pt. 1 <br />2. Dwell In Possibility Pt. 2 </span><span style="font-family: georgia;"></span><p style="font-family: georgia;"><a href="http://www.megaupload.com/?d=FGN8N7YR"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;"><span style="font-family: georgia; font-size: 100%;"><p>I think I'm right in saying that this is Celer's first vinyl album? And unsurprisingly it contains a whole lotta sweet, sweet ambience. When I saw the artwork I wondered if it might be a sort of sister release to the amazing Engaged Touches but it's actually got quite a different, darker, feel on the whole. I guess if you follow through with the travel themes of the photographs on the two releases it might almost seem as if the Home Normal CD was the sound of reuniting with a loved one and this Blackest Rainbow release the sound of departing from them.. That's the beauty of their stuff I guess, they hint at all sorts of things but really you can read into it whatever you like and it'll probably end up being different with every listen. Whatever the intention, this is pretty gorgeous. As always!</p></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-7036164936848855006?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com1tag:blogger.com,1999:blog-4818361172287283064.post-3930461881877486452010-05-06T10:08:00.003+02:002010-05-06T10:58:19.198+02:00<a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_GSTkcFN7zdo/S-J5D2WZgyI/AAAAAAAAA3s/sW6tC0F-kcU/s1600/FR-2184915-1272327925.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_GSTkcFN7zdo/S-J5D2WZgyI/AAAAAAAAA3s/sW6tC0F-kcU/s320/FR-2184915-1272327925.jpg" alt="" id="BLOGGER_PHOTO_ID_5468066004617233186" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold;font-family:georgia;" >Fаbiо Оrsi :: Wintеrrеisе </span><span style=";font-family:georgia;font-size:85%;" ><br /></span><span style=";font-family:georgia;font-size:100%;" ><span style="font-weight: bold;font-size:100%;" >Genre : </span><span style="font-size:100%;">Electronic, Ambient, Drone</span><span style="font-size:100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://www.myspace.com/orsifabio"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a style="font-family: georgia;" href="http://n5mailorder.com/release/906&amp;zenid=9f38925e8b24293017bca64377f64bdc/when-the-clouds-the-longed-for-season"><br /></a><a style="font-family: georgia;" href="http://www.normanrecords.com/records/114790"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br /><span style="font-family:georgia;">01-fabio_orsi-part_one<br />02-fabio_orsi-part_two<br />03-fabio_orsi-part_three<br />04-fabio_orsi-part_four<br />05-fabio_orsi-part_five<br />06-fabio_orsi-part_six</span><span style="font-family:georgia;"></span><p style="font-family: georgia;"><a href="http://www.megaupload.com/?d=1X2CXH9K"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;"><span style=";font-family:georgia;font-size:100%;" ><p>Fabio Orsi has been steadily building his catalogue with releases on Students of Decay, Foxglove, Sentient Recognition Archive, A Silent Place, Students Of Decay, Low Point and Preservation. He makes his debut this week on Japan's Slow Flow Rec following excellent releases from Celer and Ian Hawgood. The audio comes in six parts and it's really doing the business for me. It's ultra soothing ambient/ drone of very high quality that just gets you in that zone. He composes using guitar, effects and old keyboards and creates a stirring and emotive sonic landscape. I think I've probably exhausted my vocabulary in terms of writing about this style so I'll spare the adjectives and give this a very high recommendation.</p></span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-393046188187748645?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com0tag:blogger.com,1999:blog-4818361172287283064.post-33364801919970749192010-05-03T03:39:00.002+02:002010-05-03T03:43:41.533+02:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_GSTkcFN7zdo/S94pf4l0GlI/AAAAAAAAA3k/8C2pXC75zY8/s1600/11aeg7s.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 320px;" src="http://4.bp.blogspot.com/_GSTkcFN7zdo/S94pf4l0GlI/AAAAAAAAA3k/8C2pXC75zY8/s320/11aeg7s.jpg" alt="" id="BLOGGER_PHOTO_ID_5466852625418033746" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-weight: bold; font-family: georgia;">When the clouds :: The longed-for season</span><span style="font-family: georgia; font-size: 85%;"><br /></span><span style="font-family: georgia; font-size: 100%;"><span style="font-weight: bold; font-size: 100%;">Genre : </span><span style="font-size: 100%;">Shoegaze, Electronica</span><span style="font-size: 100%;"><br /><br /></span></span><a style="font-family: georgia;" href="http://n5mailorder.com/release/906&amp;zenid=9f38925e8b24293017bca64377f64bdc/when-the-clouds-the-longed-for-season"><span style="font-weight: bold; color: rgb(51, 204, 255);">Listen</span></a><a href="http://n5mailorder.com/release/906&amp;zenid=9f38925e8b24293017bca64377f64bdc/when-the-clouds-the-longed-for-season"><br /></a><a style="font-family: georgia;" href="http://n5mailorder.com/release/906&amp;zenid=9f38925e8b24293017bca64377f64bdc/when-the-clouds-the-longed-for-season"><span style="font-weight: bold; color: rgb(51, 204, 255);">Buy!</span></a><br /><br />01. The Dawn and The Embrace<br />02. Rise On<br />03. Flooding River<br />04. November Song<br />05. The Place Where This Path Leads<br />06. The House of Sleep<span style="font-family: georgia;"></span><p style="font-family: georgia;"><a href="http://sharingmatrix.com/file/4060812/WhenTheClouds_2010_.rar"><span style="color: rgb(51, 204, 255);">Download</span></a></p><div style="text-align: justify;"><span style="font-size: 100%;"><p>When the Clouds is the recording project of artist and producer Franceso Galano of Salerno, Italy. Francesco has a strong passion for art which has led him from an early age and culminated in his decision to study Painting at the Academy of Fine Arts in Florence. At age 13, he had his first brush with making music via a broken acoustic guitar which he'd received as a gift from his uncle. From that moment on, his life was divided by two passions: art and music. While playing in several bands as a teenager, he also began composing music on his own. Francesco released his first demo in 2004, under the name Eid Ethyca, called “White Noise, Awake Memories”. This early project was close to the musical dimension he'd later finesse as When the Clouds. One notable difference being, voice was an important component to the song structure. With When the Clouds he's focused more on sound, spending time studying and obsessing over musique concrète's textures, noises and glitches. As a result he's steered towards instrumental music, and began to incorporate acoustic instruments in his sound. His focus on more organic sound, he's started to make extremely narrative instrumental electronic music that in and of itself tells a story. In each of these tracks, each listener could define in words or images something different. Inspired by the pastoral beauty of nature and its evocative power that holds sway over him, When the Clouds' very name can be left open to interpretation, just as any viewer can find shapes or meaning in the clouds themselves as they pass overhead. The Longed-For Season is a six track tapestry that reveals more and more of itself with each listen. Equal parts restraint, masterfully crafted tension and euphoric release that will leave listeners lost in thought. RIYL: Mum, Telefon Tel Aviv, The Soul's Release.</p></span><br /></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4818361172287283064-3336480191997074919?l=shiannikureru.blogspot.com' alt='' /></div>shiannikureruhttp://www.blogger.com/profile/14137006108030458596noreply@blogger.com